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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 230 229 63 it is the complementary color RGB 25 26 192. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 230 229 63. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 230 229 63: RGB 235 229 58, RGB 252 247 77, RGB 255 255 96, RGB 255 255 115 and RGB 255 255 134

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 230 229 63. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 230 229 63: RGB 230 229 63, RGB 213 211 44, RGB 196 193 25, RGB 179 175 6 and RGB 162 157 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 0 / 73 / 10

HEX #E6E53F

RGB 230 229 63

HSL 59.64, 0.77%, 0.57%

LAB 88.55, -18.08, 75.63

 

Complementary color

CMYK 87 / 86 / 0 / 25

HEX #191AC0

RGB 25 26 192

HSL 239.64, 0.77%, 0.43%

LAB 26.01, 57.17, -82.11

 

CMYK 0 / 3 / 75 / 8

HEX #EBE53A

RGB 235 229 58

HSL 57.97, 0.82%, 0.57%

LAB 88.93, -16.21, 77.69

 

CMYK 0 / 2 / 69 / 1

HEX #FCF74D

RGB 252 247 77

HSL 58.29, 0.97%, 0.65%

LAB 95.06, -17.18, 77.75

 

CMYK 0 / 0 / 62 / 0

HEX #FFFF60

RGB 255 255 96

HSL 60, 1%, 0.69%

LAB 97.48, -18.81, 73.24

 

CMYK 0 / 0 / 55 / 0

HEX #FFFF73

RGB 255 255 115

HSL 60, 1%, 0.73%

LAB 97.64, -17.55, 65.58

 

CMYK 0 / 0 / 47 / 0

HEX #FFFF86

RGB 255 255 134

HSL 60, 1%, 0.76%

LAB 97.83, -16.03, 57.32

 

CMYK 0 / 0 / 73 / 10

HEX #E6E53F

RGB 230 229 63

HSL 59.64, 0.77%, 0.57%

LAB 88.55, -18.08, 75.63

 

CMYK 0 / 1 / 79 / 16

HEX #D5D32C

RGB 213 211 44

HSL 59.29, 0.67%, 0.5%

LAB 82.33, -17.05, 75.16

 

CMYK 0 / 2 / 87 / 23

HEX #C4C119

RGB 196 193 25

HSL 58.95, 0.77%, 0.43%

LAB 76.04, -15.84, 73.72

 

CMYK 0 / 2 / 97 / 30

HEX #B3AF06

RGB 179 175 6

HSL 58.61, 0.94%, 0.36%

LAB 69.65, -14.42, 70.93

 

CMYK 0 / 3 / 100 / 36

HEX #A29D00

RGB 162 157 0

HSL 58.15, 1%, 0.32%

LAB 63.17, -12.75, 66.27

 

CMYK 0 / 0 / 73 / 10

HEX #E6E53F

RGB 230 229 63

HSL 59.64, 0.77%, 0.57%

LAB 88.55, -18.08, 75.63

 

CMYK 11 / 0 / 74 / 10

HEX #CCE53C

RGB 204 229 60

HSL 68.88, 0.76%, 0.57%

LAB 86.6, -28.82, 74.07

 

CMYK 23 / 0 / 74 / 10

HEX #B0E53C

RGB 176 229 60

HSL 78.82, 0.76%, 0.57%

LAB 84.79, -39.78, 71.71

 

CMYK 35 / 0 / 74 / 10

HEX #94E53C

RGB 148 229 60

HSL 88.76, 0.76%, 0.57%

LAB 83.26, -49.92, 69.71

 

CMYK 48 / 0 / 74 / 10

HEX #78E53C

RGB 120 229 60

HSL 98.7, 0.76%, 0.57%

LAB 82.03, -58.86, 68.08

 

CMYK 0 / 0 / 73 / 10

HEX #E6E53F

RGB 230 229 63

HSL 59.64, 0.77%, 0.57%

LAB 88.55, -18.08, 75.63

 

CMYK 0 / 0 / 73 / 90

HEX #1A1A07

RGB 26 26 7

HSL 60, 0.58%, 0.06%

LAB 8.77, -3.65, 10.19

 

CMYK 0 / 0 / 73 / 70

HEX #4D4D15

RGB 77 77 21

HSL 60, 0.57%, 0.19%

LAB 31.67, -8.06, 31.81

 

CMYK 0 / 1 / 73 / 50

HEX #807F23

RGB 128 127 35

HSL 59.35, 0.57%, 0.32%

LAB 51.71, -11.29, 47.37

 

CMYK 0 / 1 / 73 / 30

HEX #B3B231

RGB 179 178 49

HSL 59.54, 0.57%, 0.45%

LAB 70.63, -14.78, 61.93

 

CMYK 0 / 0 / 73 / 10

HEX #E6E53F

RGB 230 229 63

HSL 59.64, 0.77%, 0.57%

LAB 88.55, -18.08, 75.63

 

CMYK 74 / 0 / 60 / 10

HEX #3CE55B

RGB 60 229 91

HSL 131.01, 0.76%, 0.57%

LAB 80.6, -69.38, 54.07

 

CMYK 31 / 74 / 0 / 10

HEX #9F3CE5

RGB 159 60 229

HSL 275.15, 0.76%, 0.57%

LAB 47.31, 67.74, -68

 

CMYK 0 / 0 / 73 / 10

HEX #E6E53F

RGB 230 229 63

HSL 59.64, 0.77%, 0.57%

LAB 88.55, -18.08, 75.63

 

CMYK 74 / 0 / 1 / 10

HEX #3CE5E2

RGB 60 229 226

HSL 178.93, 0.76%, 0.57%

LAB 83.17, -41.83, -10.76

 

CMYK 1 / 74 / 0 / 10

HEX #E23CE5

RGB 226 60 229

HSL 298.93, 0.76%, 0.57%

LAB 57.13, 80.51, -51.7

 

CMYK 0 / 0 / 73 / 10

HEX #E6E53F

RGB 230 229 63

HSL 59.64, 0.77%, 0.57%

LAB 88.55, -18.08, 75.63

 

CMYK 74 / 0 / 60 / 10

HEX #3CE55B

RGB 60 229 91

HSL 131.01, 0.76%, 0.57%

LAB 80.6, -69.38, 54.07

 

CMYK 74 / 72 / 0 / 10

HEX #3C3FE5

RGB 60 63 229

HSL 238.93, 0.76%, 0.57%

LAB 38.15, 52.57, -83.39

 

CMYK 0 / 74 / 14 / 10

HEX #E53CC6

RGB 229 60 198

HSL 311.01, 0.76%, 0.57%

LAB 56.05, 76.57, -35.75

 

CMYK 0 / 0 / 73 / 10

HEX #E6E53F

RGB 230 229 63

HSL 59.64, 0.77%, 0.57%

LAB 88.55, -18.08, 75.63

 

CMYK 74 / 0 / 38 / 10

HEX #3CE58E

RGB 60 229 142

HSL 149.11, 0.76%, 0.57%

LAB 81.27, -61.67, 30.52

 

CMYK 74 / 72 / 0 / 10

HEX #3C3FE5

RGB 60 63 229

HSL 238.93, 0.76%, 0.57%

LAB 38.15, 52.57, -83.39

 

CMYK 0 / 74 / 35 / 10

HEX #E53C94

RGB 229 60 148

HSL 328.76, 0.76%, 0.57%

LAB 54.06, 70.45, -9.64

 

Description

Color code: RGB 230 229 63 | qconv.com Color code: RGB 230 229 63 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 230 red, 229 green and 63 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
230 229 63 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, none magenta, 73 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 0% 73% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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