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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 230 248 87 it is the complementary color RGB 25 7 168. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 230 248 87. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 230 248 87: RGB 235 248 82, RGB 252 255 101, RGB 255 255 120, RGB 255 255 139 and RGB 255 255 158

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 230 248 87. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 230 248 87: RGB 230 248 87, RGB 213 230 68, RGB 196 212 49, RGB 179 194 30 and RGB 162 176 11

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 7 / 0 / 65 / 3

HEX #E6F857

RGB 230 248 87

HSL 66.71, 0.92%, 0.66%

LAB 93.73, -25.96, 72.23

 

Complementary color

CMYK 85 / 96 / 0 / 34

HEX #1907A8

RGB 25 7 168

HSL 246.71, 0.92%, 0.34%

LAB 20.77, 56.38, -76.49

 

CMYK 5 / 0 / 67 / 3

HEX #EBF852

RGB 235 248 82

HSL 64.7, 0.92%, 0.65%

LAB 94.06, -24.25, 74.55

 

CMYK 1 / 0 / 60 / 0

HEX #FCFF65

RGB 252 255 101

HSL 61.17, 1%, 0.7%

LAB 97.29, -19.7, 70.98

 

CMYK 0 / 0 / 53 / 0

HEX #FFFF78

RGB 255 255 120

HSL 60, 1%, 0.74%

LAB 97.69, -17.18, 63.45

 

CMYK 0 / 0 / 45 / 0

HEX #FFFF8B

RGB 255 255 139

HSL 60, 1%, 0.77%

LAB 97.89, -15.58, 55.07

 

CMYK 0 / 0 / 38 / 0

HEX #FFFF9E

RGB 255 255 158

HSL 60, 1%, 0.81%

LAB 98.13, -13.71, 46.33

 

CMYK 7 / 0 / 65 / 3

HEX #E6F857

RGB 230 248 87

HSL 66.71, 0.92%, 0.66%

LAB 93.73, -25.96, 72.23

 

CMYK 7 / 0 / 70 / 10

HEX #D5E644

RGB 213 230 68

HSL 66.3, 0.76%, 0.58%

LAB 87.56, -25.28, 72.55

 

CMYK 8 / 0 / 77 / 17

HEX #C4D431

RGB 196 212 49

HSL 65.89, 0.65%, 0.51%

LAB 81.32, -24.46, 72.35

 

CMYK 8 / 0 / 85 / 24

HEX #B3C21E

RGB 179 194 30

HSL 65.49, 0.73%, 0.44%

LAB 74.99, -23.48, 71.28

 

CMYK 8 / 0 / 94 / 31

HEX #A2B00B

RGB 162 176 11

HSL 65.09, 0.88%, 0.37%

LAB 68.57, -22.28, 68.91

 

CMYK 7 / 0 / 65 / 3

HEX #E6F857

RGB 230 248 87

HSL 66.71, 0.92%, 0.66%

LAB 93.73, -25.96, 72.23

 

CMYK 17 / 0 / 65 / 3

HEX #CDF858

RGB 205 248 88

HSL 76.13, 0.92%, 0.66%

LAB 92.05, -35.62, 69.57

 

CMYK 28 / 0 / 65 / 3

HEX #B2F858

RGB 178 248 88

HSL 86.25, 0.92%, 0.66%

LAB 90.46, -45.57, 67.41

 

CMYK 39 / 0 / 65 / 3

HEX #98F858

RGB 152 248 88

HSL 96, 0.92%, 0.66%

LAB 89.17, -54.36, 65.64

 

CMYK 50 / 0 / 65 / 3

HEX #7DF858

RGB 125 248 88

HSL 106.13, 0.92%, 0.66%

LAB 88.06, -62.39, 64.12

 

CMYK 7 / 0 / 65 / 3

HEX #E6F857

RGB 230 248 87

HSL 66.71, 0.92%, 0.66%

LAB 93.73, -25.96, 72.23

 

CMYK 7 / 0 / 66 / 83

HEX #292C0F

RGB 41 44 15

HSL 66.21, 0.49%, 0.12%

LAB 17.02, -6.61, 17.95

 

CMYK 7 / 0 / 65 / 63

HEX #585F21

RGB 88 95 33

HSL 66.77, 0.48%, 0.25%

LAB 38.5, -12.26, 33.57

 

CMYK 8 / 0 / 65 / 43

HEX #879233

RGB 135 146 51

HSL 66.95, 0.48%, 0.39%

LAB 57.99, -17.27, 47.29

 

CMYK 7 / 0 / 65 / 23

HEX #B7C545

RGB 183 197 69

HSL 66.56, 0.52%, 0.52%

LAB 76.33, -21.52, 60.14

 

CMYK 7 / 0 / 65 / 3

HEX #E6F857

RGB 230 248 87

HSL 66.71, 0.92%, 0.66%

LAB 93.73, -25.96, 72.23

 

CMYK 65 / 0 / 45 / 3

HEX #58F888

RGB 88 248 136

HSL 138, 0.92%, 0.66%

LAB 87.48, -65.08, 41.7

 

CMYK 19 / 65 / 0 / 3

HEX #C858F8

RGB 200 88 248

HSL 282, 0.92%, 0.66%

LAB 58.07, 68.25, -61.02

 

CMYK 7 / 0 / 65 / 3

HEX #E6F857

RGB 230 248 87

HSL 66.71, 0.92%, 0.66%

LAB 93.73, -25.96, 72.23

 

CMYK 65 / 6 / 0 / 3

HEX #58E8F8

RGB 88 232 248

HSL 186, 0.92%, 0.66%

LAB 85.28, -33.41, -19.15

 

CMYK 0 / 65 / 6 / 3

HEX #F858E8

RGB 248 88 232

HSL 306, 0.92%, 0.66%

LAB 63.97, 76.38, -42.35

 

CMYK 7 / 0 / 65 / 3

HEX #E6F857

RGB 230 248 87

HSL 66.71, 0.92%, 0.66%

LAB 93.73, -25.96, 72.23

 

CMYK 65 / 0 / 45 / 3

HEX #58F888

RGB 88 248 136

HSL 138, 0.92%, 0.66%

LAB 87.48, -65.08, 41.7

 

CMYK 58 / 65 / 0 / 3

HEX #6858F8

RGB 104 88 248

HSL 246, 0.92%, 0.66%

LAB 47.88, 49.82, -78.01

 

CMYK 0 / 65 / 19 / 3

HEX #F858C8

RGB 248 88 200

HSL 318, 0.92%, 0.66%

LAB 62.6, 71.79, -26.5

 

CMYK 7 / 0 / 65 / 3

HEX #E6F857

RGB 230 248 87

HSL 66.71, 0.92%, 0.66%

LAB 93.73, -25.96, 72.23

 

CMYK 65 / 0 / 26 / 3

HEX #58F8B8

RGB 88 248 184

HSL 156, 0.92%, 0.66%

LAB 88.29, -56.27, 18.68

 

CMYK 58 / 65 / 0 / 3

HEX #6858F8

RGB 104 88 248

HSL 246, 0.92%, 0.66%

LAB 47.88, 49.82, -78.01

 

CMYK 0 / 65 / 39 / 3

HEX #F85898

RGB 248 88 152

HSL 336, 0.92%, 0.66%

LAB 60.96, 66.08, -1.41

 

Description

Color code: RGB 230 248 87 | qconv.com Color code: RGB 230 248 87 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 230 red, 248 green and 87 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
230 248 87 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 7 cyan, none magenta, 65 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
7% 0% 65% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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