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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 228 196 150 it is the complementary color RGB 27 59 105. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 228 196 150. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 228 196 150: RGB 233 196 145, RGB 250 214 164, RGB 255 232 183, RGB 255 250 202 and RGB 255 255 221

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 228 196 150. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 228 196 150: RGB 228 196 150, RGB 211 178 131, RGB 194 160 112, RGB 177 142 93 and RGB 160 124 74

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 14 / 34 / 11

HEX #E4C496

RGB 228 196 150

HSL 35.38, 0.59%, 0.74%

LAB 80.84, 4.84, 27.31

 

Complementary color

CMYK 74 / 44 / 0 / 59

HEX #1B3B69

RGB 27 59 105

HSL 215.38, 0.59%, 0.26%

LAB 24.89, 5.5, -30.37

 

CMYK 0 / 16 / 38 / 9

HEX #E9C491

RGB 233 196 145

HSL 34.77, 0.67%, 0.74%

LAB 81.21, 6.21, 30.51

 

CMYK 0 / 14 / 34 / 2

HEX #FAD6A4

RGB 250 214 164

HSL 34.88, 0.9%, 0.81%

LAB 87.53, 5.64, 29.37

 

CMYK 0 / 9 / 28 / 0

HEX #FFE8B7

RGB 255 232 183

HSL 40.83, 1%, 0.86%

LAB 92.75, 0.66, 26.72

 

CMYK 0 / 2 / 21 / 0

HEX #FFFACA

RGB 255 250 202

HSL 54.34, 1%, 0.9%

LAB 97.59, -5.85, 23.67

 

CMYK 0 / 0 / 13 / 0

HEX #FFFFDD

RGB 255 255 221

HSL 60, 1%, 0.93%

LAB 99.22, -5.56, 16.27

 

CMYK 0 / 14 / 34 / 11

HEX #E4C496

RGB 228 196 150

HSL 35.38, 0.59%, 0.74%

LAB 80.84, 4.84, 27.31

 

CMYK 0 / 16 / 38 / 17

HEX #D3B283

RGB 211 178 131

HSL 35.25, 0.48%, 0.67%

LAB 74.4, 5.4, 28.47

 

CMYK 0 / 18 / 42 / 24

HEX #C2A070

RGB 194 160 112

HSL 35.12, 0.4%, 0.6%

LAB 67.86, 6.05, 29.71

 

CMYK 0 / 20 / 47 / 31

HEX #B18E5D

RGB 177 142 93

HSL 35, 0.35%, 0.53%

LAB 61.21, 6.82, 31.03

 

CMYK 0 / 23 / 54 / 37

HEX #A07C4A

RGB 160 124 74

HSL 34.88, 0.37%, 0.46%

LAB 54.43, 7.73, 32.45

 

CMYK 0 / 14 / 34 / 11

HEX #E4C496

RGB 228 196 150

HSL 35.38, 0.59%, 0.74%

LAB 80.84, 4.84, 27.31

 

CMYK 0 / 8 / 34 / 11

HEX #E3D095

RGB 227 208 149

HSL 45.38, 0.58%, 0.74%

LAB 83.76, -1.91, 31.73

 

CMYK 0 / 3 / 34 / 11

HEX #E3DD95

RGB 227 221 149

HSL 55.38, 0.58%, 0.74%

LAB 87.1, -8.55, 36.13

 

CMYK 3 / 0 / 34 / 11

HEX #DDE395

RGB 221 227 149

HSL 64.62, 0.58%, 0.74%

LAB 88.2, -13.85, 37.47

 

CMYK 8 / 0 / 34 / 11

HEX #D0E395

RGB 208 227 149

HSL 74.62, 0.58%, 0.74%

LAB 87.25, -18.75, 36.05

 

CMYK 0 / 14 / 34 / 11

HEX #E4C496

RGB 228 196 150

HSL 35.38, 0.59%, 0.74%

LAB 80.84, 4.84, 27.31

 

CMYK 0 / 13 / 33 / 91

HEX #181510

RGB 24 21 16

HSL 37.5, 0.2%, 0.08%

LAB 6.94, 0.35, 3.38

 

CMYK 0 / 15 / 35 / 71

HEX #4B4031

RGB 75 64 49

HSL 34.62, 0.21%, 0.24%

LAB 27.8, 2.09, 10.94

 

CMYK 0 / 14 / 34 / 51

HEX #7E6C53

RGB 126 108 83

HSL 34.88, 0.21%, 0.41%

LAB 46.69, 3.11, 16.63

 

CMYK 0 / 14 / 34 / 31

HEX #B19874

RGB 177 152 116

HSL 35.41, 0.28%, 0.57%

LAB 64.21, 3.93, 22.39

 

CMYK 0 / 14 / 34 / 11

HEX #E4C496

RGB 228 196 150

HSL 35.38, 0.59%, 0.74%

LAB 80.84, 4.84, 27.31

 

CMYK 27 / 0 / 34 / 11

HEX #A6E395

RGB 166 227 149

HSL 106.92, 0.58%, 0.74%

LAB 84.59, -33.72, 32.06

 

CMYK 28 / 34 / 0 / 11

HEX #A395E3

RGB 163 149 227

HSL 250.77, 0.58%, 0.74%

LAB 65.61, 22.02, -37.7

 

CMYK 0 / 14 / 34 / 11

HEX #E4C496

RGB 228 196 150

HSL 35.38, 0.59%, 0.74%

LAB 80.84, 4.84, 27.31

 

CMYK 34 / 0 / 14 / 11

HEX #95E3C3

RGB 149 227 195

HSL 155.38, 0.58%, 0.74%

LAB 84.62, -30.86, 8.07

 

CMYK 14 / 34 / 0 / 11

HEX #C395E3

RGB 195 149 227

HSL 275.38, 0.58%, 0.74%

LAB 68.49, 31.53, -33.01

 

CMYK 0 / 14 / 34 / 11

HEX #E4C496

RGB 228 196 150

HSL 35.38, 0.59%, 0.74%

LAB 80.84, 4.84, 27.31

 

CMYK 27 / 0 / 34 / 11

HEX #A6E395

RGB 166 227 149

HSL 106.92, 0.58%, 0.74%

LAB 84.59, -33.72, 32.06

 

CMYK 34 / 20 / 0 / 11

HEX #95B6E3

RGB 149 182 227

HSL 214.62, 0.58%, 0.74%

LAB 73.15, -0.46, -26.14

 

CMYK 7 / 34 / 0 / 11

HEX #D295E3

RGB 210 149 227

HSL 286.92, 0.58%, 0.74%

LAB 70, 36.14, -30.56

 

CMYK 0 / 14 / 34 / 11

HEX #E4C496

RGB 228 196 150

HSL 35.38, 0.59%, 0.74%

LAB 80.84, 4.84, 27.31

 

CMYK 34 / 0 / 31 / 11

HEX #95E39C

RGB 149 227 156

HSL 125.38, 0.58%, 0.74%

LAB 83.82, -38.1, 27.29

 

CMYK 34 / 20 / 0 / 11

HEX #95B6E3

RGB 149 182 227

HSL 214.62, 0.58%, 0.74%

LAB 73.15, -0.46, -26.14

 

CMYK 0 / 34 / 3 / 11

HEX #E395DD

RGB 227 149 221

HSL 304.62, 0.58%, 0.74%

LAB 71.59, 40.33, -24.66

 

Description

Color code: RGB 228 196 150 | qconv.com Color code: RGB 228 196 150 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 228 red, 196 green and 150 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
228 196 150 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 14 magenta, 34 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 14% 34% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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