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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 229 111 246 it is the complementary color RGB 26 144 9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 229 111 246. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 229 111 246: RGB 234 111 241, RGB 251 129 255, RGB 255 147 255, RGB 255 165 255 and RGB 255 183 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 229 111 246. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 229 111 246: RGB 229 111 246, RGB 212 93 227, RGB 195 75 208, RGB 178 57 189 and RGB 161 39 170

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 7 / 55 / 0 / 4

HEX #E56FF6

RGB 229 111 246

HSL 292.44, 0.88%, 0.7%

LAB 65.5, 64.44, -47.88

 

Complementary color

CMYK 82 / 0 / 94 / 44

HEX #1A9009

RGB 26 144 9

HSL 112.44, 0.88%, 0.3%

LAB 52.05, -53.78, 53.11

 

CMYK 3 / 54 / 0 / 5

HEX #EA6FF1

RGB 234 111 241

HSL 296.77, 0.82%, 0.69%

LAB 65.91, 64.82, -44.42

 

CMYK 2 / 49 / 0 / 0

HEX #FB81FF

RGB 251 129 255

HSL 298.1, 1%, 0.75%

LAB 71.85, 63.41, -42.64

 

CMYK 0 / 42 / 0 / 0

HEX #FF93FF

RGB 255 147 255

HSL 300, 1%, 0.79%

LAB 75.67, 55.82, -36.66

 

CMYK 0 / 35 / 0 / 0

HEX #FFA5FF

RGB 255 165 255

HSL 300, 1%, 0.82%

LAB 79.27, 46.73, -31.1

 

CMYK 0 / 28 / 0 / 0

HEX #FFB7FF

RGB 255 183 255

HSL 300, 1%, 0.86%

LAB 83.1, 37.39, -25.23

 

CMYK 7 / 55 / 0 / 4

HEX #E56FF6

RGB 229 111 246

HSL 292.44, 0.88%, 0.7%

LAB 65.5, 64.44, -47.88

 

CMYK 7 / 59 / 0 / 11

HEX #D45DE3

RGB 212 93 227

HSL 293.28, 0.71%, 0.63%

LAB 59.32, 64.86, -47.23

 

CMYK 6 / 64 / 0 / 18

HEX #C34BD0

RGB 195 75 208

HSL 294.14, 0.59%, 0.55%

LAB 53.15, 65.04, -46.4

 

CMYK 6 / 70 / 0 / 26

HEX #B239BD

RGB 178 57 189

HSL 295, 0.54%, 0.48%

LAB 47.06, 64.83, -45.28

 

CMYK 5 / 77 / 0 / 33

HEX #A127AA

RGB 161 39 170

HSL 295.88, 0.63%, 0.41%

LAB 41.11, 63.98, -43.75

 

CMYK 7 / 55 / 0 / 4

HEX #E56FF6

RGB 229 111 246

HSL 292.44, 0.88%, 0.7%

LAB 65.5, 64.44, -47.88

 

CMYK 0 / 55 / 2 / 4

HEX #F56FF1

RGB 245 111 241

HSL 301.79, 0.87%, 0.7%

LAB 67.38, 67.67, -42.02

 

CMYK 0 / 55 / 11 / 4

HEX #F56FDA

RGB 245 111 218

HSL 312.09, 0.87%, 0.7%

LAB 66.4, 63.98, -30.79

 

CMYK 0 / 55 / 20 / 4

HEX #F56FC4

RGB 245 111 196

HSL 321.94, 0.87%, 0.7%

LAB 65.57, 60.75, -19.73

 

CMYK 0 / 55 / 29 / 4

HEX #F56FAE

RGB 245 111 174

HSL 331.79, 0.87%, 0.7%

LAB 64.83, 57.83, -8.37

 

CMYK 7 / 55 / 0 / 4

HEX #E56FF6

RGB 229 111 246

HSL 292.44, 0.88%, 0.7%

LAB 65.5, 64.44, -47.88

 

CMYK 7 / 55 / 0 / 84

HEX #27132A

RGB 39 19 42

HSL 292.17, 0.38%, 0.12%

LAB 9.52, 15.09, -11.43

 

CMYK 6 / 55 / 0 / 64

HEX #572A5D

RGB 87 42 93

HSL 292.94, 0.38%, 0.26%

LAB 25.18, 29.42, -21.77

 

CMYK 7 / 55 / 0 / 44

HEX #864190

RGB 134 65 144

HSL 292.41, 0.38%, 0.41%

LAB 39.35, 41.79, -31.15

 

CMYK 7 / 55 / 0 / 24

HEX #B658C3

RGB 182 88 195

HSL 292.71, 0.47%, 0.55%

LAB 52.8, 53.55, -39.63

 

CMYK 7 / 55 / 0 / 4

HEX #E56FF6

RGB 229 111 246

HSL 292.44, 0.88%, 0.7%

LAB 65.5, 64.44, -47.88

 

CMYK 0 / 51 / 55 / 4

HEX #F5786F

RGB 245 120 111

HSL 4.03, 0.87%, 0.7%

LAB 64.96, 47.11, 27.6

 

CMYK 55 / 0 / 29 / 4

HEX #6FF5AE

RGB 111 245 174

HSL 148.21, 0.87%, 0.7%

LAB 87.84, -52.64, 23.29

 

CMYK 7 / 55 / 0 / 4

HEX #E56FF6

RGB 229 111 246

HSL 292.44, 0.88%, 0.7%

LAB 65.5, 64.44, -47.88

 

CMYK 0 / 7 / 55 / 4

HEX #F5E36F

RGB 245 227 111

HSL 51.94, 0.87%, 0.7%

LAB 89.63, -8.1, 57.99

 

CMYK 55 / 0 / 7 / 4

HEX #6FF5E3

RGB 111 245 227

HSL 171.94, 0.87%, 0.7%

LAB 89.03, -40.99, -2.49

 

CMYK 7 / 55 / 0 / 4

HEX #E56FF6

RGB 229 111 246

HSL 292.44, 0.88%, 0.7%

LAB 65.5, 64.44, -47.88

 

CMYK 0 / 51 / 55 / 4

HEX #F5786F

RGB 245 120 111

HSL 4.03, 0.87%, 0.7%

LAB 64.96, 47.11, 27.6

 

CMYK 47 / 0 / 55 / 4

HEX #81F56F

RGB 129 245 111

HSL 111.94, 0.87%, 0.7%

LAB 87.54, -57.84, 53.78

 

CMYK 55 / 4 / 0 / 4

HEX #6FECF5

RGB 111 236 245

HSL 184.03, 0.87%, 0.7%

LAB 86.98, -32.25, -14.96

 

CMYK 7 / 55 / 0 / 4

HEX #E56FF6

RGB 229 111 246

HSL 292.44, 0.88%, 0.7%

LAB 65.5, 64.44, -47.88

 

CMYK 0 / 35 / 55 / 4

HEX #F5A06F

RGB 245 160 111

HSL 21.94, 0.87%, 0.7%

LAB 73.35, 26.66, 38.39

 

CMYK 47 / 0 / 55 / 4

HEX #81F56F

RGB 129 245 111

HSL 111.94, 0.87%, 0.7%

LAB 87.54, -57.84, 53.78

 

CMYK 55 / 20 / 0 / 4

HEX #6FC4F5

RGB 111 196 245

HSL 201.94, 0.87%, 0.7%

LAB 75.73, -12.22, -32.06

 

Description

Color code: RGB 229 111 246 | qconv.com Color code: RGB 229 111 246 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 229 red, 111 green and 246 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
229 111 246 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 7 cyan, 55 magenta, none yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
7% 55% 0% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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