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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 229 125 60 it is the complementary color RGB 26 130 195. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 229 125 60. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 229 125 60: RGB 234 125 55, RGB 251 143 74, RGB 255 161 93, RGB 255 179 112 and RGB 255 197 131

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 229 125 60. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 229 125 60: RGB 229 125 60, RGB 212 107 41, RGB 195 89 22, RGB 178 71 3 and RGB 161 53 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 45 / 74 / 10

HEX #E57D3C

RGB 229 125 60

HSL 23.08, 0.76%, 0.57%

LAB 63.05, 35.38, 51.66

 

Complementary color

CMYK 87 / 33 / 0 / 24

HEX #1A82C3

RGB 26 130 195

HSL 203.08, 0.76%, 0.43%

LAB 51.98, -4.51, -41.64

 

CMYK 0 / 47 / 76 / 8

HEX #EA7D37

RGB 234 125 55

HSL 23.46, 0.81%, 0.57%

LAB 63.7, 37.16, 54.84

 

CMYK 0 / 43 / 71 / 2

HEX #FB8F4A

RGB 251 143 74

HSL 23.39, 0.96%, 0.64%

LAB 69.93, 35.5, 53.22

 

CMYK 0 / 37 / 64 / 0

HEX #FFA15D

RGB 255 161 93

HSL 25.19, 1%, 0.68%

LAB 74.53, 28.84, 49.29

 

CMYK 0 / 30 / 56 / 0

HEX #FFB370

RGB 255 179 112

HSL 28.11, 1%, 0.72%

LAB 78.85, 20.76, 44.94

 

CMYK 0 / 23 / 49 / 0

HEX #FFC583

RGB 255 197 131

HSL 31.94, 1%, 0.76%

LAB 83.35, 12.95, 40.93

 

CMYK 0 / 45 / 74 / 10

HEX #E57D3C

RGB 229 125 60

HSL 23.08, 0.76%, 0.57%

LAB 63.05, 35.38, 51.66

 

CMYK 0 / 50 / 81 / 17

HEX #D46B29

RGB 212 107 41

HSL 23.16, 0.68%, 0.5%

LAB 56.75, 37.14, 53.2

 

CMYK 0 / 54 / 89 / 24

HEX #C35916

RGB 195 89 22

HSL 23.24, 0.8%, 0.43%

LAB 50.46, 39.04, 54.13

 

CMYK 0 / 60 / 98 / 30

HEX #B24703

RGB 178 71 3

HSL 23.31, 0.97%, 0.35%

LAB 44.2, 41, 53.84

 

CMYK 0 / 67 / 100 / 37

HEX #A13500

RGB 161 53 0

HSL 19.75, 1%, 0.32%

LAB 38.06, 42.88, 49.82

 

CMYK 0 / 45 / 74 / 10

HEX #E57D3C

RGB 229 125 60

HSL 23.08, 0.76%, 0.57%

LAB 63.05, 35.38, 51.66

 

CMYK 0 / 33 / 73 / 11

HEX #E4993E

RGB 228 153 62

HSL 32.89, 0.75%, 0.57%

LAB 69.2, 20.29, 57.05

 

CMYK 0 / 21 / 73 / 11

HEX #E4B53E

RGB 228 181 62

HSL 43.01, 0.75%, 0.57%

LAB 76, 5.42, 63.85

 

CMYK 0 / 8 / 73 / 11

HEX #E4D13E

RGB 228 209 62

HSL 53.13, 0.75%, 0.57%

LAB 83.15, -9.03, 70.78

 

CMYK 4 / 0 / 73 / 11

HEX #DCE43E

RGB 220 228 62

HSL 62.89, 0.75%, 0.57%

LAB 87.51, -21.75, 74.7

 

CMYK 0 / 45 / 74 / 10

HEX #E57D3C

RGB 229 125 60

HSL 23.08, 0.76%, 0.57%

LAB 63.05, 35.38, 51.66

 

CMYK 0 / 44 / 72 / 90

HEX #190E07

RGB 25 14 7

HSL 23.33, 0.56%, 0.06%

LAB 4.84, 3.55, 4.44

 

CMYK 0 / 46 / 74 / 70

HEX #4C2914

RGB 76 41 20

HSL 22.5, 0.58%, 0.19%

LAB 20.72, 14.16, 20.49

 

CMYK 0 / 46 / 74 / 50

HEX #7F4521

RGB 127 69 33

HSL 22.98, 0.59%, 0.31%

LAB 35.75, 21.75, 31.89

 

CMYK 0 / 46 / 74 / 30

HEX #B2612F

RGB 178 97 47

HSL 22.9, 0.58%, 0.44%

LAB 49.76, 28.79, 41.83

 

CMYK 0 / 45 / 74 / 10

HEX #E57D3C

RGB 229 125 60

HSL 23.08, 0.76%, 0.57%

LAB 63.05, 35.38, 51.66

 

CMYK 43 / 0 / 73 / 11

HEX #83E43E

RGB 131 228 62

HSL 95.06, 0.75%, 0.57%

LAB 82.2, -55, 67.73

 

CMYK 73 / 72 / 0 / 11

HEX #3E40E4

RGB 62 64 228

HSL 239.28, 0.75%, 0.57%

LAB 38.36, 51.87, -82.47

 

CMYK 0 / 45 / 74 / 10

HEX #E57D3C

RGB 229 125 60

HSL 23.08, 0.76%, 0.57%

LAB 63.05, 35.38, 51.66

 

CMYK 73 / 0 / 45 / 11

HEX #3EE47D

RGB 62 228 125

HSL 142.77, 0.75%, 0.57%

LAB 80.73, -64.01, 38.35

 

CMYK 45 / 73 / 0 / 11

HEX #7D3EE4

RGB 125 62 228

HSL 262.77, 0.75%, 0.57%

LAB 43.37, 60.93, -74.04

 

CMYK 0 / 45 / 74 / 10

HEX #E57D3C

RGB 229 125 60

HSL 23.08, 0.76%, 0.57%

LAB 63.05, 35.38, 51.66

 

CMYK 43 / 0 / 73 / 11

HEX #83E43E

RGB 131 228 62

HSL 95.06, 0.75%, 0.57%

LAB 82.2, -55, 67.73

 

CMYK 73 / 28 / 0 / 11

HEX #3EA4E4

RGB 62 164 228

HSL 203.13, 0.75%, 0.57%

LAB 64.3, -8.5, -40.7

 

CMYK 30 / 73 / 0 / 11

HEX #9F3EE4

RGB 159 62 228

HSL 275.06, 0.75%, 0.57%

LAB 47.52, 66.74, -67.1

 

CMYK 0 / 45 / 74 / 10

HEX #E57D3C

RGB 229 125 60

HSL 23.08, 0.76%, 0.57%

LAB 63.05, 35.38, 51.66

 

CMYK 64 / 0 / 73 / 11

HEX #51E43E

RGB 81 228 62

HSL 113.13, 0.75%, 0.57%

LAB 80.51, -68.12, 65.48

 

CMYK 73 / 28 / 0 / 11

HEX #3EA4E4

RGB 62 164 228

HSL 203.13, 0.75%, 0.57%

LAB 64.3, -8.5, -40.7

 

CMYK 8 / 73 / 0 / 11

HEX #D13EE4

RGB 209 62 228

HSL 293.13, 0.75%, 0.57%

LAB 54.66, 76.33, -55.23

 

Description

Color code: RGB 229 125 60 | qconv.com Color code: RGB 229 125 60 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 229 red, 125 green and 60 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
229 125 60 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 45 magenta, 74 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 45% 74% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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