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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 230 113 22 it is the complementary color RGB 25 142 233. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 230 113 22. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 230 113 22: RGB 235 113 17, RGB 252 131 36, RGB 255 149 55, RGB 255 167 74 and RGB 255 185 93

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 230 113 22. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 230 113 22: RGB 230 113 22, RGB 213 95 3, RGB 196 77 0, RGB 179 59 0 and RGB 162 41 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 51 / 90 / 10

HEX #E67116

RGB 230 113 22

HSL 26.25, 0.83%, 0.49%

LAB 60.51, 40.76, 64.02

 

Complementary color

CMYK 89 / 39 / 0 / 9

HEX #198EE9

RGB 25 142 233

HSL 206.25, 0.83%, 0.51%

LAB 57.5, 2.62, -54.27

 

CMYK 0 / 52 / 93 / 8

HEX #EB7111

RGB 235 113 17

HSL 26.42, 0.87%, 0.49%

LAB 61.23, 42.63, 66.1

 

CMYK 0 / 48 / 86 / 1

HEX #FC8324

RGB 252 131 36

HSL 26.39, 0.97%, 0.56%

LAB 67.32, 40.64, 66.46

 

CMYK 0 / 42 / 78 / 0

HEX #FF9537

RGB 255 149 55

HSL 28.2, 1%, 0.61%

LAB 71.58, 33.22, 63.41

 

CMYK 0 / 35 / 71 / 0

HEX #FFA74A

RGB 255 167 74

HSL 30.83, 1%, 0.65%

LAB 75.69, 24.67, 59.5

 

CMYK 0 / 27 / 64 / 0

HEX #FFB95D

RGB 255 185 93

HSL 34.07, 1%, 0.68%

LAB 80.04, 16.3, 55.58

 

CMYK 0 / 51 / 90 / 10

HEX #E67116

RGB 230 113 22

HSL 26.25, 0.83%, 0.49%

LAB 60.51, 40.76, 64.02

 

CMYK 0 / 55 / 99 / 16

HEX #D55F03

RGB 213 95 3

HSL 26.29, 0.97%, 0.42%

LAB 54.38, 42.82, 62.78

 

CMYK 0 / 61 / 100 / 23

HEX #C44D00

RGB 196 77 0

HSL 23.57, 1%, 0.38%

LAB 48.31, 44.92, 58.56

 

CMYK 0 / 67 / 100 / 30

HEX #B33B00

RGB 179 59 0

HSL 19.78, 1%, 0.35%

LAB 42.33, 46.76, 53.8

 

CMYK 0 / 75 / 100 / 36

HEX #A22900

RGB 162 41 0

HSL 15.19, 1%, 0.32%

LAB 36.49, 48.03, 49.17

 

CMYK 0 / 51 / 90 / 10

HEX #E67116

RGB 230 113 22

HSL 26.25, 0.83%, 0.49%

LAB 60.51, 40.76, 64.02

 

CMYK 0 / 36 / 91 / 11

HEX #E49115

RGB 228 145 21

HSL 35.94, 0.83%, 0.49%

LAB 67.13, 23.31, 69.01

 

CMYK 0 / 21 / 91 / 11

HEX #E4B415

RGB 228 180 21

HSL 46.09, 0.83%, 0.49%

LAB 75.57, 4.72, 75.35

 

CMYK 0 / 6 / 91 / 11

HEX #E4D615

RGB 228 214 21

HSL 55.94, 0.83%, 0.49%

LAB 84.3, -12.71, 82.02

 

CMYK 9 / 0 / 91 / 11

HEX #CFE415

RGB 207 228 21

HSL 66.09, 0.83%, 0.49%

LAB 86.41, -28.3, 82.95

 

CMYK 0 / 51 / 90 / 10

HEX #E67116

RGB 230 113 22

HSL 26.25, 0.83%, 0.49%

LAB 60.51, 40.76, 64.02

 

CMYK 0 / 50 / 92 / 90

HEX #1A0D02

RGB 26 13 2

HSL 27.5, 0.86%, 0.05%

LAB 4.62, 3.87, 6.17

 

CMYK 0 / 51 / 91 / 70

HEX #4D2607

RGB 77 38 7

HSL 26.57, 0.83%, 0.16%

LAB 19.96, 15.85, 26.17

 

CMYK 0 / 51 / 91 / 50

HEX #803F0C

RGB 128 63 12

HSL 26.38, 0.83%, 0.27%

LAB 34.34, 24.81, 40.4

 

CMYK 0 / 51 / 91 / 30

HEX #B35811

RGB 179 88 17

HSL 26.3, 0.83%, 0.38%

LAB 47.76, 33.02, 52.58

 

CMYK 0 / 51 / 90 / 10

HEX #E67116

RGB 230 113 22

HSL 26.25, 0.83%, 0.49%

LAB 60.51, 40.76, 64.02

 

CMYK 57 / 0 / 91 / 11

HEX #61E415

RGB 97 228 21

HSL 97.97, 0.83%, 0.49%

LAB 80.78, -66.43, 76.06

 

CMYK 88 / 91 / 0 / 11

HEX #1C15E4

RGB 28 21 228

HSL 242.03, 0.83%, 0.49%

LAB 30.36, 68.86, -95.79

 

CMYK 0 / 51 / 90 / 10

HEX #E67116

RGB 230 113 22

HSL 26.25, 0.83%, 0.49%

LAB 60.51, 40.76, 64.02

 

CMYK 91 / 0 / 51 / 11

HEX #15E46F

RGB 21 228 111

HSL 146.09, 0.83%, 0.49%

LAB 80.06, -70.18, 44.19

 

CMYK 51 / 91 / 0 / 11

HEX #6F15E4

RGB 111 21 228

HSL 266.09, 0.83%, 0.49%

LAB 36.96, 73.16, -84.64

 

CMYK 0 / 51 / 90 / 10

HEX #E67116

RGB 230 113 22

HSL 26.25, 0.83%, 0.49%

LAB 60.51, 40.76, 64.02

 

CMYK 57 / 0 / 91 / 11

HEX #61E415

RGB 97 228 21

HSL 97.97, 0.83%, 0.49%

LAB 80.78, -66.43, 76.06

 

CMYK 91 / 39 / 0 / 11

HEX #158AE4

RGB 21 138 228

HSL 206.09, 0.83%, 0.49%

LAB 56.03, 2.92, -53.84

 

CMYK 33 / 91 / 0 / 11

HEX #9815E4

RGB 152 21 228

HSL 277.97, 0.83%, 0.49%

LAB 42.48, 77.51, -75.36

 

CMYK 0 / 51 / 90 / 10

HEX #E67116

RGB 230 113 22

HSL 26.25, 0.83%, 0.49%

LAB 60.51, 40.76, 64.02

 

CMYK 85 / 0 / 91 / 11

HEX #23E415

RGB 35 228 21

HSL 115.94, 0.83%, 0.49%

LAB 79.56, -76.94, 74.54

 

CMYK 91 / 39 / 0 / 11

HEX #158AE4

RGB 21 138 228

HSL 206.09, 0.83%, 0.49%

LAB 56.03, 2.92, -53.84

 

CMYK 6 / 91 / 0 / 11

HEX #D615E4

RGB 214 21 228

HSL 295.94, 0.83%, 0.49%

LAB 52.32, 86.35, -58.93

 

Description

Color code: RGB 230 113 22 | qconv.com Color code: RGB 230 113 22 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 230 red, 113 green and 22 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
230 113 22 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 51 magenta, 90 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 51% 90% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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