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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 228 170 128 it is the complementary color RGB 27 85 127. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 228 170 128. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 228 170 128: RGB 233 170 123, RGB 250 188 142, RGB 255 206 161, RGB 255 224 180 and RGB 255 242 199

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 228 170 128. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 228 170 128: RGB 228 170 128, RGB 211 152 109, RGB 194 134 90, RGB 177 116 71 and RGB 160 98 52

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 25 / 44 / 11

HEX #E4AA80

RGB 228 170 128

HSL 25.2, 0.65%, 0.7%

LAB 74.06, 16.14, 29.93

 

Complementary color

CMYK 79 / 33 / 0 / 50

HEX #1B557F

RGB 27 85 127

HSL 205.2, 0.65%, 0.3%

LAB 34.52, -3.02, -28.95

 

CMYK 0 / 27 / 47 / 9

HEX #E9AA7B

RGB 233 170 123

HSL 25.64, 0.71%, 0.7%

LAB 74.51, 17.64, 33.27

 

CMYK 0 / 25 / 43 / 2

HEX #FABC8E

RGB 250 188 142

HSL 25.56, 0.92%, 0.77%

LAB 80.87, 16.75, 31.94

 

CMYK 0 / 19 / 37 / 0

HEX #FFCEA1

RGB 255 206 161

HSL 28.72, 1%, 0.82%

LAB 85.99, 11.35, 28.93

 

CMYK 0 / 12 / 29 / 0

HEX #FFE0B4

RGB 255 224 180

HSL 35.2, 1%, 0.85%

LAB 90.72, 4.36, 25.5

 

CMYK 0 / 5 / 22 / 0

HEX #FFF2C7

RGB 255 242 199

HSL 46.07, 1%, 0.89%

LAB 95.53, -2.26, 22.36

 

CMYK 0 / 25 / 44 / 11

HEX #E4AA80

RGB 228 170 128

HSL 25.2, 0.65%, 0.7%

LAB 74.06, 16.14, 29.93

 

CMYK 0 / 28 / 48 / 17

HEX #D3986D

RGB 211 152 109

HSL 25.29, 0.54%, 0.63%

LAB 67.58, 17.07, 31.31

 

CMYK 0 / 31 / 54 / 24

HEX #C2865A

RGB 194 134 90

HSL 25.38, 0.46%, 0.56%

LAB 61.01, 18.13, 32.8

 

CMYK 0 / 34 / 60 / 31

HEX #B17447

RGB 177 116 71

HSL 25.47, 0.43%, 0.49%

LAB 54.34, 19.37, 34.41

 

CMYK 0 / 39 / 68 / 37

HEX #A06234

RGB 160 98 52

HSL 25.56, 0.51%, 0.42%

LAB 47.57, 20.82, 36.13

 

CMYK 0 / 25 / 44 / 11

HEX #E4AA80

RGB 228 170 128

HSL 25.2, 0.65%, 0.7%

LAB 74.06, 16.14, 29.93

 

CMYK 0 / 18 / 44 / 11

HEX #E4BA80

RGB 228 186 128

HSL 34.8, 0.65%, 0.7%

LAB 77.98, 7.64, 35.04

 

CMYK 0 / 11 / 44 / 11

HEX #E4CB80

RGB 228 203 128

HSL 45, 0.65%, 0.7%

LAB 82.25, -1.24, 40.52

 

CMYK 0 / 4 / 44 / 11

HEX #E4DB80

RGB 228 219 128

HSL 54.6, 0.65%, 0.7%

LAB 86.36, -9.41, 45.69

 

CMYK 4 / 0 / 44 / 11

HEX #DBE480

RGB 219 228 128

HSL 65.4, 0.65%, 0.7%

LAB 88.02, -17.42, 47.58

 

CMYK 0 / 25 / 44 / 11

HEX #E4AA80

RGB 228 170 128

HSL 25.2, 0.65%, 0.7%

LAB 74.06, 16.14, 29.93

 

CMYK 0 / 25 / 46 / 91

HEX #18120D

RGB 24 18 13

HSL 27.27, 0.3%, 0.07%

LAB 5.92, 1.73, 3.46

 

CMYK 0 / 25 / 44 / 71

HEX #4B382A

RGB 75 56 42

HSL 25.45, 0.28%, 0.23%

LAB 25.23, 6.23, 12

 

CMYK 0 / 25 / 44 / 51

HEX #7E5E47

RGB 126 94 71

HSL 25.09, 0.28%, 0.39%

LAB 42.61, 9.83, 18.25

 

CMYK 0 / 25 / 44 / 31

HEX #B18463

RGB 177 132 99

HSL 25.38, 0.33%, 0.54%

LAB 58.74, 13.02, 24.53

 

CMYK 0 / 25 / 44 / 11

HEX #E4AA80

RGB 228 170 128

HSL 25.2, 0.65%, 0.7%

LAB 74.06, 16.14, 29.93

 

CMYK 27 / 0 / 44 / 11

HEX #A6E480

RGB 166 228 128

HSL 97.2, 0.65%, 0.7%

LAB 84.56, -37.05, 42.52

 

CMYK 43 / 44 / 0 / 11

HEX #8280E4

RGB 130 128 228

HSL 241.2, 0.65%, 0.7%

LAB 57.83, 25.66, -50.69

 

CMYK 0 / 25 / 44 / 11

HEX #E4AA80

RGB 228 170 128

HSL 25.2, 0.65%, 0.7%

LAB 74.06, 16.14, 29.93

 

CMYK 44 / 0 / 25 / 11

HEX #80E4AA

RGB 128 228 170

HSL 145.2, 0.65%, 0.7%

LAB 83.43, -42.08, 19.35

 

CMYK 25 / 44 / 0 / 11

HEX #AA80E4

RGB 170 128 228

HSL 265.2, 0.65%, 0.7%

LAB 61.3, 36.14, -44.99

 

CMYK 0 / 25 / 44 / 11

HEX #E4AA80

RGB 228 170 128

HSL 25.2, 0.65%, 0.7%

LAB 74.06, 16.14, 29.93

 

CMYK 27 / 0 / 44 / 11

HEX #A6E480

RGB 166 228 128

HSL 97.2, 0.65%, 0.7%

LAB 84.56, -37.05, 42.52

 

CMYK 44 / 18 / 0 / 11

HEX #80BAE4

RGB 128 186 228

HSL 205.2, 0.65%, 0.7%

LAB 73.09, -7.89, -26.87

 

CMYK 17 / 44 / 0 / 11

HEX #BE80E4

RGB 190 128 228

HSL 277.2, 0.65%, 0.7%

LAB 63.33, 41.76, -41.64

 

CMYK 0 / 25 / 44 / 11

HEX #E4AA80

RGB 228 170 128

HSL 25.2, 0.65%, 0.7%

LAB 74.06, 16.14, 29.93

 

CMYK 40 / 0 / 44 / 11

HEX #89E480

RGB 137 228 128

HSL 114.6, 0.65%, 0.7%

LAB 83.11, -46.48, 40.37

 

CMYK 44 / 18 / 0 / 11

HEX #80BAE4

RGB 128 186 228

HSL 205.2, 0.65%, 0.7%

LAB 73.09, -7.89, -26.87

 

CMYK 4 / 44 / 0 / 11

HEX #DB80E4

RGB 219 128 228

HSL 294.6, 0.65%, 0.7%

LAB 66.6, 50.11, -36.3

 

Description

Color code: RGB 228 170 128 | qconv.com Color code: RGB 228 170 128 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 228 red, 170 green and 128 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
228 170 128 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 25 magenta, 44 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 25% 44% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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