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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 228 250 54 it is the complementary color RGB 27 5 201. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 228 250 54. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 228 250 54: RGB 233 250 49, RGB 250 255 68, RGB 255 255 87, RGB 255 255 106 and RGB 255 255 125

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 228 250 54. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 228 250 54: RGB 228 250 54, RGB 211 232 35, RGB 194 214 16, RGB 177 196 0 and RGB 160 178 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 9 / 0 / 78 / 2

HEX #E4FA36

RGB 228 250 54

HSL 66.73, 0.95%, 0.6%

LAB 93.94, -29.23, 83.14

 

Complementary color

CMYK 87 / 98 / 0 / 21

HEX #1B05C9

RGB 27 5 201

HSL 246.73, 0.95%, 0.4%

LAB 25.44, 65.41, -88.37

 

CMYK 7 / 0 / 80 / 2

HEX #E9FA31

RGB 233 250 49

HSL 65.07, 0.95%, 0.59%

LAB 94.28, -27.39, 84.84

 

CMYK 2 / 0 / 73 / 0

HEX #FAFF44

RGB 250 255 68

HSL 61.6, 1%, 0.63%

LAB 96.93, -22.21, 82.43

 

CMYK 0 / 0 / 66 / 0

HEX #FFFF57

RGB 255 255 87

HSL 60, 1%, 0.67%

LAB 97.42, -19.31, 76.59

 

CMYK 0 / 0 / 58 / 0

HEX #FFFF6A

RGB 255 255 106

HSL 60, 1%, 0.71%

LAB 97.56, -18.18, 69.3

 

CMYK 0 / 0 / 51 / 0

HEX #FFFF7D

RGB 255 255 125

HSL 60, 1%, 0.75%

LAB 97.74, -16.78, 61.29

 

CMYK 9 / 0 / 78 / 2

HEX #E4FA36

RGB 228 250 54

HSL 66.73, 0.95%, 0.6%

LAB 93.94, -29.23, 83.14

 

CMYK 9 / 0 / 85 / 9

HEX #D3E823

RGB 211 232 35

HSL 66.4, 0.81%, 0.52%

LAB 87.82, -28.26, 81.86

 

CMYK 9 / 0 / 93 / 16

HEX #C2D610

RGB 194 214 16

HSL 66.06, 0.86%, 0.45%

LAB 81.62, -27.11, 79.45

 

CMYK 10 / 0 / 100 / 23

HEX #B1C400

RGB 177 196 0

HSL 65.82, 1%, 0.38%

LAB 75.34, -25.8, 75.77

 

CMYK 10 / 0 / 100 / 30

HEX #A0B200

RGB 160 178 0

HSL 66.07, 1%, 0.35%

LAB 68.98, -24.28, 70.47

 

CMYK 9 / 0 / 78 / 2

HEX #E4FA36

RGB 228 250 54

HSL 66.73, 0.95%, 0.6%

LAB 93.94, -29.23, 83.14

 

CMYK 20 / 0 / 78 / 2

HEX #C6F938

RGB 198 249 56

HSL 75.85, 0.94%, 0.6%

LAB 91.7, -40.44, 79.85

 

CMYK 34 / 0 / 78 / 2

HEX #A5F938

RGB 165 249 56

HSL 86.11, 0.94%, 0.6%

LAB 89.88, -52.45, 77.5

 

CMYK 47 / 0 / 78 / 2

HEX #85F938

RGB 133 249 56

HSL 96.06, 0.94%, 0.6%

LAB 88.46, -62.7, 75.66

 

CMYK 59 / 0 / 78 / 2

HEX #65F938

RGB 101 249 56

HSL 106.01, 0.94%, 0.6%

LAB 87.39, -71.09, 74.28

 

CMYK 9 / 0 / 78 / 2

HEX #E4FA36

RGB 228 250 54

HSL 66.73, 0.95%, 0.6%

LAB 93.94, -29.23, 83.14

 

CMYK 9 / 0 / 78 / 82

HEX #2A2E0A

RGB 42 46 10

HSL 66.67, 0.64%, 0.11%

LAB 17.77, -7.85, 21.22

 

CMYK 9 / 0 / 78 / 62

HEX #586115

RGB 88 97 21

HSL 67.11, 0.64%, 0.23%

LAB 39.03, -14.19, 39.39

 

CMYK 9 / 0 / 78 / 42

HEX #879420

RGB 135 148 32

HSL 66.72, 0.64%, 0.35%

LAB 58.45, -19.38, 55.01

 

CMYK 9 / 0 / 78 / 22

HEX #B5C72B

RGB 181 199 43

HSL 66.92, 0.64%, 0.47%

LAB 76.59, -24.64, 69.41

 

CMYK 9 / 0 / 78 / 2

HEX #E4FA36

RGB 228 250 54

HSL 66.73, 0.95%, 0.6%

LAB 93.94, -29.23, 83.14

 

CMYK 78 / 0 / 54 / 2

HEX #38F972

RGB 56 249 114

HSL 138.03, 0.94%, 0.6%

LAB 86.9, -73.45, 51.21

 

CMYK 23 / 78 / 0 / 2

HEX #BF38F9

RGB 191 56 249

HSL 281.97, 0.94%, 0.6%

LAB 52.67, 78.71, -70.35

 

CMYK 9 / 0 / 78 / 2

HEX #E4FA36

RGB 228 250 54

HSL 66.73, 0.95%, 0.6%

LAB 93.94, -29.23, 83.14

 

CMYK 78 / 8 / 0 / 2

HEX #38E6F9

RGB 56 230 249

HSL 185.91, 0.94%, 0.6%

LAB 84.11, -36.04, -21.51

 

CMYK 0 / 78 / 8 / 2

HEX #F938E6

RGB 249 56 230

HSL 305.91, 0.94%, 0.6%

LAB 60.5, 86.32, -46.69

 

CMYK 9 / 0 / 78 / 2

HEX #E4FA36

RGB 228 250 54

HSL 66.73, 0.95%, 0.6%

LAB 93.94, -29.23, 83.14

 

CMYK 78 / 0 / 54 / 2

HEX #38F972

RGB 56 249 114

HSL 138.03, 0.94%, 0.6%

LAB 86.9, -73.45, 51.21

 

CMYK 70 / 78 / 0 / 2

HEX #4B38F9

RGB 75 56 249

HSL 245.91, 0.94%, 0.6%

LAB 39.85, 63.49, -91.85

 

CMYK 0 / 78 / 23 / 2

HEX #F938BF

RGB 249 56 191

HSL 318.03, 0.94%, 0.6%

LAB 58.72, 81.23, -27.32

 

CMYK 9 / 0 / 78 / 2

HEX #E4FA36

RGB 228 250 54

HSL 66.73, 0.95%, 0.6%

LAB 93.94, -29.23, 83.14

 

CMYK 78 / 0 / 31 / 2

HEX #38F9AC

RGB 56 249 172

HSL 156.06, 0.94%, 0.6%

LAB 87.76, -63.55, 24

 

CMYK 70 / 78 / 0 / 2

HEX #4B38F9

RGB 75 56 249

HSL 245.91, 0.94%, 0.6%

LAB 39.85, 63.49, -91.85

 

CMYK 0 / 78 / 47 / 2

HEX #F93885

RGB 249 56 133

HSL 336.06, 0.94%, 0.6%

LAB 56.74, 75.32, 3.62

 

Description

Color code: RGB 228 250 54 | qconv.com Color code: RGB 228 250 54 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 228 red, 250 green and 54 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
228 250 54 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 9 cyan, none magenta, 78 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
9% 0% 78% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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