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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BE5A75 it is the complementary color #41A58A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BE5A75. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #BE5A75: #C35A70, #D46C83, #E57E96, #F690A9 and #FFA2BC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BE5A75. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #BE5A75: #BE5A75, #AD4862, #9C364F, #8B243C and #7A1229

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 53 / 38 / 25

HEX #BE5A75

RGB 190 90 117

HSL 343.8, 0.43%, 0.55%

LAB 51.32, 42.94, 4.07

 

Complementary color

CMYK 61 / 0 / 16 / 35

HEX #41A58A

RGB 65 165 138

HSL 163.8, 0.43%, 0.45%

LAB 61.54, -35.73, 5.39

 

CMYK 0 / 54 / 43 / 24

HEX #C35A70

RGB 195 90 112

HSL 347.43, 0.47%, 0.56%

LAB 51.93, 44.13, 8.03

 

CMYK 0 / 49 / 38 / 17

HEX #D46C83

RGB 212 108 131

HSL 346.73, 0.55%, 0.63%

LAB 58.38, 43.2, 6.37

 

CMYK 0 / 45 / 34 / 10

HEX #E57E96

RGB 229 126 150

HSL 346.02, 0.66%, 0.7%

LAB 64.79, 42.27, 4.96

 

CMYK 0 / 41 / 31 / 4

HEX #F690A9

RGB 246 144 169

HSL 345.29, 0.85%, 0.76%

LAB 71.15, 41.37, 3.73

 

CMYK 0 / 36 / 26 / 0

HEX #FFA2BC

RGB 255 162 188

HSL 343.23, 1%, 0.82%

LAB 76.52, 37.72, 1.17

 

CMYK 0 / 53 / 38 / 25

HEX #BE5A75

RGB 190 90 117

HSL 343.8, 0.43%, 0.55%

LAB 51.32, 42.94, 4.07

 

CMYK 0 / 58 / 43 / 32

HEX #AD4862

RGB 173 72 98

HSL 344.55, 0.41%, 0.48%

LAB 44.8, 43.77, 5.88

 

CMYK 0 / 65 / 49 / 39

HEX #9C364F

RGB 156 54 79

HSL 345.29, 0.49%, 0.41%

LAB 38.32, 44.43, 8.14

 

CMYK 0 / 74 / 57 / 45

HEX #8B243C

RGB 139 36 60

HSL 346.02, 0.59%, 0.34%

LAB 31.98, 44.67, 11.09

 

CMYK 0 / 85 / 66 / 52

HEX #7A1229

RGB 122 18 41

HSL 346.73, 0.74%, 0.27%

LAB 25.95, 44.01, 15.07

 

CMYK 0 / 53 / 38 / 25

HEX #BE5A75

RGB 190 90 117

HSL 343.8, 0.43%, 0.55%

LAB 51.32, 42.94, 4.07

 

CMYK 0 / 52 / 46 / 26

HEX #BD5A66

RGB 189 90 102

HSL 352.73, 0.43%, 0.55%

LAB 50.79, 40.95, 12.26

 

CMYK 0 / 50 / 52 / 26

HEX #BD5F5A

RGB 189 95 90

HSL 3.03, 0.43%, 0.55%

LAB 51.54, 37.24, 20.39

 

CMYK 0 / 41 / 52 / 26

HEX #BD705A

RGB 189 112 90

HSL 13.33, 0.43%, 0.55%

LAB 55.22, 28.16, 25.25

 

CMYK 0 / 32 / 52 / 26

HEX #BD805A

RGB 189 128 90

HSL 23.03, 0.43%, 0.55%

LAB 58.97, 19.36, 30.09

 

CMYK 0 / 53 / 38 / 25

HEX #BE5A75

RGB 190 90 117

HSL 343.8, 0.43%, 0.55%

LAB 51.32, 42.94, 4.07

 

CMYK 0 / 53 / 39 / 5

HEX #F17294

RGB 241 114 148

HSL 343.94, 0.82%, 0.7%

LAB 64.06, 52.09, 5.27

 

CMYK 0 / 51 / 38 / 85

HEX #251217

RGB 37 18 23

HSL 344.21, 0.35%, 0.11%

LAB 8.02, 10.72, 0.64

 

CMYK 0 / 52 / 39 / 65

HEX #582A36

RGB 88 42 54

HSL 344.35, 0.35%, 0.25%

LAB 23.66, 22.65, 2.06

 

CMYK 0 / 53 / 38 / 45

HEX #8B4256

RGB 139 66 86

HSL 343.56, 0.36%, 0.4%

LAB 37.95, 33.26, 2.79

 

CMYK 0 / 53 / 38 / 25

HEX #BE5A75

RGB 190 90 117

HSL 343.8, 0.43%, 0.55%

LAB 51.32, 42.94, 4.07

 

CMYK 0 / 4 / 52 / 26

HEX #BDB55A

RGB 189 181 90

HSL 55.15, 0.43%, 0.55%

LAB 72.63, -9.36, 46.82

 

CMYK 52 / 16 / 0 / 26

HEX #5A9EBD

RGB 90 158 189

HSL 198.79, 0.43%, 0.55%

LAB 61.91, -12.81, -22.64

 

CMYK 0 / 53 / 38 / 25

HEX #BE5A75

RGB 190 90 117

HSL 343.8, 0.43%, 0.55%

LAB 51.32, 42.94, 4.07

 

CMYK 38 / 0 / 52 / 26

HEX #76BD5A

RGB 118 189 90

HSL 103.03, 0.43%, 0.55%

LAB 70.17, -40.64, 42.73

 

CMYK 52 / 38 / 0 / 26

HEX #5A76BD

RGB 90 118 189

HSL 223.03, 0.43%, 0.55%

LAB 50.46, 10.34, -40.46

 

CMYK 0 / 53 / 38 / 25

HEX #BE5A75

RGB 190 90 117

HSL 343.8, 0.43%, 0.55%

LAB 51.32, 42.94, 4.07

 

CMYK 0 / 4 / 52 / 26

HEX #BDB55A

RGB 189 181 90

HSL 55.15, 0.43%, 0.55%

LAB 72.63, -9.36, 46.82

 

CMYK 52 / 0 / 15 / 26

HEX #5ABDA1

RGB 90 189 161

HSL 163.03, 0.43%, 0.55%

LAB 70.28, -35.86, 5.35

 

CMYK 52 / 48 / 0 / 26

HEX #5A63BD

RGB 90 99 189

HSL 234.55, 0.43%, 0.55%

LAB 45.32, 22.1, -48.63

 

CMYK 0 / 53 / 38 / 25

HEX #BE5A75

RGB 190 90 117

HSL 343.8, 0.43%, 0.55%

LAB 51.32, 42.94, 4.07

 

CMYK 11 / 0 / 52 / 26

HEX #A8BD5A

RGB 168 189 90

HSL 72.73, 0.43%, 0.55%

LAB 73.19, -22.05, 47.07

 

CMYK 52 / 0 / 15 / 26

HEX #5ABDA1

RGB 90 189 161

HSL 163.03, 0.43%, 0.55%

LAB 70.28, -35.86, 5.35

 

CMYK 41 / 52 / 0 / 26

HEX #705ABD

RGB 112 90 189

HSL 253.33, 0.43%, 0.55%

LAB 44.85, 32.75, -49.29

 

Description

Color code: HEX #BE5A75 | qconv.com Color code: HEX #BE5A75 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 190 red, 90 green and 117 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
190 90 117 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 53 magenta, 38 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 53% 38% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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