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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 229 115 210 it is the complementary color RGB 26 140 45. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 229 115 210. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 229 115 210: RGB 234 115 205, RGB 251 133 224, RGB 255 151 243, RGB 255 169 255 and RGB 255 187 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 229 115 210. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 229 115 210: RGB 229 115 210, RGB 212 97 191, RGB 195 79 172, RGB 178 61 153 and RGB 161 43 134

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 50 / 8 / 10

HEX #E573D2

RGB 229 115 210

HSL 310, 0.69%, 0.67%

LAB 64.62, 56.33, -29.24

 

Complementary color

CMYK 81 / 0 / 68 / 45

HEX #1A8C2D

RGB 26 140 45

HSL 130, 0.69%, 0.33%

LAB 50.88, -50.07, 40.76

 

CMYK 0 / 51 / 12 / 8

HEX #EA73CD

RGB 234 115 205

HSL 314.62, 0.74%, 0.68%

LAB 65.09, 56.99, -25.65

 

CMYK 0 / 47 / 11 / 2

HEX #FB85E0

RGB 251 133 224

HSL 313.73, 0.94%, 0.75%

LAB 71.33, 56.34, -26.46

 

CMYK 0 / 41 / 5 / 0

HEX #FF97F3

RGB 255 151 243

HSL 306.92, 1%, 0.8%

LAB 75.99, 51.76, -29.66

 

CMYK 0 / 34 / 0 / 0

HEX #FFA9FF

RGB 255 169 255

HSL 300, 1%, 0.83%

LAB 80.1, 44.67, -29.82

 

CMYK 0 / 27 / 0 / 0

HEX #FFBBFF

RGB 255 187 255

HSL 300, 1%, 0.87%

LAB 83.98, 35.3, -23.9

 

CMYK 0 / 50 / 8 / 10

HEX #E573D2

RGB 229 115 210

HSL 310, 0.69%, 0.67%

LAB 64.62, 56.33, -29.24

 

CMYK 0 / 54 / 10 / 17

HEX #D461BF

RGB 212 97 191

HSL 310.96, 0.57%, 0.61%

LAB 58.33, 56.89, -28.39

 

CMYK 0 / 59 / 12 / 24

HEX #C34FAC

RGB 195 79 172

HSL 311.9, 0.49%, 0.54%

LAB 52.03, 57.28, -27.36

 

CMYK 0 / 66 / 14 / 30

HEX #B23D99

RGB 178 61 153

HSL 312.82, 0.49%, 0.47%

LAB 45.77, 57.38, -26.04

 

CMYK 0 / 73 / 17 / 37

HEX #A12B86

RGB 161 43 134

HSL 313.73, 0.58%, 0.4%

LAB 39.62, 56.96, -24.29

 

CMYK 0 / 50 / 8 / 10

HEX #E573D2

RGB 229 115 210

HSL 310, 0.69%, 0.67%

LAB 64.62, 56.33, -29.24

 

CMYK 0 / 51 / 17 / 11

HEX #E470BE

RGB 228 112 190

HSL 319.66, 0.68%, 0.67%

LAB 63.18, 54.34, -20.19

 

CMYK 0 / 51 / 25 / 11

HEX #E470AA

RGB 228 112 170

HSL 330, 0.68%, 0.67%

LAB 62.49, 51.49, -9.83

 

CMYK 0 / 51 / 34 / 11

HEX #E47097

RGB 228 112 151

HSL 339.83, 0.68%, 0.67%

LAB 61.93, 49.06, 0.23

 

CMYK 0 / 51 / 42 / 11

HEX #E47084

RGB 228 112 132

HSL 349.66, 0.68%, 0.67%

LAB 61.44, 46.92, 10.46

 

CMYK 0 / 50 / 8 / 10

HEX #E573D2

RGB 229 115 210

HSL 310, 0.69%, 0.67%

LAB 64.62, 56.33, -29.24

 

CMYK 0 / 48 / 8 / 90

HEX #190D17

RGB 25 13 23

HSL 310, 0.32%, 0.07%

LAB 5.03, 6.99, -3.94

 

CMYK 0 / 50 / 8 / 70

HEX #4C2646

RGB 76 38 70

HSL 309.47, 0.33%, 0.22%

LAB 21.45, 23.12, -12.34

 

CMYK 0 / 50 / 9 / 50

HEX #7F4074

RGB 127 64 116

HSL 310.48, 0.33%, 0.37%

LAB 36.82, 34.74, -17.93

 

CMYK 0 / 50 / 8 / 30

HEX #B259A3

RGB 178 89 163

HSL 310.11, 0.37%, 0.52%

LAB 50.98, 46.11, -23.9

 

CMYK 0 / 50 / 8 / 10

HEX #E573D2

RGB 229 115 210

HSL 310, 0.69%, 0.67%

LAB 64.62, 56.33, -29.24

 

CMYK 0 / 32 / 51 / 11

HEX #E49B70

RGB 228 155 112

HSL 22.24, 0.68%, 0.67%

LAB 70.25, 22.61, 33.51

 

CMYK 51 / 0 / 12 / 11

HEX #70E4C9

RGB 112 228 201

HSL 166.03, 0.68%, 0.67%

LAB 83.52, -39.36, 3.12

 

CMYK 0 / 50 / 8 / 10

HEX #E573D2

RGB 229 115 210

HSL 310, 0.69%, 0.67%

LAB 64.62, 56.33, -29.24

 

CMYK 8 / 0 / 51 / 11

HEX #D1E470

RGB 209 228 112

HSL 69.83, 0.68%, 0.67%

LAB 87.1, -22.85, 53.87

 

CMYK 51 / 8 / 0 / 11

HEX #70D1E4

RGB 112 209 228

HSL 189.83, 0.68%, 0.67%

LAB 78.84, -23.5, -18.19

 

CMYK 0 / 50 / 8 / 10

HEX #E573D2

RGB 229 115 210

HSL 310, 0.69%, 0.67%

LAB 64.62, 56.33, -29.24

 

CMYK 0 / 32 / 51 / 11

HEX #E49B70

RGB 228 155 112

HSL 22.24, 0.68%, 0.67%

LAB 70.25, 22.61, 33.51

 

CMYK 51 / 0 / 42 / 11

HEX #70E484

RGB 112 228 132

HSL 130.34, 0.68%, 0.67%

LAB 82.16, -52.87, 36.98

 

CMYK 51 / 18 / 0 / 11

HEX #70BAE4

RGB 112 186 228

HSL 201.72, 0.68%, 0.67%

LAB 72.34, -11.64, -28.09

 

CMYK 0 / 50 / 8 / 10

HEX #E573D2

RGB 229 115 210

HSL 310, 0.69%, 0.67%

LAB 64.62, 56.33, -29.24

 

CMYK 0 / 17 / 51 / 11

HEX #E4BE70

RGB 228 190 112

HSL 40.34, 0.68%, 0.67%

LAB 78.75, 4.01, 44.18

 

CMYK 51 / 0 / 42 / 11

HEX #70E484

RGB 112 228 132

HSL 130.34, 0.68%, 0.67%

LAB 82.16, -52.87, 36.98

 

CMYK 51 / 34 / 0 / 11

HEX #7097E4

RGB 112 151 228

HSL 219.83, 0.68%, 0.67%

LAB 62.66, 7.89, -43.14

 

Description

Color code: RGB 229 115 210 | qconv.com Color code: RGB 229 115 210 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 229 red, 115 green and 210 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
229 115 210 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 50 magenta, 8 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 50% 8% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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