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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 228 129 113 it is the complementary color RGB 27 126 142. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 228 129 113. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 228 129 113 shade: RGB 233 129 108, RGB 250 147 127, RGB 255 165 146, RGB 255 183 165 and RGB 255 201 184

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 228 129 113. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 228 129 113 shade: RGB 228 129 113, RGB 211 111 94, RGB 194 93 75, RGB 177 75 56 and RGB 160 57 37

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 228 129 113 shade: RGB 228 129 113 and RGB 228 113 113

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 228 129 113 shade: RGB 228 129 113, RGB 228 160 113, RGB 228 191 113, RGB 228 222 113 and RGB 203 228 113

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 228 129 113 shade matches the following richer shades: RGB 228 129 113 and RGB 241 119 100

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 228 129 113 shade: RGB 228 129 113, RGB 214 139 127, RGB 200 149 140, RGB 187 159 154 and RGB 173 168 168

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 228 129 113 shade: RGB 228 113 159, RGB 228 113 128, RGB 228 128 113, RGB 228 159 113 and RGB 228 189 113

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 228 129 113 shade: RGB 214 68 44, RGB 221 98 78, RGB 228 129 113, RGB 234 160 148 and RGB 241 191 182

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 228 129 113 shade: RGB 228 129 113, RGB 189 228 113 and RGB 113 144 228

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 228 129 113 shade: RGB 228 129 113, RGB 113 228 128 and RGB 128 113 228

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 228 129 113 shade: RGB 228 129 113, RGB 189 228 113, RGB 113 212 228 and RGB 151 113 228

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 228 129 113 shade: RGB 228 129 113, RGB 155 228 113, RGB 113 212 228 and RGB 186 113 228

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 43 / 50 / 11

HEX #E48171

RGB 228 129 113

HSL 8.35, 0.68%, 0.67%

LAB 64.47, 36.45, 25.42

 

Complementary color

CMYK 81 / 11 / 0 / 44

HEX #1B7E8E

RGB 27 126 142

HSL 188.35, 0.68%, 0.33%

LAB 48.4, -21.31, -16.49

 

CMYK 0 / 45 / 54 / 9

HEX #E9816C

RGB 233 129 108

HSL 10.08, 0.74%, 0.67%

LAB 65.05, 37.92, 29.08

 

CMYK 0 / 41 / 49 / 2

HEX #FA937F

RGB 250 147 127

HSL 9.76, 0.92%, 0.74%

LAB 71.37, 36.74, 27.36

 

CMYK 0 / 35 / 43 / 0

HEX #FFA592

RGB 255 165 146

HSL 10.46, 1%, 0.79%

LAB 76.22, 31.14, 23.66

 

CMYK 0 / 28 / 35 / 0

HEX #FFB7A5

RGB 255 183 165

HSL 12, 1%, 0.82%

LAB 80.65, 23.83, 19.52

 

CMYK 0 / 21 / 28 / 0

HEX #FFC9B8

RGB 255 201 184

HSL 14.37, 1%, 0.86%

LAB 85.25, 16.79, 15.82

 

CMYK 0 / 43 / 50 / 11

HEX #E48171

RGB 228 129 113

HSL 8.35, 0.68%, 0.67%

LAB 64.47, 36.45, 25.42

 

CMYK 0 / 47 / 55 / 17

HEX #D36F5E

RGB 211 111 94

HSL 8.72, 0.57%, 0.6%

LAB 58.06, 37.67, 27.25

 

CMYK 0 / 52 / 61 / 24

HEX #C25D4B

RGB 194 93 75

HSL 9.08, 0.49%, 0.53%

LAB 51.62, 38.98, 29.35

 

CMYK 0 / 58 / 68 / 31

HEX #B14B38

RGB 177 75 56

HSL 9.42, 0.52%, 0.46%

LAB 45.17, 40.32, 31.78

 

CMYK 0 / 64 / 77 / 37

HEX #A03925

RGB 160 57 37

HSL 9.76, 0.62%, 0.39%

LAB 38.78, 41.62, 34.56

 

CMYK 0 / 43 / 50 / 11

HEX #E48171

RGB 228 129 113

HSL 8.35, 0.68%, 0.67%

LAB 64.47, 36.45, 25.42

 

CMYK 0 / 50 / 50 / 11

HEX #E47171

RGB 228 113 113

HSL 0, 0.68%, 0.67%

LAB 61.22, 44.59, 21.06

 

CMYK 0 / 43 / 50 / 11

HEX #E48171

RGB 228 129 113

HSL 8.35, 0.68%, 0.67%

LAB 64.47, 36.45, 25.42

 

CMYK 0 / 30 / 50 / 11

HEX #E4A071

RGB 228 160 113

HSL 24.52, 0.68%, 0.67%

LAB 71.44, 20.03, 34.5

 

CMYK 0 / 16 / 50 / 11

HEX #E4BF71

RGB 228 191 113

HSL 40.7, 0.68%, 0.67%

LAB 79.01, 3.58, 44.01

 

CMYK 0 / 3 / 50 / 11

HEX #E4DE71

RGB 228 222 113

HSL 56.87, 0.68%, 0.67%

LAB 86.96, -12.29, 53.6

 

CMYK 11 / 0 / 50 / 11

HEX #CBE471

RGB 203 228 113

HSL 73.04, 0.68%, 0.67%

LAB 86.69, -25.08, 52.82

 

CMYK 0 / 43 / 50 / 11

HEX #E48171

RGB 228 129 113

HSL 8.35, 0.68%, 0.67%

LAB 64.47, 36.45, 25.42

 

CMYK 0 / 51 / 59 / 5

HEX #F17764

RGB 241 119 100

HSL 8.09, 0.83%, 0.67%

LAB 64.01, 45.32, 32.39

 

CMYK 0 / 43 / 50 / 11

HEX #E48171

RGB 228 129 113

HSL 8.35, 0.68%, 0.67%

LAB 64.47, 36.45, 25.42

 

CMYK 0 / 35 / 41 / 16

HEX #D68B7F

RGB 214 139 127

HSL 8.28, 0.51%, 0.67%

LAB 65.2, 27.18, 18.27

 

CMYK 0 / 26 / 30 / 22

HEX #C8958C

RGB 200 149 140

HSL 9, 0.35%, 0.67%

LAB 66.27, 17.91, 12.24

 

CMYK 0 / 15 / 18 / 27

HEX #BB9F9A

RGB 187 159 154

HSL 9.09, 0.2%, 0.67%

LAB 67.79, 9.48, 6.43

 

CMYK 0 / 3 / 3 / 32

HEX #ADA8A8

RGB 173 168 168

HSL 0, 0.03%, 0.67%

LAB 69.27, 1.79, 0.63

 

CMYK 0 / 50 / 30 / 11

HEX #E4719F

RGB 228 113 159

HSL 336, 0.68%, 0.67%

LAB 62.34, 49.56, -3.75

 

CMYK 0 / 50 / 44 / 11

HEX #E47180

RGB 228 113 128

HSL 352.17, 0.68%, 0.67%

LAB 61.54, 46.02, 12.9

 

CMYK 0 / 44 / 50 / 11

HEX #E48071

RGB 228 128 113

HSL 7.83, 0.68%, 0.67%

LAB 64.26, 36.97, 25.14

 

CMYK 0 / 30 / 50 / 11

HEX #E49F71

RGB 228 159 113

HSL 24, 0.68%, 0.67%

LAB 71.2, 20.56, 34.2

 

CMYK 0 / 17 / 50 / 11

HEX #E4BD71

RGB 228 189 113

HSL 39.65, 0.68%, 0.67%

LAB 78.51, 4.62, 43.39

 

CMYK 0 / 68 / 79 / 16

HEX #D6442C

RGB 214 68 44

HSL 8.47, 0.67%, 0.51%

LAB 50.23, 55.91, 45.66

 

CMYK 0 / 56 / 65 / 13

HEX #DD624E

RGB 221 98 78

HSL 8.39, 0.68%, 0.59%

LAB 56.74, 46.75, 34.9

 

CMYK 0 / 43 / 50 / 11

HEX #E48171

RGB 228 129 113

HSL 8.35, 0.68%, 0.67%

LAB 64.47, 36.45, 25.42

 

CMYK 0 / 32 / 37 / 8

HEX #EAA094

RGB 234 160 148

HSL 8.37, 0.67%, 0.75%

LAB 72.74, 26.03, 17.41

 

CMYK 0 / 21 / 24 / 5

HEX #F1BFB6

RGB 241 191 182

HSL 9.15, 0.68%, 0.83%

LAB 81.48, 16.59, 11.36

 

CMYK 0 / 43 / 50 / 11

HEX #E48171

RGB 228 129 113

HSL 8.35, 0.68%, 0.67%

LAB 64.47, 36.45, 25.42

 

CMYK 17 / 0 / 50 / 11

HEX #BDE471

RGB 189 228 113

HSL 80.35, 0.68%, 0.67%

LAB 85.75, -30.42, 51.48

 

CMYK 50 / 37 / 0 / 11

HEX #7190E4

RGB 113 144 228

HSL 223.83, 0.68%, 0.67%

LAB 60.83, 12.21, -46.01

 

CMYK 0 / 43 / 50 / 11

HEX #E48171

RGB 228 129 113

HSL 8.35, 0.68%, 0.67%

LAB 64.47, 36.45, 25.42

 

CMYK 50 / 0 / 44 / 11

HEX #71E480

RGB 113 228 128

HSL 127.83, 0.68%, 0.67%

LAB 82.14, -53.23, 38.94

 

CMYK 44 / 50 / 0 / 11

HEX #8071E4

RGB 128 113 228

HSL 247.83, 0.68%, 0.67%

LAB 54.03, 34.03, -56.77

 

CMYK 0 / 43 / 50 / 11

HEX #E48171

RGB 228 129 113

HSL 8.35, 0.68%, 0.67%

LAB 64.47, 36.45, 25.42

 

CMYK 17 / 0 / 50 / 11

HEX #BDE471

RGB 189 228 113

HSL 80.35, 0.68%, 0.67%

LAB 85.75, -30.42, 51.48

 

CMYK 50 / 7 / 0 / 11

HEX #71D4E4

RGB 113 212 228

HSL 188.35, 0.68%, 0.67%

LAB 79.73, -24.78, -16.85

 

CMYK 34 / 50 / 0 / 11

HEX #9771E4

RGB 151 113 228

HSL 259.83, 0.68%, 0.67%

LAB 56.08, 39.57, -53.38

 

CMYK 0 / 43 / 50 / 11

HEX #E48171

RGB 228 129 113

HSL 8.35, 0.68%, 0.67%

LAB 64.47, 36.45, 25.42

 

CMYK 32 / 0 / 50 / 11

HEX #9BE471

RGB 155 228 113

HSL 98.09, 0.68%, 0.67%

LAB 83.78, -42.6, 48.64

 

CMYK 50 / 7 / 0 / 11

HEX #71D4E4

RGB 113 212 228

HSL 188.35, 0.68%, 0.67%

LAB 79.73, -24.78, -16.85

 

CMYK 18 / 50 / 0 / 11

HEX #BA71E4

RGB 186 113 228

HSL 278.09, 0.68%, 0.67%

LAB 59.75, 48.66, -47.31

 

Description

Color code: RGB 228 129 113 | qconv.com Color code: RGB 228 129 113 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 228 red, 129 green and 113 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
228 129 113 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 43 magenta, 50 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 43% 50% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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