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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 229 122 221 it is the complementary color RGB 26 133 34. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 229 122 221. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 229 122 221: RGB 234 122 216, RGB 251 140 235, RGB 255 158 254, RGB 255 176 255 and RGB 255 194 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 229 122 221. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 229 122 221: RGB 229 122 221, RGB 212 104 202, RGB 195 86 183, RGB 178 68 164 and RGB 161 50 145

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 47 / 3 / 10

HEX #E57ADD

RGB 229 122 221

HSL 304.49, 0.67%, 0.69%

LAB 66.36, 54.76, -32.68

 

Complementary color

CMYK 80 / 0 / 74 / 48

HEX #1A8522

RGB 26 133 34

HSL 124.49, 0.67%, 0.31%

LAB 48.4, -48.82, 42.73

 

CMYK 0 / 48 / 8 / 8

HEX #EA7AD8

RGB 234 122 216

HSL 309.64, 0.73%, 0.7%

LAB 66.8, 55.38, -29.17

 

CMYK 0 / 44 / 6 / 2

HEX #FB8CEB

RGB 251 140 235

HSL 308.65, 0.93%, 0.77%

LAB 73.07, 54.7, -29.83

 

CMYK 0 / 38 / 0 / 0

HEX #FF9EFE

RGB 255 158 254

HSL 300.62, 1%, 0.81%

LAB 77.8, 50.13, -32.82

 

CMYK 0 / 31 / 0 / 0

HEX #FFB0FF

RGB 255 176 255

HSL 300, 1%, 0.85%

LAB 81.58, 41.04, -27.55

 

CMYK 0 / 24 / 0 / 0

HEX #FFC2FF

RGB 255 194 255

HSL 300, 1%, 0.88%

LAB 85.54, 31.62, -21.53

 

CMYK 0 / 47 / 3 / 10

HEX #E57ADD

RGB 229 122 221

HSL 304.49, 0.67%, 0.69%

LAB 66.36, 54.76, -32.68

 

CMYK 0 / 51 / 5 / 17

HEX #D468CA

RGB 212 104 202

HSL 305.56, 0.56%, 0.62%

LAB 60.03, 55.39, -32.01

 

CMYK 0 / 56 / 6 / 24

HEX #C356B7

RGB 195 86 183

HSL 306.61, 0.48%, 0.55%

LAB 53.68, 55.9, -31.19

 

CMYK 0 / 62 / 8 / 30

HEX #B244A4

RGB 178 68 164

HSL 307.64, 0.45%, 0.48%

LAB 47.34, 56.19, -30.15

 

CMYK 0 / 69 / 10 / 37

HEX #A13291

RGB 161 50 145

HSL 308.65, 0.53%, 0.41%

LAB 41.06, 56.08, -28.77

 

CMYK 0 / 47 / 3 / 10

HEX #E57ADD

RGB 229 122 221

HSL 304.49, 0.67%, 0.69%

LAB 66.36, 54.76, -32.68

 

CMYK 0 / 46 / 11 / 11

HEX #E47ACC

RGB 228 122 204

HSL 313.58, 0.66%, 0.69%

LAB 65.57, 51.63, -24.42

 

CMYK 0 / 46 / 18 / 11

HEX #E47ABA

RGB 228 122 186

HSL 323.77, 0.66%, 0.69%

LAB 64.93, 48.83, -15.27

 

CMYK 0 / 46 / 26 / 11

HEX #E47AA8

RGB 228 122 168

HSL 333.96, 0.66%, 0.69%

LAB 64.35, 46.27, -5.92

 

CMYK 0 / 46 / 34 / 11

HEX #E47A97

RGB 228 122 151

HSL 343.58, 0.66%, 0.69%

LAB 63.87, 44.08, 3.06

 

CMYK 0 / 47 / 3 / 10

HEX #E57ADD

RGB 229 122 221

HSL 304.49, 0.67%, 0.69%

LAB 66.36, 54.76, -32.68

 

CMYK 0 / 48 / 4 / 90

HEX #190D18

RGB 25 13 24

HSL 305, 0.32%, 0.07%

LAB 5.06, 7.25, -4.64

 

CMYK 0 / 47 / 4 / 70

HEX #4C2849

RGB 76 40 73

HSL 305, 0.31%, 0.23%

LAB 22.07, 22.52, -13.42

 

CMYK 0 / 46 / 3 / 50

HEX #7F447B

RGB 127 68 123

HSL 304.07, 0.3%, 0.38%

LAB 37.98, 33.85, -20.48

 

CMYK 0 / 47 / 3 / 30

HEX #B25FAC

RGB 178 95 172

HSL 304.34, 0.35%, 0.54%

LAB 52.54, 44.62, -26.76

 

CMYK 0 / 47 / 3 / 10

HEX #E57ADD

RGB 229 122 221

HSL 304.49, 0.67%, 0.69%

LAB 66.36, 54.76, -32.68

 

CMYK 0 / 34 / 46 / 11

HEX #E4977A

RGB 228 151 122

HSL 16.42, 0.66%, 0.69%

LAB 69.49, 25.69, 27.12

 

CMYK 46 / 0 / 15 / 11

HEX #7AE4C1

RGB 122 228 193

HSL 160.19, 0.66%, 0.69%

LAB 83.69, -38.87, 7.63

 

CMYK 0 / 47 / 3 / 10

HEX #E57ADD

RGB 229 122 221

HSL 304.49, 0.67%, 0.69%

LAB 66.36, 54.76, -32.68

 

CMYK 3 / 0 / 46 / 11

HEX #DDE47A

RGB 221 228 122

HSL 63.96, 0.66%, 0.69%

LAB 88.1, -17.22, 50.59

 

CMYK 46 / 3 / 0 / 11

HEX #7ADDE4

RGB 122 221 228

HSL 183.96, 0.66%, 0.69%

LAB 82.62, -27.23, -12.47

 

CMYK 0 / 47 / 3 / 10

HEX #E57ADD

RGB 229 122 221

HSL 304.49, 0.67%, 0.69%

LAB 66.36, 54.76, -32.68

 

CMYK 0 / 34 / 46 / 11

HEX #E4977A

RGB 228 151 122

HSL 16.42, 0.66%, 0.69%

LAB 69.49, 25.69, 27.12

 

CMYK 46 / 0 / 43 / 11

HEX #7AE482

RGB 122 228 130

HSL 124.53, 0.66%, 0.69%

LAB 82.51, -50.53, 38.49

 

CMYK 46 / 12 / 0 / 11

HEX #7AC8E4

RGB 122 200 228

HSL 195.85, 0.66%, 0.69%

LAB 76.71, -16.71, -21.38

 

CMYK 0 / 47 / 3 / 10

HEX #E57ADD

RGB 229 122 221

HSL 304.49, 0.67%, 0.69%

LAB 66.36, 54.76, -32.68

 

CMYK 0 / 20 / 46 / 11

HEX #E4B77A

RGB 228 183 122

HSL 34.53, 0.66%, 0.69%

LAB 77.14, 8.62, 37.08

 

CMYK 46 / 0 / 43 / 11

HEX #7AE482

RGB 122 228 130

HSL 124.53, 0.66%, 0.69%

LAB 82.51, -50.53, 38.49

 

CMYK 46 / 26 / 0 / 11

HEX #7AA8E4

RGB 122 168 228

HSL 213.96, 0.66%, 0.69%

LAB 67.83, 0.53, -35.01

 

Description

Color code: RGB 229 122 221 | qconv.com Color code: RGB 229 122 221 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 229 red, 122 green and 221 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
229 122 221 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 47 magenta, 3 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 47% 3% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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