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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 231 129 140 it is the complementary color RGB 24 126 115. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 231 129 140. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 231 129 140: RGB 236 129 135, RGB 253 147 154, RGB 255 165 173, RGB 255 183 192 and RGB 255 201 211

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 231 129 140. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 231 129 140: RGB 231 129 140, RGB 214 111 121, RGB 197 93 102, RGB 180 75 83 and RGB 163 57 64

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 44 / 39 / 9

HEX #E7818C

RGB 231 129 140

HSL 353.53, 0.68%, 0.71%

LAB 65.42, 40.29, 11.58

 

Complementary color

CMYK 81 / 0 / 9 / 51

HEX #187E73

RGB 24 126 115

HSL 173.53, 0.68%, 0.29%

LAB 47.44, -30.27, -2

 

CMYK 0 / 45 / 43 / 7

HEX #EC8187

RGB 236 129 135

HSL 356.64, 0.74%, 0.72%

LAB 65.97, 41.56, 15.26

 

CMYK 0 / 42 / 39 / 1

HEX #FD939A

RGB 253 147 154

HSL 356.04, 0.96%, 0.78%

LAB 72.28, 40.56, 13.8

 

CMYK 0 / 35 / 32 / 0

HEX #FFA5AD

RGB 255 165 173

HSL 354.67, 1%, 0.82%

LAB 76.79, 34.22, 9.77

 

CMYK 0 / 28 / 25 / 0

HEX #FFB7C0

RGB 255 183 192

HSL 352.5, 1%, 0.86%

LAB 81.25, 27.31, 5.86

 

CMYK 0 / 21 / 17 / 0

HEX #FFC9D3

RGB 255 201 211

HSL 348.89, 1%, 0.89%

LAB 85.87, 20.62, 2.37

 

CMYK 0 / 44 / 39 / 9

HEX #E7818C

RGB 231 129 140

HSL 353.53, 0.68%, 0.71%

LAB 65.42, 40.29, 11.58

 

CMYK 0 / 48 / 43 / 16

HEX #D66F79

RGB 214 111 121

HSL 354.17, 0.56%, 0.64%

LAB 59.02, 41.3, 13.12

 

CMYK 0 / 53 / 48 / 23

HEX #C55D66

RGB 197 93 102

HSL 354.81, 0.47%, 0.57%

LAB 52.57, 42.34, 14.91

 

CMYK 0 / 58 / 54 / 29

HEX #B44B53

RGB 180 75 83

HSL 355.43, 0.41%, 0.5%

LAB 46.12, 43.35, 17.05

 

CMYK 0 / 65 / 61 / 36

HEX #A33940

RGB 163 57 64

HSL 356.04, 0.48%, 0.43%

LAB 39.72, 44.24, 19.68

 

CMYK 0 / 44 / 39 / 9

HEX #E7818C

RGB 231 129 140

HSL 353.53, 0.68%, 0.71%

LAB 65.42, 40.29, 11.58

 

CMYK 0 / 42 / 44 / 9

HEX #E78782

RGB 231 135 130

HSL 2.97, 0.68%, 0.71%

LAB 66.47, 36.11, 18.66

 

CMYK 0 / 34 / 44 / 9

HEX #E79882

RGB 231 152 130

HSL 13.07, 0.68%, 0.71%

LAB 70.22, 27.14, 23.77

 

CMYK 0 / 27 / 44 / 9

HEX #E7A982

RGB 231 169 130

HSL 23.17, 0.68%, 0.71%

LAB 74.17, 18.07, 29.07

 

CMYK 0 / 19 / 44 / 9

HEX #E7BA82

RGB 231 186 130

HSL 33.27, 0.68%, 0.71%

LAB 78.3, 9.05, 34.48

 

CMYK 0 / 44 / 39 / 9

HEX #E7818C

RGB 231 129 140

HSL 353.53, 0.68%, 0.71%

LAB 65.42, 40.29, 11.58

 

CMYK 0 / 44 / 41 / 89

HEX #1B0F10

RGB 27 15 16

HSL 355, 0.29%, 0.08%

LAB 5.53, 5.51, 1.37

 

CMYK 0 / 44 / 40 / 69

HEX #4E2C2F

RGB 78 44 47

HSL 354.71, 0.28%, 0.24%

LAB 22.4, 16.13, 4.81

 

CMYK 0 / 44 / 40 / 49

HEX #81484E

RGB 129 72 78

HSL 353.68, 0.28%, 0.39%

LAB 37.58, 25, 7.1

 

CMYK 0 / 44 / 39 / 29

HEX #B4656D

RGB 180 101 109

HSL 353.92, 0.34%, 0.55%

LAB 51.97, 32.6, 9.56

 

CMYK 0 / 44 / 39 / 9

HEX #E7818C

RGB 231 129 140

HSL 353.53, 0.68%, 0.71%

LAB 65.42, 40.29, 11.58

 

CMYK 4 / 0 / 44 / 9

HEX #DEE782

RGB 222 231 130

HSL 65.35, 0.68%, 0.71%

LAB 89.06, -17.52, 47.96

 

CMYK 44 / 21 / 0 / 9

HEX #82B6E7

RGB 130 182 231

HSL 209.11, 0.68%, 0.71%

LAB 72.21, -4.4, -29.85

 

CMYK 0 / 44 / 39 / 9

HEX #E7818C

RGB 231 129 140

HSL 353.53, 0.68%, 0.71%

LAB 65.42, 40.29, 11.58

 

CMYK 39 / 0 / 44 / 9

HEX #8EE782

RGB 142 231 130

HSL 112.87, 0.68%, 0.71%

LAB 84.23, -45.95, 40.87

 

CMYK 44 / 39 / 0 / 9

HEX #828EE7

RGB 130 142 231

HSL 232.87, 0.68%, 0.71%

LAB 61.53, 18.29, -46.5

 

CMYK 0 / 44 / 39 / 9

HEX #E7818C

RGB 231 129 140

HSL 353.53, 0.68%, 0.71%

LAB 65.42, 40.29, 11.58

 

CMYK 4 / 0 / 44 / 9

HEX #DEE782

RGB 222 231 130

HSL 65.35, 0.68%, 0.71%

LAB 89.06, -17.52, 47.96

 

CMYK 44 / 0 / 5 / 9

HEX #82E7DB

RGB 130 231 219

HSL 172.87, 0.68%, 0.71%

LAB 85.51, -32.39, -3.39

 

CMYK 40 / 44 / 0 / 9

HEX #8B82E7

RGB 139 130 231

HSL 245.35, 0.68%, 0.71%

LAB 59.18, 27.56, -50.18

 

CMYK 0 / 44 / 39 / 9

HEX #E7818C

RGB 231 129 140

HSL 353.53, 0.68%, 0.71%

LAB 65.42, 40.29, 11.58

 

CMYK 17 / 0 / 44 / 9

HEX #C0E782

RGB 192 231 130

HSL 83.17, 0.68%, 0.71%

LAB 86.98, -28.9, 44.92

 

CMYK 44 / 0 / 5 / 9

HEX #82E7DB

RGB 130 231 219

HSL 172.87, 0.68%, 0.71%

LAB 85.51, -32.39, -3.39

 

CMYK 27 / 44 / 0 / 9

HEX #A982E7

RGB 169 130 231

HSL 263.17, 0.68%, 0.71%

LAB 61.8, 35.46, -45.87

 

Description

Color code: RGB 231 129 140 | qconv.com Color code: RGB 231 129 140 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 231 red, 129 green and 140 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
231 129 140 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 44 magenta, 39 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 44% 39% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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