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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 229 79 139 it is the complementary color RGB 26 176 116. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 229 79 139. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 229 79 139: RGB 234 79 134, RGB 251 97 153, RGB 255 115 172, RGB 255 133 191 and RGB 255 151 210

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 229 79 139. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 229 79 139: RGB 229 79 139, RGB 212 61 120, RGB 195 43 101, RGB 178 25 82 and RGB 161 7 63

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 66 / 39 / 10

HEX #E54F8B

RGB 229 79 139

HSL 336, 0.74%, 0.6%

LAB 56.2, 62.76, -1.14

 

Complementary color

CMYK 85 / 0 / 34 / 31

HEX #1AB074

RGB 26 176 116

HSL 156, 0.74%, 0.4%

LAB 63.78, -50.99, 20.56

 

CMYK 0 / 66 / 43 / 8

HEX #EA4F86

RGB 234 79 134

HSL 338.71, 0.79%, 0.61%

LAB 56.89, 63.72, 2.9

 

CMYK 0 / 61 / 39 / 2

HEX #FB6199

RGB 251 97 153

HSL 338.18, 0.95%, 0.68%

LAB 62.81, 63.42, 0.77

 

CMYK 0 / 55 / 33 / 0

HEX #FF73AC

RGB 255 115 172

HSL 335.57, 1%, 0.73%

LAB 66.9, 58.87, -4.01

 

CMYK 0 / 48 / 25 / 0

HEX #FF85BF

RGB 255 133 191

HSL 331.48, 1%, 0.76%

LAB 70.73, 52.76, -9.01

 

CMYK 0 / 41 / 18 / 0

HEX #FF97D2

RGB 255 151 210

HSL 325.96, 1%, 0.8%

LAB 74.85, 46.49, -13.36

 

CMYK 0 / 66 / 39 / 10

HEX #E54F8B

RGB 229 79 139

HSL 336, 0.74%, 0.6%

LAB 56.2, 62.76, -1.14

 

CMYK 0 / 71 / 43 / 17

HEX #D43D78

RGB 212 61 120

HSL 336.56, 0.64%, 0.54%

LAB 50.32, 62.72, 1.27

 

CMYK 0 / 78 / 48 / 24

HEX #C32B65

RGB 195 43 101

HSL 337.11, 0.64%, 0.47%

LAB 44.62, 62.12, 4.27

 

CMYK 0 / 86 / 54 / 30

HEX #B21952

RGB 178 25 82

HSL 337.65, 0.75%, 0.4%

LAB 39.19, 60.65, 8.05

 

CMYK 0 / 96 / 61 / 37

HEX #A1073F

RGB 161 7 63

HSL 338.18, 0.92%, 0.33%

LAB 34.17, 57.94, 12.84

 

CMYK 0 / 66 / 39 / 10

HEX #E54F8B

RGB 229 79 139

HSL 336, 0.74%, 0.6%

LAB 56.2, 62.76, -1.14

 

CMYK 0 / 66 / 51 / 11

HEX #E44D70

RGB 228 77 112

HSL 346.09, 0.74%, 0.6%

LAB 55.04, 60.74, 13.17

 

CMYK 0 / 66 / 62 / 11

HEX #E44D57

RGB 228 77 87

HSL 356.03, 0.74%, 0.6%

LAB 54.54, 58.93, 27.25

 

CMYK 0 / 60 / 66 / 11

HEX #E45C4D

RGB 228 92 77

HSL 5.96, 0.74%, 0.6%

LAB 56.77, 51.97, 35.75

 

CMYK 0 / 49 / 66 / 11

HEX #E4754D

RGB 228 117 77

HSL 15.89, 0.74%, 0.6%

LAB 61.44, 39.95, 41.3

 

CMYK 0 / 66 / 39 / 10

HEX #E54F8B

RGB 229 79 139

HSL 336, 0.74%, 0.6%

LAB 56.2, 62.76, -1.14

 

CMYK 0 / 64 / 40 / 90

HEX #19090F

RGB 25 9 15

HSL 337.5, 0.47%, 0.07%

LAB 3.94, 6.96, -0.43

 

CMYK 0 / 66 / 39 / 70

HEX #4C1A2E

RGB 76 26 46

HSL 336, 0.49%, 0.2%

LAB 17.79, 25.95, -1.18

 

CMYK 0 / 65 / 39 / 50

HEX #7F2C4D

RGB 127 44 77

HSL 336.14, 0.49%, 0.34%

LAB 31.46, 39.03, -1.1

 

CMYK 0 / 66 / 39 / 30

HEX #B23D6C

RGB 178 61 108

HSL 335.9, 0.49%, 0.47%

LAB 44.07, 51.47, -1.24

 

CMYK 0 / 66 / 39 / 10

HEX #E54F8B

RGB 229 79 139

HSL 336, 0.74%, 0.6%

LAB 56.2, 62.76, -1.14

 

CMYK 0 / 13 / 66 / 11

HEX #E4C64D

RGB 228 198 77

HSL 48.08, 0.74%, 0.6%

LAB 80.41, -2.67, 62.29

 

CMYK 66 / 13 / 0 / 11

HEX #4DC6E4

RGB 77 198 228

HSL 191.92, 0.74%, 0.6%

LAB 74.55, -24.38, -24.81

 

CMYK 0 / 66 / 39 / 10

HEX #E54F8B

RGB 229 79 139

HSL 336, 0.74%, 0.6%

LAB 56.2, 62.76, -1.14

 

CMYK 40 / 0 / 66 / 11

HEX #89E44D

RGB 137 228 77

HSL 96.16, 0.74%, 0.6%

LAB 82.56, -52.03, 62.7

 

CMYK 66 / 40 / 0 / 11

HEX #4D89E4

RGB 77 137 228

HSL 216.16, 0.74%, 0.6%

LAB 57.14, 9.34, -51.97

 

CMYK 0 / 66 / 39 / 10

HEX #E54F8B

RGB 229 79 139

HSL 336, 0.74%, 0.6%

LAB 56.2, 62.76, -1.14

 

CMYK 0 / 13 / 66 / 11

HEX #E4C64D

RGB 228 198 77

HSL 48.08, 0.74%, 0.6%

LAB 80.41, -2.67, 62.29

 

CMYK 66 / 0 / 26 / 11

HEX #4DE4A8

RGB 77 228 168

HSL 156.16, 0.74%, 0.6%

LAB 81.78, -53.53, 17.85

 

CMYK 66 / 53 / 0 / 11

HEX #4D6BE4

RGB 77 107 228

HSL 228.08, 0.74%, 0.6%

LAB 49.12, 27.78, -64.85

 

CMYK 0 / 66 / 39 / 10

HEX #E54F8B

RGB 229 79 139

HSL 336, 0.74%, 0.6%

LAB 56.2, 62.76, -1.14

 

CMYK 7 / 0 / 66 / 11

HEX #D5E44D

RGB 213 228 77

HSL 65.96, 0.74%, 0.6%

LAB 87.08, -23.84, 68.81

 

CMYK 66 / 0 / 26 / 11

HEX #4DE4A8

RGB 77 228 168

HSL 156.16, 0.74%, 0.6%

LAB 81.78, -53.53, 17.85

 

CMYK 60 / 66 / 0 / 11

HEX #5C4DE4

RGB 92 77 228

HSL 245.96, 0.74%, 0.6%

LAB 43.04, 48.13, -74.71

 

Description

Color code: RGB 229 79 139 | qconv.com Color code: RGB 229 79 139 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 229 red, 79 green and 139 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
229 79 139 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 66 magenta, 39 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 66% 39% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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