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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 228 53 100 it is the complementary color RGB 27 202 155. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 228 53 100. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 228 53 100 shade: RGB 233 53 95, RGB 250 71 114, RGB 255 89 133, RGB 255 107 152 and RGB 255 125 171

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 228 53 100. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 228 53 100 shade: RGB 228 53 100, RGB 211 35 81, RGB 194 17 62, RGB 177 0 43 and RGB 160 0 24

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 228 53 100 shade: RGB 227 53 100 and RGB 227 53 53

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 228 53 100 shade: RGB 227 53 100, RGB 227 53 147, RGB 227 53 194, RGB 214 53 227 and RGB 167 53 227

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 228 53 100 shade matches the following richer shades: RGB 227 53 100 and RGB 246 34 91

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 228 53 100 shade: RGB 227 53 100, RGB 209 72 108, RGB 190 90 117, RGB 172 109 126 and RGB 153 127 134

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 228 53 100 shade: RGB 227 53 195, RGB 227 53 149, RGB 227 53 102, RGB 227 53 56 and RGB 227 97 53

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 228 53 100 shade: RGB 174 24 64, RGB 211 29 78, RGB 227 53 100, RGB 232 89 128 and RGB 237 126 156

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 228 53 100 shade: RGB 228 53 100, RGB 227 213 53 and RGB 53 172 227

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 228 53 100 shade: RGB 228 53 100, RGB 102 227 53 and RGB 53 102 227

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 228 53 100 shade: RGB 228 53 100, RGB 227 213 53, RGB 53 227 178 and RGB 53 68 227

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 228 53 100 shade: RGB 228 53 100, RGB 190 227 53, RGB 53 227 178 and RGB 91 53 227

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 77 / 56 / 11

HEX #E43564

RGB 228 53 100

HSL 343.89, 0.76%, 0.55%

LAB 51.79, 68.1, 15.85

 

Complementary color

CMYK 87 / 0 / 23 / 21

HEX #1BCA9B

RGB 27 202 155

HSL 163.89, 0.76%, 0.45%

LAB 72.79, -52.05, 12

 

CMYK 0 / 77 / 59 / 9

HEX #E9355F

RGB 233 53 95

HSL 346, 0.8%, 0.56%

LAB 52.62, 69.14, 20.14

 

CMYK 0 / 72 / 54 / 2

HEX #FA4772

RGB 250 71 114

HSL 345.59, 0.95%, 0.63%

LAB 58.08, 69.56, 16.77

 

CMYK 0 / 65 / 48 / 0

HEX #FF5985

RGB 255 89 133

HSL 344.1, 1%, 0.67%

LAB 61.74, 65.96, 10.89

 

CMYK 0 / 58 / 40 / 0

HEX #FF6B98

RGB 255 107 152

HSL 341.76, 1%, 0.71%

LAB 65, 60.25, 4.59

 

CMYK 0 / 51 / 33 / 0

HEX #FF7DAB

RGB 255 125 171

HSL 338.77, 1%, 0.75%

LAB 68.66, 54.08, -0.87

 

CMYK 0 / 77 / 56 / 11

HEX #E43564

RGB 228 53 100

HSL 343.89, 0.76%, 0.55%

LAB 51.79, 68.1, 15.85

 

CMYK 0 / 83 / 62 / 17

HEX #D32351

RGB 211 35 81

HSL 344.32, 0.72%, 0.48%

LAB 46.51, 66.99, 19.76

 

CMYK 0 / 91 / 68 / 24

HEX #C2113E

RGB 194 17 62

HSL 344.75, 0.84%, 0.41%

LAB 41.56, 64.9, 24.48

 

CMYK 0 / 100 / 76 / 31

HEX #B1002B

RGB 177 0 43

HSL 345.42, 1%, 0.35%

LAB 36.97, 61.8, 29.96

 

CMYK 0 / 100 / 85 / 37

HEX #A00018

RGB 160 0 24

HSL 351, 1%, 0.31%

LAB 33, 56.93, 36.05

 

CMYK 0 / 77 / 56 / 11

HEX #E33564

RGB 227 53 100

HSL 343.79, 0.76%, 0.55%

LAB 51.61, 67.83, 15.57

 

CMYK 0 / 77 / 77 / 11

HEX #E33535

RGB 227 53 53

HSL 0, 0.76%, 0.55%

LAB 50.84, 65.4, 42.27

 

CMYK 0 / 77 / 56 / 11

HEX #E33564

RGB 227 53 100

HSL 343.79, 0.76%, 0.55%

LAB 51.61, 67.83, 15.57

 

CMYK 0 / 77 / 35 / 11

HEX #E33593

RGB 227 53 147

HSL 327.59, 0.76%, 0.55%

LAB 52.93, 71.93, -10.77

 

CMYK 0 / 77 / 15 / 11

HEX #E335C2

RGB 227 53 194

HSL 311.38, 0.76%, 0.55%

LAB 54.84, 77.58, -35.38

 

CMYK 6 / 77 / 0 / 11

HEX #D635E3

RGB 214 53 227

HSL 295.52, 0.76%, 0.55%

LAB 54.44, 79.84, -54.98

 

CMYK 26 / 77 / 0 / 11

HEX #A735E3

RGB 167 53 227

HSL 279.31, 0.76%, 0.55%

LAB 47.38, 71.28, -66.72

 

CMYK 0 / 77 / 56 / 11

HEX #E33564

RGB 227 53 100

HSL 343.79, 0.76%, 0.55%

LAB 51.61, 67.83, 15.57

 

CMYK 0 / 86 / 63 / 4

HEX #F6225B

RGB 246 34 91

HSL 343.87, 0.92%, 0.55%

LAB 53.48, 76.64, 24.14

 

CMYK 0 / 77 / 56 / 11

HEX #E33564

RGB 227 53 100

HSL 343.79, 0.76%, 0.55%

LAB 51.61, 67.83, 15.57

 

CMYK 0 / 66 / 48 / 18

HEX #D1486C

RGB 209 72 108

HSL 344.23, 0.6%, 0.55%

LAB 51, 56.54, 9.42

 

CMYK 0 / 53 / 38 / 25

HEX #BE5A75

RGB 190 90 117

HSL 343.8, 0.43%, 0.55%

LAB 51.32, 42.94, 4.07

 

CMYK 0 / 37 / 27 / 33

HEX #AC6D7E

RGB 172 109 126

HSL 343.81, 0.28%, 0.55%

LAB 53.18, 27.4, 1.13

 

CMYK 0 / 17 / 12 / 40

HEX #997F86

RGB 153 127 134

HSL 343.85, 0.11%, 0.55%

LAB 55.76, 11.18, -0.05

 

CMYK 0 / 77 / 14 / 11

HEX #E335C3

RGB 227 53 195

HSL 311.03, 0.76%, 0.55%

LAB 54.88, 77.71, -35.88

 

CMYK 0 / 77 / 34 / 11

HEX #E33595

RGB 227 53 149

HSL 326.9, 0.76%, 0.55%

LAB 53, 72.14, -11.86

 

CMYK 0 / 77 / 55 / 11

HEX #E33566

RGB 227 53 102

HSL 343.1, 0.76%, 0.55%

LAB 51.65, 67.97, 14.42

 

CMYK 0 / 77 / 75 / 11

HEX #E33538

RGB 227 53 56

HSL 358.97, 0.76%, 0.55%

LAB 50.88, 65.51, 40.64

 

CMYK 0 / 57 / 77 / 11

HEX #E36135

RGB 227 97 53

HSL 15.17, 0.76%, 0.55%

LAB 57.21, 48.19, 48.9

 

CMYK 0 / 86 / 63 / 32

HEX #AE1840

RGB 174 24 64

HSL 344, 0.76%, 0.39%

LAB 37.88, 58.6, 17.65

 

CMYK 0 / 86 / 63 / 17

HEX #D31D4E

RGB 211 29 78

HSL 343.85, 0.76%, 0.47%

LAB 46.01, 68.06, 20.96

 

CMYK 0 / 77 / 56 / 11

HEX #E33564

RGB 227 53 100

HSL 343.79, 0.76%, 0.55%

LAB 51.61, 67.83, 15.57

 

CMYK 0 / 62 / 45 / 9

HEX #E85980

RGB 232 89 128

HSL 343.64, 0.76%, 0.63%

LAB 57.9, 58.47, 7.85

 

CMYK 0 / 47 / 34 / 7

HEX #ED7E9C

RGB 237 126 156

HSL 343.78, 0.76%, 0.71%

LAB 66, 45.78, 3.44

 

CMYK 0 / 77 / 56 / 11

HEX #E43564

RGB 228 53 100

HSL 343.89, 0.76%, 0.55%

LAB 51.79, 68.1, 15.85

 

CMYK 0 / 6 / 77 / 11

HEX #E3D535

RGB 227 213 53

HSL 55.17, 0.76%, 0.55%

LAB 84.06, -11.83, 74.54

 

CMYK 77 / 24 / 0 / 11

HEX #35ACE3

RGB 53 172 227

HSL 198.97, 0.76%, 0.55%

LAB 66.37, -14.3, -36.93

 

CMYK 0 / 77 / 56 / 11

HEX #E43564

RGB 228 53 100

HSL 343.89, 0.76%, 0.55%

LAB 51.79, 68.1, 15.85

 

CMYK 55 / 0 / 77 / 11

HEX #66E335

RGB 102 227 53

HSL 103.1, 0.76%, 0.55%

LAB 80.75, -63.52, 68.84

 

CMYK 77 / 55 / 0 / 11

HEX #3566E3

RGB 53 102 227

HSL 223.1, 0.76%, 0.55%

LAB 46.72, 27.48, -68.23

 

CMYK 0 / 77 / 56 / 11

HEX #E43564

RGB 228 53 100

HSL 343.89, 0.76%, 0.55%

LAB 51.79, 68.1, 15.85

 

CMYK 0 / 6 / 77 / 11

HEX #E3D535

RGB 227 213 53

HSL 55.17, 0.76%, 0.55%

LAB 84.06, -11.83, 74.54

 

CMYK 77 / 0 / 22 / 11

HEX #35E3B2

RGB 53 227 178

HSL 163.1, 0.76%, 0.55%

LAB 81.24, -54.15, 11.79

 

CMYK 77 / 70 / 0 / 11

HEX #3544E3

RGB 53 68 227

HSL 234.83, 0.76%, 0.55%

LAB 38.62, 48.49, -81.49

 

CMYK 0 / 77 / 56 / 11

HEX #E43564

RGB 228 53 100

HSL 343.89, 0.76%, 0.55%

LAB 51.79, 68.1, 15.85

 

CMYK 16 / 0 / 77 / 11

HEX #BEE335

RGB 190 227 53

HSL 72.76, 0.76%, 0.55%

LAB 85.07, -33.78, 74.44

 

CMYK 77 / 0 / 22 / 11

HEX #35E3B2

RGB 53 227 178

HSL 163.1, 0.76%, 0.55%

LAB 81.24, -54.15, 11.79

 

CMYK 60 / 77 / 0 / 11

HEX #5B35E3

RGB 91 53 227

HSL 253.1, 0.76%, 0.55%

LAB 38.4, 60.16, -81.75

 

Description

Color code: RGB 228 53 100 | qconv.com Color code: RGB 228 53 100 | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 228 red, 53 green and 100 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
228 53 100 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 77 magenta, 56 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 77% 56% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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RAL® to PANTONE®

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convert from Sherwin Williams®-number (SW 0000) to Pantone®-number (Pantone 0000)

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