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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 227 80 4 it is the complementary color RGB 28 175 251. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 227 80 4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 227 80 4: RGB 232 80 0, RGB 249 98 18, RGB 255 116 37, RGB 255 134 56 and RGB 255 152 75

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 227 80 4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 227 80 4: RGB 227 80 4, RGB 210 62 0, RGB 193 44 0, RGB 176 26 0 and RGB 159 8 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 65 / 98 / 11

HEX #E35004

RGB 227 80 4

HSL 20.45, 0.97%, 0.45%

LAB 54.11, 54.71, 63.62

 

Complementary color

CMYK 89 / 30 / 0 / 2

HEX #1CAFFB

RGB 28 175 251

HSL 200.45, 0.97%, 0.55%

LAB 67.93, -9.54, -47.63

 

CMYK 0 / 66 / 100 / 9

HEX #E85000

RGB 232 80 0

HSL 20.69, 1%, 0.45%

LAB 54.96, 56.39, 65.4

 

CMYK 0 / 61 / 93 / 2

HEX #F96212

RGB 249 98 18

HSL 20.78, 0.95%, 0.52%

LAB 60.71, 54.8, 66.56

 

CMYK 0 / 55 / 85 / 0

HEX #FF7425

RGB 255 116 37

HSL 21.74, 1%, 0.57%

LAB 64.87, 49.09, 64.31

 

CMYK 0 / 47 / 78 / 0

HEX #FF8638

RGB 255 134 56

HSL 23.52, 1%, 0.61%

LAB 68.46, 40.87, 60.04

 

CMYK 0 / 40 / 71 / 0

HEX #FF984B

RGB 255 152 75

HSL 25.67, 1%, 0.65%

LAB 72.38, 32.5, 55.54

 

CMYK 0 / 65 / 98 / 11

HEX #E35004

RGB 227 80 4

HSL 20.45, 0.97%, 0.45%

LAB 54.11, 54.71, 63.62

 

CMYK 0 / 70 / 100 / 18

HEX #D23E00

RGB 210 62 0

HSL 17.71, 1%, 0.41%

LAB 48.44, 56.1, 59.99

 

CMYK 0 / 77 / 100 / 24

HEX #C12C00

RGB 193 44 0

HSL 13.68, 1%, 0.38%

LAB 42.97, 56.91, 55.62

 

CMYK 0 / 85 / 100 / 31

HEX #B01A00

RGB 176 26 0

HSL 8.86, 1%, 0.35%

LAB 37.79, 56.74, 51.4

 

CMYK 0 / 95 / 100 / 38

HEX #9F0800

RGB 159 8 0

HSL 3.02, 1%, 0.31%

LAB 33.02, 55.18, 46.94

 

CMYK 0 / 65 / 98 / 11

HEX #E35004

RGB 227 80 4

HSL 20.45, 0.97%, 0.45%

LAB 54.11, 54.71, 63.62

 

CMYK 0 / 50 / 99 / 11

HEX #E27203

RGB 226 114 3

HSL 29.87, 0.97%, 0.45%

LAB 60.08, 38.46, 67.22

 

CMYK 0 / 33 / 99 / 11

HEX #E29703

RGB 226 151 3

HSL 39.82, 0.97%, 0.45%

LAB 68.25, 19.05, 72.49

 

CMYK 0 / 17 / 99 / 11

HEX #E2BC03

RGB 226 188 3

HSL 49.78, 0.97%, 0.45%

LAB 77.37, -0.53, 78.81

 

CMYK 0 / 0 / 99 / 11

HEX #E2E203

RGB 226 226 3

HSL 60, 0.97%, 0.45%

LAB 87.27, -19.65, 86

 

CMYK 0 / 65 / 98 / 11

HEX #E35004

RGB 227 80 4

HSL 20.45, 0.97%, 0.45%

LAB 54.11, 54.71, 63.62

 

CMYK 0 / 65 / 100 / 91

HEX #170800

RGB 23 8 0

HSL 20.87, 1%, 0.05%

LAB 3.21, 4.18, 4.89

 

CMYK 0 / 65 / 99 / 71

HEX #4A1A01

RGB 74 26 1

HSL 20.55, 0.97%, 0.15%

LAB 16.49, 21.4, 24.36

 

CMYK 0 / 65 / 98 / 51

HEX #7D2C02

RGB 125 44 2

HSL 20.49, 0.97%, 0.25%

LAB 29.83, 33.44, 40.64

 

CMYK 0 / 65 / 98 / 31

HEX #B03E03

RGB 176 62 3

HSL 20.46, 0.97%, 0.35%

LAB 42.28, 44.41, 52.55

 

CMYK 0 / 65 / 98 / 11

HEX #E35004

RGB 227 80 4

HSL 20.45, 0.97%, 0.45%

LAB 54.11, 54.71, 63.62

 

CMYK 53 / 0 / 99 / 11

HEX #6BE203

RGB 107 226 3

HSL 92.02, 0.97%, 0.45%

LAB 80.47, -63.44, 77.83

 

CMYK 99 / 92 / 0 / 11

HEX #0312E2

RGB 3 18 226

HSL 235.96, 0.97%, 0.45%

LAB 29.27, 68.82, -96.49

 

CMYK 0 / 65 / 98 / 11

HEX #E35004

RGB 227 80 4

HSL 20.45, 0.97%, 0.45%

LAB 54.11, 54.71, 63.62

 

CMYK 99 / 0 / 66 / 11

HEX #03E24D

RGB 3 226 77

HSL 139.91, 0.97%, 0.45%

LAB 79.01, -74.58, 58.01

 

CMYK 66 / 99 / 0 / 11

HEX #4D03E2

RGB 77 3 226

HSL 259.91, 0.97%, 0.45%

LAB 32.11, 73.35, -91.65

 

CMYK 0 / 65 / 98 / 11

HEX #E35004

RGB 227 80 4

HSL 20.45, 0.97%, 0.45%

LAB 54.11, 54.71, 63.62

 

CMYK 53 / 0 / 99 / 11

HEX #6BE203

RGB 107 226 3

HSL 92.02, 0.97%, 0.45%

LAB 80.47, -63.44, 77.83

 

CMYK 99 / 33 / 0 / 11

HEX #0397E2

RGB 3 151 226

HSL 200.18, 0.97%, 0.45%

LAB 59.57, -6.07, -47.11

 

CMYK 46 / 99 / 0 / 11

HEX #7A03E2

RGB 122 3 226

HSL 272.02, 0.97%, 0.45%

LAB 37.29, 76.31, -82.91

 

CMYK 0 / 65 / 98 / 11

HEX #E35004

RGB 227 80 4

HSL 20.45, 0.97%, 0.45%

LAB 54.11, 54.71, 63.62

 

CMYK 82 / 0 / 99 / 11

HEX #28E203

RGB 40 226 3

HSL 110.04, 0.97%, 0.45%

LAB 78.96, -76.25, 75.98

 

CMYK 99 / 33 / 0 / 11

HEX #0397E2

RGB 3 151 226

HSL 200.18, 0.97%, 0.45%

LAB 59.57, -6.07, -47.11

 

CMYK 17 / 99 / 0 / 11

HEX #BC03E2

RGB 188 3 226

HSL 289.78, 0.97%, 0.45%

LAB 47.3, 83.83, -66.13

 

Description

Color code: RGB 227 80 4 | qconv.com Color code: RGB 227 80 4 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 227 red, 80 green and 4 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
227 80 4 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 65 magenta, 98 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 65% 98% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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