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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 230 194 157 it is the complementary color RGB 25 61 98. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 230 194 157. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 230 194 157: RGB 235 194 152, RGB 252 212 171, RGB 255 230 190, RGB 255 248 209 and RGB 255 255 228

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 230 194 157. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 230 194 157: RGB 230 194 157, RGB 213 176 138, RGB 196 158 119, RGB 179 140 100 and RGB 162 122 81

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 16 / 32 / 10

HEX #E6C29D

RGB 230 194 157

HSL 30.41, 0.59%, 0.76%

LAB 80.65, 7.53, 23.39

 

Complementary color

CMYK 74 / 38 / 0 / 62

HEX #193D62

RGB 25 61 98

HSL 210.41, 0.59%, 0.24%

LAB 25.03, 0.94, -25.63

 

CMYK 0 / 17 / 35 / 8

HEX #EBC298

RGB 235 194 152

HSL 30.36, 0.67%, 0.76%

LAB 81.02, 8.85, 26.62

 

CMYK 0 / 16 / 32 / 1

HEX #FCD4AB

RGB 252 212 171

HSL 30.37, 0.93%, 0.83%

LAB 87.35, 8.28, 25.52

 

CMYK 0 / 10 / 25 / 0

HEX #FFE6BE

RGB 255 230 190

HSL 36.92, 1%, 0.87%

LAB 92.39, 2.6, 22.63

 

CMYK 0 / 3 / 18 / 0

HEX #FFF8D1

RGB 255 248 209

HSL 50.87, 1%, 0.91%

LAB 97.23, -3.85, 19.6

 

CMYK 0 / 0 / 11 / 0

HEX #FFFFE4

RGB 255 255 228

HSL 60, 1%, 0.95%

LAB 99.37, -4.48, 12.91

 

CMYK 0 / 16 / 32 / 10

HEX #E6C29D

RGB 230 194 157

HSL 30.41, 0.59%, 0.76%

LAB 80.65, 7.53, 23.39

 

CMYK 0 / 17 / 35 / 16

HEX #D5B08A

RGB 213 176 138

HSL 30.4, 0.47%, 0.69%

LAB 74.21, 8.1, 24.51

 

CMYK 0 / 19 / 39 / 23

HEX #C49E77

RGB 196 158 119

HSL 30.39, 0.39%, 0.62%

LAB 67.67, 8.75, 25.7

 

CMYK 0 / 22 / 44 / 30

HEX #B38C64

RGB 179 140 100

HSL 30.38, 0.34%, 0.55%

LAB 61.01, 9.5, 27

 

CMYK 0 / 25 / 50 / 36

HEX #A27A51

RGB 162 122 81

HSL 30.37, 0.33%, 0.48%

LAB 54.23, 10.4, 28.4

 

CMYK 0 / 16 / 32 / 10

HEX #E6C29D

RGB 230 194 157

HSL 30.41, 0.59%, 0.76%

LAB 80.65, 7.53, 23.39

 

CMYK 0 / 10 / 31 / 10

HEX #E5CD9D

RGB 229 205 157

HSL 40, 0.58%, 0.76%

LAB 83.31, 1.39, 27

 

CMYK 0 / 5 / 31 / 10

HEX #E5D99D

RGB 229 217 157

HSL 50, 0.58%, 0.76%

LAB 86.36, -4.79, 31.1

 

CMYK 0 / 0 / 31 / 10

HEX #E5E59D

RGB 229 229 157

HSL 60, 0.58%, 0.76%

LAB 89.45, -10.85, 35.2

 

CMYK 5 / 0 / 31 / 10

HEX #D9E59D

RGB 217 229 157

HSL 70, 0.58%, 0.76%

LAB 88.55, -15.36, 33.84

 

CMYK 0 / 16 / 32 / 10

HEX #E6C29D

RGB 230 194 157

HSL 30.41, 0.59%, 0.76%

LAB 80.65, 7.53, 23.39

 

CMYK 0 / 15 / 31 / 90

HEX #1A1612

RGB 26 22 18

HSL 30, 0.18%, 0.09%

LAB 7.56, 1.08, 3.16

 

CMYK 0 / 16 / 31 / 70

HEX #4D4135

RGB 77 65 53

HSL 30, 0.18%, 0.25%

LAB 28.42, 3.02, 9.24

 

CMYK 0 / 16 / 32 / 50

HEX #806C57

RGB 128 108 87

HSL 30.73, 0.19%, 0.42%

LAB 46.98, 4.54, 14.7

 

CMYK 0 / 16 / 32 / 30

HEX #B3977A

RGB 179 151 122

HSL 30.53, 0.27%, 0.59%

LAB 64.26, 6.08, 19.17

 

CMYK 0 / 16 / 32 / 10

HEX #E6C29D

RGB 230 194 157

HSL 30.41, 0.59%, 0.76%

LAB 80.65, 7.53, 23.39

 

CMYK 22 / 0 / 31 / 10

HEX #B3E59D

RGB 179 229 157

HSL 101.67, 0.58%, 0.76%

LAB 86.03, -29.05, 30.04

 

CMYK 28 / 31 / 0 / 10

HEX #A49DE5

RGB 164 157 229

HSL 245.83, 0.58%, 0.76%

LAB 67.77, 18.26, -35.44

 

CMYK 0 / 16 / 32 / 10

HEX #E6C29D

RGB 230 194 157

HSL 30.41, 0.59%, 0.76%

LAB 80.65, 7.53, 23.39

 

CMYK 31 / 0 / 16 / 10

HEX #9DE5C1

RGB 157 229 193

HSL 150, 0.58%, 0.76%

LAB 85.53, -29.89, 10.47

 

CMYK 16 / 31 / 0 / 10

HEX #C19DE5

RGB 193 157 229

HSL 270, 0.58%, 0.76%

LAB 70.25, 26.93, -31.4

 

CMYK 0 / 16 / 32 / 10

HEX #E6C29D

RGB 230 194 157

HSL 30.41, 0.59%, 0.76%

LAB 80.65, 7.53, 23.39

 

CMYK 22 / 0 / 31 / 10

HEX #B3E59D

RGB 179 229 157

HSL 101.67, 0.58%, 0.76%

LAB 86.03, -29.05, 30.04

 

CMYK 31 / 16 / 0 / 10

HEX #9DC1E5

RGB 157 193 229

HSL 210, 0.58%, 0.76%

LAB 76.66, -3.67, -21.82

 

CMYK 9 / 31 / 0 / 10

HEX #D09DE5

RGB 208 157 229

HSL 282.5, 0.58%, 0.76%

LAB 71.68, 31.57, -29.09

 

CMYK 0 / 16 / 32 / 10

HEX #E6C29D

RGB 230 194 157

HSL 30.41, 0.59%, 0.76%

LAB 80.65, 7.53, 23.39

 

CMYK 31 / 0 / 31 / 10

HEX #9DE59D

RGB 157 229 157

HSL 120, 0.58%, 0.76%

LAB 84.81, -36.34, 28.18

 

CMYK 31 / 16 / 0 / 10

HEX #9DC1E5

RGB 157 193 229

HSL 210, 0.58%, 0.76%

LAB 76.66, -3.67, -21.82

 

CMYK 0 / 31 / 0 / 10

HEX #E59DE5

RGB 229 157 229

HSL 300, 0.58%, 0.76%

LAB 73.82, 38.18, -25.61

 

Description

Color code: RGB 230 194 157 | qconv.com Color code: RGB 230 194 157 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 230 red, 194 green and 157 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
230 194 157 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 16 magenta, 32 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 16% 32% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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