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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 227 83 193 it is the complementary color RGB 28 172 62. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 227 83 193. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 227 83 193: RGB 232 83 188, RGB 249 101 207, RGB 255 119 226, RGB 255 137 245 and RGB 255 155 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 227 83 193. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 227 83 193: RGB 227 83 193, RGB 210 65 174, RGB 193 47 155, RGB 176 29 136 and RGB 159 11 117

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 63 / 15 / 11

HEX #E353C1

RGB 227 83 193

HSL 314.17, 0.72%, 0.61%

LAB 58.38, 67.33, -29.28

 

Complementary color

CMYK 84 / 0 / 64 / 33

HEX #1CAC3E

RGB 28 172 62

HSL 134.17, 0.72%, 0.39%

LAB 61.74, -58.43, 45.27

 

CMYK 0 / 64 / 19 / 9

HEX #E853BC

RGB 232 83 188

HSL 317.72, 0.76%, 0.62%

LAB 58.95, 67.93, -25.47

 

CMYK 0 / 59 / 17 / 2

HEX #F965CF

RGB 249 101 207

HSL 317.03, 0.93%, 0.69%

LAB 64.92, 67.8, -26.86

 

CMYK 0 / 53 / 11 / 0

HEX #FF77E2

RGB 255 119 226

HSL 312.79, 1%, 0.73%

LAB 69.43, 64.38, -30.44

 

CMYK 0 / 46 / 4 / 0

HEX #FF89F5

RGB 255 137 245

HSL 305.08, 1%, 0.77%

LAB 73.38, 59, -34.77

 

CMYK 0 / 39 / 0 / 0

HEX #FF9BFF

RGB 255 155 255

HSL 300, 1%, 0.8%

LAB 77.23, 51.82, -34.23

 

CMYK 0 / 63 / 15 / 11

HEX #E353C1

RGB 227 83 193

HSL 314.17, 0.72%, 0.61%

LAB 58.38, 67.33, -29.28

 

CMYK 0 / 69 / 17 / 18

HEX #D241AE

RGB 210 65 174

HSL 314.9, 0.62%, 0.54%

LAB 52.44, 67.13, -27.71

 

CMYK 0 / 76 / 20 / 24

HEX #C12F9B

RGB 193 47 155

HSL 315.62, 0.61%, 0.47%

LAB 46.63, 66.37, -25.71

 

CMYK 0 / 84 / 23 / 31

HEX #B01D88

RGB 176 29 136

HSL 316.33, 0.72%, 0.4%

LAB 41.04, 64.78, -23.12

 

CMYK 0 / 93 / 26 / 38

HEX #9F0B75

RGB 159 11 117

HSL 317.03, 0.87%, 0.33%

LAB 35.78, 61.95, -19.71

 

CMYK 0 / 63 / 15 / 11

HEX #E353C1

RGB 227 83 193

HSL 314.17, 0.72%, 0.61%

LAB 58.38, 67.33, -29.28

 

CMYK 0 / 63 / 26 / 11

HEX #E353A9

RGB 227 83 169

HSL 324.17, 0.72%, 0.61%

LAB 57.45, 64.06, -16.88

 

CMYK 0 / 63 / 36 / 11

HEX #E35392

RGB 227 83 146

HSL 333.75, 0.72%, 0.61%

LAB 56.68, 61.31, -4.6

 

CMYK 0 / 63 / 46 / 11

HEX #E3537A

RGB 227 83 122

HSL 343.75, 0.72%, 0.61%

LAB 56.01, 58.87, 8.58

 

CMYK 0 / 63 / 57 / 11

HEX #E35362

RGB 227 83 98

HSL 353.75, 0.72%, 0.61%

LAB 55.48, 56.9, 22

 

CMYK 0 / 63 / 15 / 11

HEX #E353C1

RGB 227 83 193

HSL 314.17, 0.72%, 0.61%

LAB 58.38, 67.33, -29.28

 

CMYK 0 / 65 / 13 / 91

HEX #170814

RGB 23 8 20

HSL 312, 0.48%, 0.06%

LAB 3.67, 7.38, -3.83

 

CMYK 0 / 64 / 15 / 71

HEX #4A1B3F

RGB 74 27 63

HSL 314.04, 0.47%, 0.2%

LAB 18.36, 27.44, -12.32

 

CMYK 0 / 63 / 15 / 51

HEX #7D2E6A

RGB 125 46 106

HSL 314.43, 0.46%, 0.34%

LAB 32.6, 41.6, -18.15

 

CMYK 0 / 64 / 15 / 31

HEX #B04096

RGB 176 64 150

HSL 313.93, 0.47%, 0.47%

LAB 45.77, 55.15, -24.27

 

CMYK 0 / 63 / 15 / 11

HEX #E353C1

RGB 227 83 193

HSL 314.17, 0.72%, 0.61%

LAB 58.38, 67.33, -29.28

 

CMYK 0 / 36 / 63 / 11

HEX #E39253

RGB 227 146 83

HSL 26.25, 0.72%, 0.61%

LAB 67.66, 24.77, 45.43

 

CMYK 63 / 0 / 11 / 11

HEX #53E3CB

RGB 83 227 203

HSL 170, 0.72%, 0.61%

LAB 82.43, -43.97, 0.36

 

CMYK 0 / 63 / 15 / 11

HEX #E353C1

RGB 227 83 193

HSL 314.17, 0.72%, 0.61%

LAB 58.38, 67.33, -29.28

 

CMYK 15 / 0 / 63 / 11

HEX #C1E353

RGB 193 227 83

HSL 74.17, 0.72%, 0.61%

LAB 85.45, -30.94, 64.33

 

CMYK 63 / 15 / 0 / 11

HEX #53C1E3

RGB 83 193 227

HSL 194.17, 0.72%, 0.61%

LAB 73.24, -21.2, -26.27

 

CMYK 0 / 63 / 15 / 11

HEX #E353C1

RGB 227 83 193

HSL 314.17, 0.72%, 0.61%

LAB 58.38, 67.33, -29.28

 

CMYK 0 / 36 / 63 / 11

HEX #E39253

RGB 227 146 83

HSL 26.25, 0.72%, 0.61%

LAB 67.66, 24.77, 45.43

 

CMYK 63 / 0 / 48 / 11

HEX #53E375

RGB 83 227 117

HSL 134.17, 0.72%, 0.61%

LAB 80.77, -61.33, 42.4

 

CMYK 63 / 27 / 0 / 11

HEX #53A5E3

RGB 83 165 227

HSL 205.83, 0.72%, 0.61%

LAB 65.2, -6.23, -38.7

 

CMYK 0 / 63 / 15 / 11

HEX #E353C1

RGB 227 83 193

HSL 314.17, 0.72%, 0.61%

LAB 58.38, 67.33, -29.28

 

CMYK 0 / 17 / 63 / 11

HEX #E3BC53

RGB 227 188 83

HSL 43.75, 0.72%, 0.61%

LAB 77.83, 2.46, 56.9

 

CMYK 63 / 0 / 48 / 11

HEX #53E375

RGB 83 227 117

HSL 134.17, 0.72%, 0.61%

LAB 80.77, -61.33, 42.4

 

CMYK 63 / 46 / 0 / 11

HEX #537AE3

RGB 83 122 227

HSL 223.75, 0.72%, 0.61%

LAB 53.28, 19.12, -57.57

 

Description

Color code: RGB 227 83 193 | qconv.com Color code: RGB 227 83 193 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 227 red, 83 green and 193 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
227 83 193 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 63 magenta, 15 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 63% 15% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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