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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D36F5E it is the complementary color #2C90A1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D36F5E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D36F5E shade: #D86F59, #E9816C, #FA937F, #FFA592 and #FFB7A5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D36F5E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D36F5E shade: #D36F5E, #C25D4B, #B14B38, #A03925 and #8F2712

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D36F5E shade: #D36F5E and #D35E5E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D36F5E shade: #D36F5E, #D38F5E, #D3AE5E, #D3CD5E and #B9D35E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D36F5E shade matches the following richer shades: #D36F5E, #E3644E and #F4583D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D36F5E shade: #D36F5E, #C27B6F, #B2877F, #A19290 and #919EA0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D36F5E shade: #D35E8D, #D35E6E, #D36E5E, #D38D5E and #D3AC5E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D36F5E shade: #AF4230, #CA523E, #D36F5E, #DC8C7F and #E4A99F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D36F5E shade: #D36F5E, #ACD35E and #5E7DD3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D36F5E shade: #D36F5E, #5ED36E and #6E5ED3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D36F5E shade: #D36F5E, #ACD35E, #5EC3D3 and #855ED3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D36F5E shade: #D36F5E, #89D35E, #5EC3D3 and #A85ED3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 47 / 55 / 17

HEX #D36F5E

RGB 211 111 94

HSL 8.72, 0.57%, 0.6%

LAB 58.06, 37.67, 27.25

 

Complementary color

CMYK 73 / 11 / 0 / 37

HEX #2C90A1

RGB 44 144 161

HSL 188.72, 0.57%, 0.4%

LAB 55.13, -22.44, -17.24

 

CMYK 0 / 49 / 59 / 15

HEX #D86F59

RGB 216 111 89

HSL 10.39, 0.62%, 0.6%

LAB 58.69, 39.19, 31.01

 

CMYK 0 / 45 / 54 / 9

HEX #E9816C

RGB 233 129 108

HSL 10.08, 0.74%, 0.67%

LAB 65.05, 37.92, 29.08

 

CMYK 0 / 41 / 49 / 2

HEX #FA937F

RGB 250 147 127

HSL 9.76, 0.92%, 0.74%

LAB 71.37, 36.74, 27.36

 

CMYK 0 / 35 / 43 / 0

HEX #FFA592

RGB 255 165 146

HSL 10.46, 1%, 0.79%

LAB 76.22, 31.14, 23.66

 

CMYK 0 / 28 / 35 / 0

HEX #FFB7A5

RGB 255 183 165

HSL 12, 1%, 0.82%

LAB 80.65, 23.83, 19.52

 

CMYK 0 / 47 / 55 / 17

HEX #D36F5E

RGB 211 111 94

HSL 8.72, 0.57%, 0.6%

LAB 58.06, 37.67, 27.25

 

CMYK 0 / 52 / 61 / 24

HEX #C25D4B

RGB 194 93 75

HSL 9.08, 0.49%, 0.53%

LAB 51.62, 38.98, 29.35

 

CMYK 0 / 58 / 68 / 31

HEX #B14B38

RGB 177 75 56

HSL 9.42, 0.52%, 0.46%

LAB 45.17, 40.32, 31.78

 

CMYK 0 / 64 / 77 / 37

HEX #A03925

RGB 160 57 37

HSL 9.76, 0.62%, 0.39%

LAB 38.78, 41.62, 34.56

 

CMYK 0 / 73 / 87 / 44

HEX #8F2712

RGB 143 39 18

HSL 10.08, 0.78%, 0.32%

LAB 32.56, 42.66, 37.46

 

CMYK 0 / 47 / 55 / 17

HEX #D36F5E

RGB 211 111 94

HSL 8.72, 0.57%, 0.6%

LAB 58.06, 37.67, 27.25

 

CMYK 0 / 55 / 55 / 17

HEX #D35E5E

RGB 211 94 94

HSL 0, 0.57%, 0.6%

LAB 54.72, 46.18, 22.87

 

CMYK 0 / 47 / 55 / 17

HEX #D36F5E

RGB 211 111 94

HSL 8.72, 0.57%, 0.6%

LAB 58.06, 37.67, 27.25

 

CMYK 0 / 32 / 55 / 17

HEX #D38F5E

RGB 211 143 94

HSL 25.13, 0.57%, 0.6%

LAB 65.2, 20.61, 36.32

 

CMYK 0 / 18 / 55 / 17

HEX #D3AE5E

RGB 211 174 94

HSL 41.03, 0.57%, 0.6%

LAB 72.85, 3.9, 45.61

 

CMYK 0 / 3 / 55 / 17

HEX #D3CD5E

RGB 211 205 94

HSL 56.92, 0.57%, 0.6%

LAB 80.92, -12.2, 55

 

CMYK 12 / 0 / 55 / 17

HEX #B9D35E

RGB 185 211 94

HSL 73.33, 0.57%, 0.6%

LAB 80.58, -25.66, 54.09

 

CMYK 0 / 47 / 55 / 17

HEX #D36F5E

RGB 211 111 94

HSL 8.72, 0.57%, 0.6%

LAB 58.06, 37.67, 27.25

 

CMYK 0 / 56 / 66 / 11

HEX #E3644E

RGB 227 100 78

HSL 8.86, 0.73%, 0.6%

LAB 58.03, 47.97, 36.68

 

CMYK 0 / 64 / 75 / 4

HEX #F4583D

RGB 244 88 61

HSL 8.85, 0.89%, 0.6%

LAB 58.55, 58.39, 47.13

 

CMYK 0 / 47 / 55 / 17

HEX #D36F5E

RGB 211 111 94

HSL 8.72, 0.57%, 0.6%

LAB 58.06, 37.67, 27.25

 

CMYK 0 / 37 / 43 / 24

HEX #C27B6F

RGB 194 123 111

HSL 8.67, 0.4%, 0.6%

LAB 58.77, 26.26, 18.12

 

CMYK 0 / 24 / 29 / 30

HEX #B2877F

RGB 178 135 127

HSL 9.41, 0.25%, 0.6%

LAB 60.18, 15.27, 10.67

 

CMYK 0 / 9 / 11 / 37

HEX #A19290

RGB 161 146 144

HSL 7.06, 0.08%, 0.6%

LAB 61.78, 5.21, 3.07

 

CMYK 9 / 1 / 0 / 37

HEX #919EA0

RGB 145 158 160

HSL 188, 0.07%, 0.6%

LAB 64.17, -4.19, -2.63

 

CMYK 0 / 55 / 33 / 17

HEX #D35E8D

RGB 211 94 141

HSL 335.9, 0.57%, 0.6%

LAB 55.86, 50.91, -3.14

 

CMYK 0 / 55 / 48 / 17

HEX #D35E6E

RGB 211 94 110

HSL 351.79, 0.57%, 0.6%

LAB 55.05, 47.57, 13.95

 

CMYK 0 / 48 / 55 / 17

HEX #D36E5E

RGB 211 110 94

HSL 8.21, 0.57%, 0.6%

LAB 57.86, 38.19, 26.98

 

CMYK 0 / 33 / 55 / 17

HEX #D38D5E

RGB 211 141 94

HSL 24.1, 0.57%, 0.6%

LAB 64.73, 21.69, 35.73

 

CMYK 0 / 18 / 55 / 17

HEX #D3AC5E

RGB 211 172 94

HSL 40, 0.57%, 0.6%

LAB 72.34, 4.96, 45

 

CMYK 0 / 62 / 73 / 31

HEX #AF4230

RGB 175 66 48

HSL 8.5, 0.57%, 0.44%

LAB 43.1, 43.46, 33.86

 

CMYK 0 / 59 / 69 / 21

HEX #CA523E

RGB 202 82 62

HSL 8.57, 0.57%, 0.52%

LAB 50.62, 46.52, 35.8

 

CMYK 0 / 47 / 55 / 17

HEX #D36F5E

RGB 211 111 94

HSL 8.72, 0.57%, 0.6%

LAB 58.06, 37.67, 27.25

 

CMYK 0 / 36 / 42 / 14

HEX #DC8C7F

RGB 220 140 127

HSL 8.39, 0.57%, 0.68%

LAB 66.14, 28.97, 19.68

 

CMYK 0 / 26 / 30 / 11

HEX #E4A99F

RGB 228 169 159

HSL 8.7, 0.56%, 0.76%

LAB 74.43, 20.32, 13.65

 

CMYK 0 / 47 / 55 / 17

HEX #D36F5E

RGB 211 111 94

HSL 8.72, 0.57%, 0.6%

LAB 58.06, 37.67, 27.25

 

CMYK 18 / 0 / 55 / 17

HEX #ACD35E

RGB 172 211 94

HSL 80, 0.57%, 0.6%

LAB 79.71, -30.71, 52.86

 

CMYK 55 / 41 / 0 / 17

HEX #5E7DD3

RGB 94 125 211

HSL 224.1, 0.57%, 0.6%

LAB 53.76, 14.05, -47.76

 

CMYK 0 / 47 / 55 / 17

HEX #D36F5E

RGB 211 111 94

HSL 8.72, 0.57%, 0.6%

LAB 58.06, 37.67, 27.25

 

CMYK 55 / 0 / 48 / 17

HEX #5ED36E

RGB 94 211 110

HSL 128.21, 0.57%, 0.6%

LAB 76.13, -53.95, 40.07

 

CMYK 48 / 55 / 0 / 17

HEX #6E5ED3

RGB 110 94 211

HSL 248.21, 0.57%, 0.6%

LAB 47.01, 36.31, -58.51

 

CMYK 0 / 47 / 55 / 17

HEX #D36F5E

RGB 211 111 94

HSL 8.72, 0.57%, 0.6%

LAB 58.06, 37.67, 27.25

 

CMYK 18 / 0 / 55 / 17

HEX #ACD35E

RGB 172 211 94

HSL 80, 0.57%, 0.6%

LAB 79.71, -30.71, 52.86

 

CMYK 55 / 8 / 0 / 17

HEX #5EC3D3

RGB 94 195 211

HSL 188.21, 0.57%, 0.6%

LAB 73.62, -24.9, -16.97

 

CMYK 37 / 55 / 0 / 17

HEX #855ED3

RGB 133 94 211

HSL 260, 0.57%, 0.6%

LAB 49.12, 41.49, -54.99

 

CMYK 0 / 47 / 55 / 17

HEX #D36F5E

RGB 211 111 94

HSL 8.72, 0.57%, 0.6%

LAB 58.06, 37.67, 27.25

 

CMYK 35 / 0 / 55 / 17

HEX #89D35E

RGB 137 211 94

HSL 97.95, 0.57%, 0.6%

LAB 77.71, -43.38, 50.02

 

CMYK 55 / 8 / 0 / 17

HEX #5EC3D3

RGB 94 195 211

HSL 188.21, 0.57%, 0.6%

LAB 73.62, -24.9, -16.97

 

CMYK 20 / 55 / 0 / 17

HEX #A85ED3

RGB 168 94 211

HSL 277.95, 0.57%, 0.6%

LAB 52.99, 50.15, -48.6

 

Description

Color code: HEX #D36F5E | qconv.com Color code: HEX #D36F5E | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 211 red, 111 green and 94 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
211 111 94 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 47 magenta, 55 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 47% 55% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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