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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DF7A2E it is the complementary color #2085D1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DF7A2E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DF7A2E shade: #E47A29, #F58C3C, #FF9E4F, #FFB062 and #FFC275

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DF7A2E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DF7A2E shade: #DF7A2E, #CE681B, #BD5608, #AC4400 and #9B3200

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DF7A2E shade: #DE7A2F, #DE4B2F and #DE2F2F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DF7A2E shade: #DE7A2F, #DEA92F, #DED92F, #B4DE2F and #85DE2F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DF7A2E shade matches the following richer shades: #DE7A2F and #F2781C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DF7A2E shade: #DE7A2F, #CB7D43, #B78056, #A48369 and #91857D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DF7A2E shade: #DE2F44, #DE492F, #DE782F, #DEA72F and #DED52F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DF7A2E shade: #A25419, #C6661E, #DE7A2F, #E49153 and #E9A877

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DF7A2E shade: #DF7A2E, #72DE2F and #322FDE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DF7A2E shade: #DF7A2E, #2FDE78 and #782FDE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DF7A2E shade: #DF7A2E, #72DE2F, #2F95DE and #9B2FDE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DF7A2E shade: #DF7A2E, #3EDE2F, #2F95DE and #D02FDE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 45 / 79 / 13

HEX #DF7A2E

RGB 223 122 46

HSL 25.76, 0.73%, 0.53%

LAB 61.48, 33.98, 56.07

 

Complementary color

CMYK 85 / 36 / 0 / 18

HEX #2085D1

RGB 32 133 209

HSL 205.76, 0.73%, 0.47%

LAB 53.69, -0.58, -46.87

 

CMYK 0 / 46 / 82 / 11

HEX #E47A29

RGB 228 122 41

HSL 25.99, 0.78%, 0.53%

LAB 62.15, 35.83, 58.95

 

CMYK 0 / 43 / 76 / 4

HEX #F58C3C

RGB 245 140 60

HSL 25.95, 0.9%, 0.6%

LAB 68.38, 34.03, 57.78

 

CMYK 0 / 38 / 69 / 0

HEX #FF9E4F

RGB 255 158 79

HSL 26.93, 1%, 0.65%

LAB 73.73, 29.6, 55.13

 

CMYK 0 / 31 / 62 / 0

HEX #FFB062

RGB 255 176 98

HSL 29.81, 1%, 0.69%

LAB 77.99, 21.33, 50.85

 

CMYK 0 / 24 / 54 / 0

HEX #FFC275

RGB 255 194 117

HSL 33.48, 1%, 0.73%

LAB 82.45, 13.31, 46.83

 

CMYK 0 / 45 / 79 / 13

HEX #DF7A2E

RGB 223 122 46

HSL 25.76, 0.73%, 0.53%

LAB 61.48, 33.98, 56.07

 

CMYK 0 / 50 / 87 / 19

HEX #CE681B

RGB 206 104 27

HSL 25.81, 0.77%, 0.46%

LAB 55.18, 35.9, 56.89

 

CMYK 0 / 54 / 96 / 26

HEX #BD5608

RGB 189 86 8

HSL 25.86, 0.92%, 0.39%

LAB 48.87, 37.96, 56.39

 

CMYK 0 / 60 / 100 / 33

HEX #AC4400

RGB 172 68 0

HSL 23.72, 1%, 0.34%

LAB 42.62, 40.09, 53.28

 

CMYK 0 / 68 / 100 / 39

HEX #9B3200

RGB 155 50 0

HSL 19.35, 1%, 0.3%

LAB 36.46, 42.01, 48.39

 

CMYK 0 / 45 / 79 / 13

HEX #DE7A2F

RGB 222 122 47

HSL 25.71, 0.73%, 0.53%

LAB 61.35, 33.61, 55.48

 

CMYK 0 / 66 / 79 / 13

HEX #DE4B2F

RGB 222 75 47

HSL 9.6, 0.73%, 0.53%

LAB 52.69, 55.87, 47.06

 

CMYK 0 / 79 / 79 / 13

HEX #DE2F2F

RGB 222 47 47

HSL 0, 0.73%, 0.53%

LAB 49.21, 65.48, 43.54

 

CMYK 0 / 45 / 79 / 13

HEX #DE7A2F

RGB 222 122 47

HSL 25.71, 0.73%, 0.53%

LAB 61.35, 33.61, 55.48

 

CMYK 0 / 24 / 79 / 13

HEX #DEA92F

RGB 222 169 47

HSL 41.83, 0.73%, 0.53%

LAB 72.3, 8.58, 65.64

 

CMYK 0 / 2 / 79 / 13

HEX #DED92F

RGB 222 217 47

HSL 58.29, 0.73%, 0.53%

LAB 84.67, -16.13, 76.67

 

CMYK 19 / 0 / 79 / 13

HEX #B4DE2F

RGB 180 222 47

HSL 74.4, 0.73%, 0.53%

LAB 82.99, -35.69, 74.02

 

CMYK 40 / 0 / 79 / 13

HEX #85DE2F

RGB 133 222 47

HSL 90.51, 0.73%, 0.53%

LAB 80.42, -52.83, 70.73

 

CMYK 0 / 45 / 79 / 13

HEX #DE7A2F

RGB 222 122 47

HSL 25.71, 0.73%, 0.53%

LAB 61.35, 33.61, 55.48

 

CMYK 0 / 50 / 88 / 5

HEX #F2781C

RGB 242 120 28

HSL 25.79, 0.89%, 0.53%

LAB 63.67, 42.06, 65.47

 

CMYK 0 / 45 / 79 / 13

HEX #DE7A2F

RGB 222 122 47

HSL 25.71, 0.73%, 0.53%

LAB 61.35, 33.61, 55.48

 

CMYK 0 / 38 / 67 / 20

HEX #CB7D43

RGB 203 125 67

HSL 25.59, 0.57%, 0.53%

LAB 59.68, 25.13, 43.58

 

CMYK 0 / 30 / 53 / 28

HEX #B78056

RGB 183 128 86

HSL 25.98, 0.4%, 0.53%

LAB 58.21, 16.48, 31.17

 

CMYK 0 / 20 / 36 / 36

HEX #A48369

RGB 164 131 105

HSL 26.44, 0.24%, 0.53%

LAB 57.22, 8.89, 18.86

 

CMYK 0 / 8 / 14 / 43

HEX #91857D

RGB 145 133 125

HSL 24, 0.08%, 0.53%

LAB 56.36, 3.09, 5.94

 

CMYK 0 / 79 / 69 / 13

HEX #DE2F44

RGB 222 47 68

HSL 352.8, 0.73%, 0.53%

LAB 49.47, 66.3, 31.85

 

CMYK 0 / 67 / 79 / 13

HEX #DE492F

RGB 222 73 47

HSL 8.91, 0.73%, 0.53%

LAB 52.4, 56.67, 46.76

 

CMYK 0 / 46 / 79 / 13

HEX #DE782F

RGB 222 120 47

HSL 25.03, 0.73%, 0.53%

LAB 60.93, 34.65, 55.08

 

CMYK 0 / 25 / 79 / 13

HEX #DEA72F

RGB 222 167 47

HSL 41.14, 0.73%, 0.53%

LAB 71.81, 9.64, 65.19

 

CMYK 0 / 4 / 79 / 13

HEX #DED52F

RGB 222 213 47

HSL 56.91, 0.73%, 0.53%

LAB 83.61, -14.15, 75.74

 

CMYK 0 / 48 / 85 / 36

HEX #A25419

RGB 162 84 25

HSL 25.84, 0.73%, 0.37%

LAB 44.36, 28.24, 45.91

 

CMYK 0 / 48 / 85 / 22

HEX #C6661E

RGB 198 102 30

HSL 25.71, 0.74%, 0.45%

LAB 53.6, 33.77, 54.03

 

CMYK 0 / 45 / 79 / 13

HEX #DE7A2F

RGB 222 122 47

HSL 25.71, 0.73%, 0.53%

LAB 61.35, 33.61, 55.48

 

CMYK 0 / 36 / 64 / 11

HEX #E49153

RGB 228 145 83

HSL 25.66, 0.73%, 0.61%

LAB 67.55, 25.71, 45.34

 

CMYK 0 / 28 / 49 / 9

HEX #E9A877

RGB 233 168 119

HSL 25.79, 0.72%, 0.69%

LAB 73.97, 18.32, 34.69

 

CMYK 0 / 45 / 79 / 13

HEX #DF7A2E

RGB 223 122 46

HSL 25.76, 0.73%, 0.53%

LAB 61.48, 33.98, 56.07

 

CMYK 49 / 0 / 79 / 13

HEX #72DE2F

RGB 114 222 47

HSL 97.03, 0.73%, 0.53%

LAB 79.63, -58.74, 69.7

 

CMYK 77 / 79 / 0 / 13

HEX #322FDE

RGB 50 47 222

HSL 241.03, 0.73%, 0.53%

LAB 33.95, 57.96, -86.35

 

CMYK 0 / 45 / 79 / 13

HEX #DF7A2E

RGB 223 122 46

HSL 25.76, 0.73%, 0.53%

LAB 61.48, 33.98, 56.07

 

CMYK 79 / 0 / 46 / 13

HEX #2FDE78

RGB 47 222 120

HSL 145.03, 0.73%, 0.53%

LAB 78.58, -64.67, 38.02

 

CMYK 46 / 79 / 0 / 13

HEX #782FDE

RGB 120 47 222

HSL 265.03, 0.73%, 0.53%

LAB 40.08, 65.02, -76.03

 

CMYK 0 / 45 / 79 / 13

HEX #DF7A2E

RGB 223 122 46

HSL 25.76, 0.73%, 0.53%

LAB 61.48, 33.98, 56.07

 

CMYK 49 / 0 / 79 / 13

HEX #72DE2F

RGB 114 222 47

HSL 97.03, 0.73%, 0.53%

LAB 79.63, -58.74, 69.7

 

CMYK 79 / 33 / 0 / 13

HEX #2F95DE

RGB 47 149 222

HSL 205.03, 0.73%, 0.53%

LAB 59.32, -3.84, -45.24

 

CMYK 30 / 79 / 0 / 13

HEX #9B2FDE

RGB 155 47 222

HSL 277.03, 0.73%, 0.53%

LAB 44.63, 70.26, -68.42

 

CMYK 0 / 45 / 79 / 13

HEX #DF7A2E

RGB 223 122 46

HSL 25.76, 0.73%, 0.53%

LAB 61.48, 33.98, 56.07

 

CMYK 72 / 0 / 79 / 13

HEX #3EDE2F

RGB 62 222 47

HSL 114.86, 0.73%, 0.53%

LAB 78.15, -70.7, 67.79

 

CMYK 79 / 33 / 0 / 13

HEX #2F95DE

RGB 47 149 222

HSL 205.03, 0.73%, 0.53%

LAB 59.32, -3.84, -45.24

 

CMYK 6 / 79 / 0 / 13

HEX #D02FDE

RGB 208 47 222

HSL 295.2, 0.73%, 0.53%

LAB 52.64, 79.51, -55.08

 

Description

Color code: HEX #DF7A2E | qconv.com Color code: HEX #DF7A2E | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 223 red, 122 green and 46 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
223 122 46 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 45 magenta, 79 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 45% 79% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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