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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 230 201 147 it is the complementary color RGB 25 54 108. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 230 201 147. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 230 201 147: RGB 235 201 142, RGB 252 219 161, RGB 255 237 180, RGB 255 255 199 and RGB 255 255 218

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 230 201 147. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 230 201 147: RGB 230 201 147, RGB 213 183 128, RGB 196 165 109, RGB 179 147 90 and RGB 162 129 71

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 13 / 36 / 10

HEX #E6C993

RGB 230 201 147

HSL 39.04, 0.62%, 0.74%

LAB 82.22, 2.65, 30.76

 

Complementary color

CMYK 77 / 50 / 0 / 58

HEX #19366C

RGB 25 54 108

HSL 219.04, 0.62%, 0.26%

LAB 23.43, 9.93, -34.64

 

CMYK 0 / 14 / 40 / 8

HEX #EBC98E

RGB 235 201 142

HSL 38.06, 0.7%, 0.74%

LAB 82.59, 4.05, 33.92

 

CMYK 0 / 13 / 36 / 1

HEX #FCDBA1

RGB 252 219 161

HSL 38.24, 0.94%, 0.81%

LAB 88.89, 3.49, 32.76

 

CMYK 0 / 7 / 29 / 0

HEX #FFEDB4

RGB 255 237 180

HSL 45.6, 1%, 0.85%

LAB 93.94, -2.25, 29.87

NCS® S0520-Y10R

CMYK 0 / 0 / 22 / 0

HEX #FFFFC7

RGB 255 255 199

HSL 60, 1%, 0.89%

LAB 98.79, -8.74, 26.85

 

CMYK 0 / 0 / 15 / 0

HEX #FFFFDA

RGB 255 255 218

HSL 60, 1%, 0.93%

LAB 99.16, -6.02, 17.71

 

CMYK 0 / 13 / 36 / 10

HEX #E6C993

RGB 230 201 147

HSL 39.04, 0.62%, 0.74%

LAB 82.22, 2.65, 30.76

 

CMYK 0 / 14 / 40 / 16

HEX #D5B780

RGB 213 183 128

HSL 38.82, 0.5%, 0.67%

LAB 75.81, 3.2, 31.95

 

CMYK 0 / 16 / 44 / 23

HEX #C4A56D

RGB 196 165 109

HSL 38.62, 0.42%, 0.6%

LAB 69.29, 3.85, 33.2

 

CMYK 0 / 18 / 50 / 30

HEX #B3935A

RGB 179 147 90

HSL 38.43, 0.37%, 0.53%

LAB 62.67, 4.61, 34.53

 

CMYK 0 / 20 / 56 / 36

HEX #A28147

RGB 162 129 71

HSL 38.24, 0.39%, 0.46%

LAB 55.92, 5.52, 35.92

 

CMYK 0 / 13 / 36 / 10

HEX #E6C993

RGB 230 201 147

HSL 39.04, 0.62%, 0.74%

LAB 82.22, 2.65, 30.76

 

CMYK 0 / 7 / 36 / 10

HEX #E5D693

RGB 229 214 147

HSL 49.02, 0.61%, 0.74%

LAB 85.43, -4.45, 34.99

 

CMYK 0 / 0 / 36 / 10

HEX #E5E493

RGB 229 228 147

HSL 59.27, 0.61%, 0.74%

LAB 89.04, -11.52, 39.69

 

CMYK 5 / 0 / 36 / 10

HEX #D9E593

RGB 217 229 147

HSL 68.78, 0.61%, 0.74%

LAB 88.4, -16.59, 38.68

 

CMYK 11 / 0 / 36 / 10

HEX #CBE593

RGB 203 229 147

HSL 79.02, 0.61%, 0.74%

LAB 87.41, -21.83, 37.2

 

CMYK 0 / 13 / 36 / 10

HEX #E6C993

RGB 230 201 147

HSL 39.04, 0.62%, 0.74%

LAB 82.22, 2.65, 30.76

 

CMYK 0 / 12 / 35 / 90

HEX #1A1711

RGB 26 23 17

HSL 40, 0.21%, 0.08%

LAB 7.88, 0.16, 4.23

 

CMYK 0 / 13 / 36 / 70

HEX #4D4331

RGB 77 67 49

HSL 38.57, 0.22%, 0.25%

LAB 28.94, 1.12, 12.51

 

CMYK 0 / 13 / 36 / 50

HEX #807052

RGB 128 112 82

HSL 39.13, 0.22%, 0.41%

LAB 47.99, 1.51, 19

 

CMYK 0 / 13 / 36 / 30

HEX #B39C72

RGB 179 156 114

HSL 38.77, 0.3%, 0.57%

LAB 65.42, 2.31, 25.14

 

CMYK 0 / 13 / 36 / 10

HEX #E6C993

RGB 230 201 147

HSL 39.04, 0.62%, 0.74%

LAB 82.22, 2.65, 30.76

 

CMYK 31 / 0 / 36 / 10

HEX #9FE593

RGB 159 229 147

HSL 111.22, 0.61%, 0.74%

LAB 84.75, -37.24, 33.21

 

CMYK 27 / 36 / 0 / 10

HEX #A893E5

RGB 168 147 229

HSL 255.37, 0.61%, 0.74%

LAB 65.63, 25.09, -38.75

 

CMYK 0 / 13 / 36 / 10

HEX #E6C993

RGB 230 201 147

HSL 39.04, 0.62%, 0.74%

LAB 82.22, 2.65, 30.76

 

CMYK 36 / 0 / 12 / 10

HEX #93E5C9

RGB 147 229 201

HSL 159.51, 0.61%, 0.74%

LAB 85.23, -31.11, 5.77

 

CMYK 12 / 36 / 0 / 10

HEX #C993E5

RGB 201 147 229

HSL 279.51, 0.61%, 0.74%

LAB 68.71, 34.87, -33.73

 

CMYK 0 / 13 / 36 / 10

HEX #E6C993

RGB 230 201 147

HSL 39.04, 0.62%, 0.74%

LAB 82.22, 2.65, 30.76

 

CMYK 31 / 0 / 36 / 10

HEX #9FE593

RGB 159 229 147

HSL 111.22, 0.61%, 0.74%

LAB 84.75, -37.24, 33.21

 

CMYK 36 / 23 / 0 / 10

HEX #93B0E5

RGB 147 176 229

HSL 218.78, 0.61%, 0.74%

LAB 71.49, 2.8, -29.78

 

CMYK 5 / 36 / 0 / 10

HEX #D993E5

RGB 217 147 229

HSL 291.22, 0.61%, 0.74%

LAB 70.37, 39.76, -31.02

 

CMYK 0 / 13 / 36 / 10

HEX #E6C993

RGB 230 201 147

HSL 39.04, 0.62%, 0.74%

LAB 82.22, 2.65, 30.76

 

CMYK 36 / 0 / 31 / 10

HEX #93E59F

RGB 147 229 159

HSL 128.78, 0.61%, 0.74%

LAB 84.35, -39.11, 26.45

 

CMYK 36 / 23 / 0 / 10

HEX #93B0E5

RGB 147 176 229

HSL 218.78, 0.61%, 0.74%

LAB 71.49, 2.8, -29.78

 

CMYK 0 / 36 / 5 / 10

HEX #E593D9

RGB 229 147 217

HSL 308.78, 0.61%, 0.74%

LAB 71.24, 41.31, -22.97

 

Description

Color code: RGB 230 201 147 | qconv.com Color code: RGB 230 201 147 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 230 red, 201 green and 147 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
230 201 147 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 13 magenta, 36 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 13% 36% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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