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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 229 145 81 it is the complementary color RGB 26 110 174. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 229 145 81. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 229 145 81 shade: RGB 234 145 76, RGB 251 163 95, RGB 255 181 114, RGB 255 199 133 and RGB 255 217 152

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 229 145 81. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 229 145 81 shade: RGB 229 145 81, RGB 212 127 62, RGB 195 109 43, RGB 178 91 24 and RGB 161 73 5

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 229 145 81 shade: RGB 229 145 81, RGB 229 105 81 and RGB 229 81 81

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 229 145 81 shade: RGB 229 145 81, RGB 229 185 81, RGB 229 224 81, RGB 193 229 81 and RGB 153 229 81

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 229 145 81 shade matches the following richer shades: RGB 229 145 81 and RGB 245 143 65

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 229 145 81 shade: RGB 229 145 81, RGB 213 147 98, RGB 196 149 114, RGB 180 152 130 and RGB 164 154 146

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 229 145 81 shade: RGB 229 81 99, RGB 229 104 81, RGB 229 143 81, RGB 229 182 81 and RGB 229 221 81

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 229 145 81 shade: RGB 198 102 29, RGB 223 122 46, RGB 229 145 81, RGB 234 168 117 and RGB 239 190 153

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 229 145 81 shade: RGB 229 145 81, RGB 138 229 81 and RGB 84 81 229

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 229 145 81 shade: RGB 229 145 81, RGB 81 229 143 and RGB 143 81 229

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 229 145 81 shade: RGB 229 145 81, RGB 138 229 81, RGB 81 167 229 and RGB 172 81 229

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 229 145 81 shade: RGB 229 145 81, RGB 94 229 81, RGB 81 167 229 and RGB 216 81 229

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 37 / 65 / 10

HEX #E59151

RGB 229 145 81

HSL 25.95, 0.74%, 0.61%

LAB 67.65, 25.99, 46.49

 

Complementary color

CMYK 85 / 37 / 0 / 32

HEX #1A6EAE

RGB 26 110 174

HSL 205.95, 0.74%, 0.39%

LAB 44.84, -0.45, -40.82

 

CMYK 0 / 38 / 68 / 8

HEX #EA914C

RGB 234 145 76

HSL 26.2, 0.79%, 0.61%

LAB 68.22, 27.74, 49.76

 

CMYK 0 / 35 / 62 / 2

HEX #FBA35F

RGB 251 163 95

HSL 26.15, 0.95%, 0.68%

LAB 74.53, 26.32, 48.17

 

CMYK 0 / 29 / 55 / 0

HEX #FFB572

RGB 255 181 114

HSL 28.51, 1%, 0.72%

LAB 79.34, 19.86, 44.53

 

CMYK 0 / 22 / 48 / 0

HEX #FFC785

RGB 255 199 133

HSL 32.46, 1%, 0.76%

LAB 83.86, 12.09, 40.56

 

CMYK 0 / 15 / 40 / 0

HEX #FFD998

RGB 255 217 152

HSL 37.86, 1%, 0.8%

LAB 88.52, 4.68, 36.91

 

CMYK 0 / 37 / 65 / 10

HEX #E59151

RGB 229 145 81

HSL 25.95, 0.74%, 0.61%

LAB 67.65, 25.99, 46.49

 

CMYK 0 / 40 / 71 / 17

HEX #D47F3E

RGB 212 127 62

HSL 26, 0.64%, 0.54%

LAB 61.24, 27.52, 48.1

 

CMYK 0 / 44 / 78 / 24

HEX #C36D2B

RGB 195 109 43

HSL 26.05, 0.64%, 0.47%

LAB 54.78, 29.24, 49.59

 

CMYK 0 / 49 / 87 / 30

HEX #B25B18

RGB 178 91 24

HSL 26.1, 0.76%, 0.4%

LAB 48.28, 31.17, 50.59

 

CMYK 0 / 55 / 97 / 37

HEX #A14905

RGB 161 73 5

HSL 26.15, 0.94%, 0.33%

LAB 41.77, 33.29, 50.35

 

CMYK 0 / 37 / 65 / 10

HEX #E59151

RGB 229 145 81

HSL 25.95, 0.74%, 0.61%

LAB 67.65, 25.99, 46.49

 

CMYK 0 / 54 / 65 / 10

HEX #E56951

RGB 229 105 81

HSL 9.73, 0.74%, 0.61%

LAB 59.3, 46.49, 36.63

 

CMYK 0 / 65 / 65 / 10

HEX #E55151

RGB 229 81 81

HSL 0, 0.74%, 0.61%

LAB 55.21, 57.27, 31.61

 

CMYK 0 / 37 / 65 / 10

HEX #E59151

RGB 229 145 81

HSL 25.95, 0.74%, 0.61%

LAB 67.65, 25.99, 46.49

 

CMYK 0 / 19 / 65 / 10

HEX #E5B951

RGB 229 185 81

HSL 42.16, 0.74%, 0.61%

LAB 77.25, 4.75, 57.22

 

CMYK 0 / 2 / 65 / 10

HEX #E5E051

RGB 229 224 81

HSL 57.97, 0.74%, 0.61%

LAB 87.27, -15.14, 67.85

 

CMYK 16 / 0 / 65 / 10

HEX #C1E551

RGB 193 229 81

HSL 74.59, 0.74%, 0.61%

LAB 85.99, -32, 65.7

 

CMYK 33 / 0 / 65 / 10

HEX #99E551

RGB 153 229 81

HSL 90.81, 0.74%, 0.61%

LAB 83.66, -46.78, 62.51

 

CMYK 0 / 37 / 65 / 10

HEX #E59151

RGB 229 145 81

HSL 25.95, 0.74%, 0.61%

LAB 67.65, 25.99, 46.49

 

CMYK 0 / 42 / 73 / 4

HEX #F58F41

RGB 245 143 65

HSL 26, 0.9%, 0.61%

LAB 69.07, 32.69, 56.25

 

CMYK 0 / 37 / 65 / 10

HEX #E59151

RGB 229 145 81

HSL 25.95, 0.74%, 0.61%

LAB 67.65, 25.99, 46.49

 

CMYK 0 / 31 / 54 / 16

HEX #D59362

RGB 213 147 98

HSL 25.57, 0.58%, 0.61%

LAB 66.44, 19.6, 35.79

 

CMYK 0 / 24 / 42 / 23

HEX #C49572

RGB 196 149 114

HSL 25.61, 0.41%, 0.61%

LAB 65.31, 13.1, 25.3

 

CMYK 0 / 16 / 28 / 29

HEX #B49882

RGB 180 152 130

HSL 26.4, 0.25%, 0.61%

LAB 64.78, 7.02, 15.45

 

CMYK 0 / 6 / 11 / 36

HEX #A49A92

RGB 164 154 146

HSL 26.67, 0.09%, 0.61%

LAB 64.22, 2.23, 5.5

 

CMYK 0 / 65 / 57 / 10

HEX #E55163

RGB 229 81 99

HSL 352.7, 0.74%, 0.61%

LAB 55.53, 58.44, 21.54

 

CMYK 0 / 55 / 65 / 10

HEX #E56851

RGB 229 104 81

HSL 9.32, 0.74%, 0.61%

LAB 59.12, 46.97, 36.41

 

CMYK 0 / 38 / 65 / 10

HEX #E58F51

RGB 229 143 81

HSL 25.14, 0.74%, 0.61%

LAB 67.2, 27.06, 45.97

 

CMYK 0 / 21 / 65 / 10

HEX #E5B651

RGB 229 182 81

HSL 40.95, 0.74%, 0.61%

LAB 76.5, 6.32, 56.4

 

CMYK 0 / 3 / 65 / 10

HEX #E5DD51

RGB 229 221 81

HSL 56.76, 0.74%, 0.61%

LAB 86.49, -13.66, 67.03

 

CMYK 0 / 48 / 85 / 22

HEX #C6661D

RGB 198 102 29

HSL 25.92, 0.74%, 0.45%

LAB 53.6, 33.74, 54.4

 

CMYK 0 / 45 / 79 / 13

HEX #DF7A2E

RGB 223 122 46

HSL 25.76, 0.73%, 0.53%

LAB 61.48, 33.98, 56.07

 

CMYK 0 / 37 / 65 / 10

HEX #E59151

RGB 229 145 81

HSL 25.95, 0.74%, 0.61%

LAB 67.65, 25.99, 46.49

 

CMYK 0 / 28 / 50 / 8

HEX #EAA875

RGB 234 168 117

HSL 26.15, 0.74%, 0.69%

LAB 74.05, 18.54, 35.87

 

CMYK 0 / 21 / 36 / 6

HEX #EFBE99

RGB 239 190 153

HSL 25.81, 0.73%, 0.77%

LAB 80.45, 12.62, 25.38

 

CMYK 0 / 37 / 65 / 10

HEX #E59151

RGB 229 145 81

HSL 25.95, 0.74%, 0.61%

LAB 67.65, 25.99, 46.49

 

CMYK 40 / 0 / 65 / 10

HEX #8AE551

RGB 138 229 81

HSL 96.89, 0.74%, 0.61%

LAB 82.93, -51.78, 61.52

 

CMYK 63 / 65 / 0 / 10

HEX #5451E5

RGB 84 81 229

HSL 241.22, 0.74%, 0.61%

LAB 43.4, 44.99, -74.71

 

CMYK 0 / 37 / 65 / 10

HEX #E59151

RGB 229 145 81

HSL 25.95, 0.74%, 0.61%

LAB 67.65, 25.99, 46.49

 

CMYK 65 / 0 / 38 / 10

HEX #51E58F

RGB 81 229 143

HSL 145.14, 0.74%, 0.61%

LAB 81.71, -58.18, 30.68

 

CMYK 38 / 65 / 0 / 10

HEX #8F51E5

RGB 143 81 229

HSL 265.14, 0.74%, 0.61%

LAB 48.74, 55.28, -65.78

 

CMYK 0 / 37 / 65 / 10

HEX #E59151

RGB 229 145 81

HSL 25.95, 0.74%, 0.61%

LAB 67.65, 25.99, 46.49

 

CMYK 40 / 0 / 65 / 10

HEX #8AE551

RGB 138 229 81

HSL 96.89, 0.74%, 0.61%

LAB 82.93, -51.78, 61.52

 

CMYK 65 / 27 / 0 / 10

HEX #51A7E5

RGB 81 167 229

HSL 205.14, 0.74%, 0.61%

LAB 65.78, -7.03, -38.89

 

CMYK 25 / 65 / 0 / 10

HEX #AC51E5

RGB 172 81 229

HSL 276.89, 0.74%, 0.61%

LAB 52.19, 61.36, -60.04

 

CMYK 0 / 37 / 65 / 10

HEX #E59151

RGB 229 145 81

HSL 25.95, 0.74%, 0.61%

LAB 67.65, 25.99, 46.49

 

CMYK 59 / 0 / 65 / 10

HEX #5EE551

RGB 94 229 81

HSL 114.73, 0.74%, 0.61%

LAB 81.3, -64.03, 59.27

 

CMYK 65 / 27 / 0 / 10

HEX #51A7E5

RGB 81 167 229

HSL 205.14, 0.74%, 0.61%

LAB 65.78, -7.03, -38.89

 

CMYK 6 / 65 / 0 / 10

HEX #D851E5

RGB 216 81 229

HSL 294.73, 0.74%, 0.61%

LAB 58.17, 71.16, -50.14

 

Description

Color code: RGB 229 145 81 | qconv.com Color code: RGB 229 145 81 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 229 red, 145 green and 81 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
229 145 81 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 37 magenta, 65 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 37% 65% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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