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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 229 206 76 it is the complementary color RGB 26 49 179. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 229 206 76. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 229 206 76: RGB 234 206 71, RGB 251 224 90, RGB 255 242 109, RGB 255 255 128 and RGB 255 255 147

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 229 206 76. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 229 206 76: RGB 229 206 76, RGB 212 188 57, RGB 195 170 38, RGB 178 152 19 and RGB 161 134 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 10 / 67 / 10

HEX #E5CE4C

RGB 229 206 76

HSL 50.98, 0.75%, 0.6%

LAB 82.55, -6.4, 64.95

 

Complementary color

CMYK 85 / 73 / 0 / 30

HEX #1A31B3

RGB 26 49 179

HSL 230.98, 0.75%, 0.4%

LAB 28.57, 41.25, -70.16

 

CMYK 0 / 12 / 70 / 8

HEX #EACE47

RGB 234 206 71

HSL 49.69, 0.8%, 0.6%

LAB 82.96, -4.56, 67.48

 

CMYK 0 / 11 / 64 / 2

HEX #FBE05A

RGB 251 224 90

HSL 49.94, 0.95%, 0.67%

LAB 89.19, -5.57, 66.79

 

CMYK 0 / 5 / 57 / 0

HEX #FFF26D

RGB 255 242 109

HSL 54.66, 1%, 0.71%

LAB 94.26, -11.66, 64.37

 

CMYK 0 / 0 / 50 / 0

HEX #FFFF80

RGB 255 255 128

HSL 60, 1%, 0.75%

LAB 97.77, -16.54, 59.98

 

CMYK 0 / 0 / 42 / 0

HEX #FFFF93

RGB 255 255 147

HSL 60, 1%, 0.79%

LAB 97.99, -14.83, 51.43

 

CMYK 0 / 10 / 67 / 10

HEX #E5CE4C

RGB 229 206 76

HSL 50.98, 0.75%, 0.6%

LAB 82.55, -6.4, 64.95

 

CMYK 0 / 11 / 73 / 17

HEX #D4BC39

RGB 212 188 57

HSL 50.71, 0.64%, 0.53%

LAB 76.23, -5.33, 65.43

 

CMYK 0 / 13 / 81 / 24

HEX #C3AA26

RGB 195 170 38

HSL 50.45, 0.67%, 0.46%

LAB 69.82, -4.07, 65.3

 

CMYK 0 / 15 / 89 / 30

HEX #B29813

RGB 178 152 19

HSL 50.19, 0.81%, 0.39%

LAB 63.32, -2.57, 64.09

 

CMYK 0 / 17 / 100 / 37

HEX #A18600

RGB 161 134 0

HSL 49.94, 1%, 0.32%

LAB 56.71, -0.83, 61.59

 

CMYK 0 / 10 / 67 / 10

HEX #E5CE4C

RGB 229 206 76

HSL 50.98, 0.75%, 0.6%

LAB 82.55, -6.4, 64.95

 

CMYK 0 / 0 / 67 / 10

HEX #E5E54C

RGB 229 229 76

HSL 60, 0.75%, 0.6%

LAB 88.55, -17.87, 71.06

 

CMYK 11 / 0 / 67 / 10

HEX #CBE54C

RGB 203 229 76

HSL 70.2, 0.75%, 0.6%

LAB 86.63, -28.38, 68.5

 

CMYK 22 / 0 / 67 / 10

HEX #B2E54C

RGB 178 229 76

HSL 80, 0.75%, 0.6%

LAB 85.01, -38.09, 66.32

 

CMYK 33 / 0 / 67 / 10

HEX #99E54C

RGB 153 229 76

HSL 89.8, 0.75%, 0.6%

LAB 83.62, -47.16, 64.43

 

CMYK 0 / 10 / 67 / 10

HEX #E5CE4C

RGB 229 206 76

HSL 50.98, 0.75%, 0.6%

LAB 82.55, -6.4, 64.95

 

CMYK 0 / 12 / 68 / 90

HEX #191608

RGB 25 22 8

HSL 49.41, 0.52%, 0.06%

LAB 7.21, -1.1, 7.49

 

CMYK 0 / 11 / 67 / 70

HEX #4C4419

RGB 76 68 25

HSL 50.59, 0.5%, 0.2%

LAB 28.75, -2.79, 26.66

 

CMYK 0 / 10 / 67 / 50

HEX #7F722A

RGB 127 114 42

HSL 50.82, 0.5%, 0.33%

LAB 47.9, -4.1, 40.43

 

CMYK 0 / 10 / 67 / 30

HEX #B2A03B

RGB 178 160 59

HSL 50.92, 0.5%, 0.46%

LAB 65.69, -5.29, 53.06

 

CMYK 0 / 10 / 67 / 10

HEX #E5CE4C

RGB 229 206 76

HSL 50.98, 0.75%, 0.6%

LAB 82.55, -6.4, 64.95

 

CMYK 67 / 0 / 65 / 10

HEX #4CE551

RGB 76 229 81

HSL 121.96, 0.75%, 0.6%

LAB 80.83, -67.8, 58.63

 

CMYK 38 / 67 / 0 / 10

HEX #8E4CE5

RGB 142 76 229

HSL 265.88, 0.75%, 0.6%

LAB 47.72, 57.56, -67.44

 

CMYK 0 / 10 / 67 / 10

HEX #E5CE4C

RGB 229 206 76

HSL 50.98, 0.75%, 0.6%

LAB 82.55, -6.4, 64.95

 

CMYK 67 / 0 / 11 / 10

HEX #4CE5CC

RGB 76 229 204

HSL 170.2, 0.75%, 0.6%

LAB 82.88, -45.67, 0.48

 

CMYK 11 / 67 / 0 / 10

HEX #CB4CE5

RGB 203 76 229

HSL 289.8, 0.75%, 0.6%

LAB 55.61, 70.23, -54.33

 

CMYK 0 / 10 / 67 / 10

HEX #E5CE4C

RGB 229 206 76

HSL 50.98, 0.75%, 0.6%

LAB 82.55, -6.4, 64.95

 

CMYK 67 / 0 / 65 / 10

HEX #4CE551

RGB 76 229 81

HSL 121.96, 0.75%, 0.6%

LAB 80.83, -67.8, 58.63

 

CMYK 67 / 56 / 0 / 10

HEX #4C65E5

RGB 76 101 229

HSL 230.2, 0.75%, 0.6%

LAB 47.63, 31.71, -67.84

 

CMYK 0 / 67 / 2 / 10

HEX #E54CE0

RGB 229 76 224

HSL 301.96, 0.75%, 0.6%

LAB 59.17, 75.15, -45.63

 

CMYK 0 / 10 / 67 / 10

HEX #E5CE4C

RGB 229 206 76

HSL 50.98, 0.75%, 0.6%

LAB 82.55, -6.4, 64.95

 

CMYK 67 / 0 / 45 / 10

HEX #4CE57F

RGB 76 229 127

HSL 140, 0.75%, 0.6%

LAB 81.35, -61.81, 38.21

 

CMYK 67 / 56 / 0 / 10

HEX #4C65E5

RGB 76 101 229

HSL 230.2, 0.75%, 0.6%

LAB 47.63, 31.71, -67.84

 

CMYK 0 / 67 / 22 / 10

HEX #E54CB2

RGB 229 76 178

HSL 320, 0.75%, 0.6%

LAB 57.12, 68.49, -22.57

 

Description

Color code: RGB 229 206 76 | qconv.com Color code: RGB 229 206 76 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 229 red, 206 green and 76 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
229 206 76 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 10 magenta, 67 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 10% 67% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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