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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 22 35 149 it is the complementary color RGB 233 220 106. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 22 35 149. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 22 35 149: RGB 27 35 144, RGB 44 53 163, RGB 61 71 182, RGB 78 89 201 and RGB 95 107 220

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 22 35 149. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 22 35 149: RGB 22 35 149, RGB 5 17 130, RGB 0 0 111, RGB 0 0 92 and RGB 0 0 73

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 85 / 77 / 0 / 42

HEX #162395

RGB 22 35 149

HSL 233.86, 0.74%, 0.34%

LAB 22.1, 38.74, -62.67

 

Complementary color

CMYK 0 / 6 / 55 / 9

HEX #E9DC6A

RGB 233 220 106

HSL 53.86, 0.74%, 0.66%

LAB 86.78, -9.84, 56.72

 

CMYK 81 / 76 / 0 / 44

HEX #1B2390

RGB 27 35 144

HSL 235.9, 0.68%, 0.34%

LAB 21.76, 37.29, -60.13

 

CMYK 73 / 67 / 0 / 36

HEX #2C35A3

RGB 44 53 163

HSL 235.46, 0.57%, 0.41%

LAB 28.71, 34.52, -60.29

 

CMYK 66 / 61 / 0 / 29

HEX #3D47B6

RGB 61 71 182

HSL 235.04, 0.5%, 0.48%

LAB 35.74, 32.05, -60.1

 

CMYK 61 / 56 / 0 / 21

HEX #4E59C9

RGB 78 89 201

HSL 234.63, 0.53%, 0.55%

LAB 42.74, 29.96, -59.78

 

CMYK 57 / 51 / 0 / 14

HEX #5F6BDC

RGB 95 107 220

HSL 234.24, 0.64%, 0.62%

LAB 49.64, 28.19, -59.45

 

CMYK 85 / 77 / 0 / 42

HEX #162395

RGB 22 35 149

HSL 233.86, 0.74%, 0.34%

LAB 22.1, 38.74, -62.67

 

CMYK 96 / 87 / 0 / 49

HEX #051182

RGB 5 17 130

HSL 234.24, 0.93%, 0.26%

LAB 15.72, 41.33, -61.39

 

CMYK 100 / 100 / 0 / 56

HEX #00006F

RGB 0 0 111

HSL 240, 1%, 0.22%

LAB 10.17, 42.9, -58.43

 

CMYK 100 / 100 / 0 / 64

HEX #00005C

RGB 0 0 92

HSL 240, 1%, 0.18%

LAB 6.98, 37.4, -51.13

 

CMYK 100 / 100 / 0 / 71

HEX #000049

RGB 0 0 73

HSL 240, 1%, 0.14%

LAB 4.35, 28.82, -42.41

 

CMYK 85 / 77 / 0 / 42

HEX #162395

RGB 22 35 149

HSL 233.86, 0.74%, 0.34%

LAB 22.1, 38.74, -62.67

 

CMYK 81 / 85 / 0 / 41

HEX #1C1696

RGB 28 22 150

HSL 242.81, 0.74%, 0.34%

LAB 20.13, 46.28, -66.54

 

CMYK 67 / 85 / 0 / 41

HEX #321696

RGB 50 22 150

HSL 253.13, 0.74%, 0.34%

LAB 21.78, 47.82, -63.76

 

CMYK 53 / 85 / 0 / 41

HEX #471696

RGB 71 22 150

HSL 262.97, 0.74%, 0.34%

LAB 24.05, 50, -59.93

 

CMYK 38 / 85 / 0 / 41

HEX #5D1696

RGB 93 22 150

HSL 273.28, 0.74%, 0.34%

LAB 27.03, 52.97, -54.93

 

CMYK 85 / 77 / 0 / 42

HEX #162395

RGB 22 35 149

HSL 233.86, 0.74%, 0.34%

LAB 22.1, 38.74, -62.67

 

CMYK 85 / 77 / 0 / 22

HEX #1E2FC8

RGB 30 47 200

HSL 234, 0.74%, 0.45%

LAB 30.59, 49.85, -79.21

 

CMYK 85 / 76 / 0 / 2

HEX #253BFB

RGB 37 59 251

HSL 233.83, 0.96%, 0.56%

LAB 38.7, 60.32, -94.94

 

CMYK 85 / 77 / 0 / 82

HEX #070B2F

RGB 7 11 47

HSL 234, 0.74%, 0.11%

LAB 4.42, 10.44, -23.44

 

CMYK 86 / 77 / 0 / 62

HEX #0E1762

RGB 14 23 98

HSL 233.57, 0.75%, 0.22%

LAB 13.16, 26.74, -44.87

 

CMYK 85 / 77 / 0 / 42

HEX #162395

RGB 22 35 149

HSL 233.86, 0.74%, 0.34%

LAB 22.1, 38.74, -62.67

 

CMYK 0 / 85 / 7 / 41

HEX #96168C

RGB 150 22 140

HSL 304.69, 0.74%, 0.34%

LAB 35.89, 61.31, -33.99

 

CMYK 41 / 0 / 85 / 41

HEX #589616

RGB 88 150 22

HSL 89.06, 0.74%, 0.34%

LAB 56.03, -39.83, 54.61

 

CMYK 85 / 77 / 0 / 42

HEX #162395

RGB 22 35 149

HSL 233.86, 0.74%, 0.34%

LAB 22.1, 38.74, -62.67

 

CMYK 0 / 85 / 75 / 41

HEX #961625

RGB 150 22 37

HSL 352.97, 0.74%, 0.34%

LAB 32.24, 50.99, 26.76

 

CMYK 75 / 0 / 85 / 41

HEX #259616

RGB 37 150 22

HSL 112.97, 0.74%, 0.34%

LAB 54.31, -53.51, 52.41

 

CMYK 85 / 77 / 0 / 42

HEX #162395

RGB 22 35 149

HSL 233.86, 0.74%, 0.34%

LAB 22.1, 38.74, -62.67

 

CMYK 0 / 85 / 7 / 41

HEX #96168C

RGB 150 22 140

HSL 304.69, 0.74%, 0.34%

LAB 35.89, 61.31, -33.99

 

CMYK 0 / 10 / 85 / 41

HEX #968716

RGB 150 135 22

HSL 52.97, 0.74%, 0.34%

LAB 55.96, -6.05, 56.28

 

CMYK 85 / 0 / 78 / 41

HEX #169621

RGB 22 150 33

HSL 125.16, 0.74%, 0.34%

LAB 54.13, -54.88, 48.83

 

CMYK 85 / 77 / 0 / 42

HEX #162395

RGB 22 35 149

HSL 233.86, 0.74%, 0.34%

LAB 22.1, 38.74, -62.67

 

CMYK 0 / 85 / 33 / 41

HEX #961665

RGB 150 22 101

HSL 322.97, 0.74%, 0.34%

LAB 33.98, 56.06, -12.45

 

CMYK 0 / 10 / 85 / 41

HEX #968716

RGB 150 135 22

HSL 52.97, 0.74%, 0.34%

LAB 55.96, -6.05, 56.28

 

CMYK 85 / 0 / 53 / 41

HEX #169647

RGB 22 150 71

HSL 142.97, 0.74%, 0.34%

LAB 54.49, -50.42, 32.39

 

Description

Color code: RGB 22 35 149 | qconv.com Color code: RGB 22 35 149 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 22 red, 35 green and 149 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
22 35 149 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 85 cyan, 77 magenta, none yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
85% 77% 0% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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