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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 228 231 146 it is the complementary color RGB 27 24 109. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 228 231 146. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 228 231 146: RGB 233 231 141, RGB 250 249 160, RGB 255 255 179, RGB 255 255 198 and RGB 255 255 217

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 228 231 146. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 228 231 146: RGB 228 231 146, RGB 211 213 127, RGB 194 195 108, RGB 177 177 89 and RGB 160 159 70

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 1 / 0 / 37 / 9

HEX #E4E792

RGB 228 231 146

HSL 62.12, 0.64%, 0.74%

LAB 89.73, -13.51, 41.06

 

Complementary color

CMYK 75 / 78 / 0 / 57

HEX #1B186D

RGB 27 24 109

HSL 242.12, 0.64%, 0.26%

LAB 15.44, 31.46, -48.32

 

CMYK 0 / 1 / 39 / 9

HEX #E9E78D

RGB 233 231 141

HSL 58.7, 0.68%, 0.73%

LAB 90.04, -12.12, 44.01

 

CMYK 0 / 0 / 36 / 2

HEX #FAF9A0

RGB 250 249 160

HSL 59.33, 0.9%, 0.8%

LAB 96.25, -12.45, 42.87

 

CMYK 0 / 0 / 30 / 0

HEX #FFFFB3

RGB 255 255 179

HSL 60, 1%, 0.85%

LAB 98.45, -11.32, 36.42

 

CMYK 0 / 0 / 22 / 0

HEX #FFFFC6

RGB 255 255 198

HSL 60, 1%, 0.89%

LAB 98.77, -8.88, 27.33

 

CMYK 0 / 0 / 15 / 0

HEX #FFFFD9

RGB 255 255 217

HSL 60, 1%, 0.93%

LAB 99.14, -6.17, 18.19

 

CMYK 1 / 0 / 37 / 9

HEX #E4E792

RGB 228 231 146

HSL 62.12, 0.64%, 0.74%

LAB 89.73, -13.51, 41.06

 

CMYK 1 / 0 / 40 / 16

HEX #D3D57F

RGB 211 213 127

HSL 61.4, 0.51%, 0.67%

LAB 83.43, -13.2, 42.21

 

CMYK 1 / 0 / 45 / 24

HEX #C2C36C

RGB 194 195 108

HSL 60.69, 0.42%, 0.59%

LAB 77.03, -12.83, 43.39

 

CMYK 0 / 0 / 50 / 31

HEX #B1B159

RGB 177 177 89

HSL 60, 0.36%, 0.52%

LAB 70.53, -12.38, 44.58

 

CMYK 0 / 1 / 56 / 37

HEX #A09F46

RGB 160 159 70

HSL 59.33, 0.39%, 0.45%

LAB 63.93, -11.82, 45.71

 

CMYK 1 / 0 / 37 / 9

HEX #E4E792

RGB 228 231 146

HSL 62.12, 0.64%, 0.74%

LAB 89.73, -13.51, 41.06

 

CMYK 7 / 0 / 37 / 9

HEX #D6E792

RGB 214 231 146

HSL 72, 0.64%, 0.74%

LAB 88.7, -18.83, 39.52

 

CMYK 13 / 0 / 37 / 9

HEX #C8E792

RGB 200 231 146

HSL 81.88, 0.64%, 0.74%

LAB 87.73, -24.03, 38.08

 

CMYK 20 / 0 / 37 / 9

HEX #B9E792

RGB 185 231 146

HSL 92.47, 0.64%, 0.74%

LAB 86.77, -29.45, 36.65

 

CMYK 26 / 0 / 37 / 9

HEX #ABE792

RGB 171 231 146

HSL 102.35, 0.64%, 0.74%

LAB 85.95, -34.31, 35.42

 

CMYK 1 / 0 / 37 / 9

HEX #E4E792

RGB 228 231 146

HSL 62.12, 0.64%, 0.74%

LAB 89.73, -13.51, 41.06

 

CMYK 0 / 0 / 37 / 89

HEX #1B1B11

RGB 27 27 17

HSL 60, 0.23%, 0.09%

LAB 9.46, -2.22, 6.52

 

CMYK 1 / 0 / 37 / 69

HEX #4D4E31

RGB 77 78 49

HSL 62.07, 0.23%, 0.25%

LAB 32.37, -5.7, 17.07

 

CMYK 2 / 0 / 36 / 49

HEX #7F8152

RGB 127 129 82

HSL 62.55, 0.22%, 0.41%

LAB 52.75, -8.55, 25.26

 

CMYK 1 / 0 / 37 / 29

HEX #B2B472

RGB 178 180 114

HSL 61.82, 0.31%, 0.58%

LAB 71.77, -10.9, 33.45

 

CMYK 1 / 0 / 37 / 9

HEX #E4E792

RGB 228 231 146

HSL 62.12, 0.64%, 0.74%

LAB 89.73, -13.51, 41.06

 

CMYK 37 / 0 / 28 / 9

HEX #92E7A6

RGB 146 231 166

HSL 134.12, 0.64%, 0.74%

LAB 85, -39.1, 23.72

 

CMYK 13 / 37 / 0 / 9

HEX #C892E7

RGB 200 146 231

HSL 278.12, 0.64%, 0.74%

LAB 68.47, 35.54, -35.21

 

CMYK 1 / 0 / 37 / 9

HEX #E4E792

RGB 228 231 146

HSL 62.12, 0.64%, 0.74%

LAB 89.73, -13.51, 41.06

 

CMYK 37 / 1 / 0 / 9

HEX #92E4E7

RGB 146 228 231

HSL 182.12, 0.64%, 0.74%

LAB 85.69, -24.14, -9.37

 

CMYK 0 / 37 / 1 / 9

HEX #E792E4

RGB 231 146 228

HSL 302.12, 0.64%, 0.74%

LAB 71.66, 44.41, -28.37

 

CMYK 1 / 0 / 37 / 9

HEX #E4E792

RGB 228 231 146

HSL 62.12, 0.64%, 0.74%

LAB 89.73, -13.51, 41.06

 

CMYK 37 / 0 / 28 / 9

HEX #92E7A6

RGB 146 231 166

HSL 134.12, 0.64%, 0.74%

LAB 85, -39.1, 23.72

 

CMYK 35 / 37 / 0 / 9

HEX #9592E7

RGB 149 146 231

HSL 242.12, 0.64%, 0.74%

LAB 63.93, 20.87, -42.63

 

CMYK 0 / 37 / 9 / 9

HEX #E792D3

RGB 231 146 211

HSL 314.12, 0.64%, 0.74%

LAB 71.04, 41.45, -19.94

 

CMYK 1 / 0 / 37 / 9

HEX #E4E792

RGB 228 231 146

HSL 62.12, 0.64%, 0.74%

LAB 89.73, -13.51, 41.06

 

CMYK 37 / 0 / 17 / 9

HEX #92E7BF

RGB 146 231 191

HSL 151.76, 0.64%, 0.74%

LAB 85.52, -34.39, 11.42

 

CMYK 35 / 37 / 0 / 9

HEX #9592E7

RGB 149 146 231

HSL 242.12, 0.64%, 0.74%

LAB 63.93, 20.87, -42.63

 

CMYK 0 / 37 / 20 / 9

HEX #E792B9

RGB 231 146 185

HSL 332.47, 0.64%, 0.74%

LAB 70.21, 37.32, -6.77

 

Description

Color code: RGB 228 231 146 | qconv.com Color code: RGB 228 231 146 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 228 red, 231 green and 146 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
228 231 146 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 1 cyan, none magenta, 37 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
1% 0% 37% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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