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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 227 62 240 it is the complementary color RGB 28 193 15. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 227 62 240. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 227 62 240: RGB 232 62 235, RGB 249 80 254, RGB 255 98 255, RGB 255 116 255 and RGB 255 134 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 227 62 240. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 227 62 240: RGB 227 62 240, RGB 210 44 221, RGB 193 26 202, RGB 176 8 183 and RGB 159 0 164

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 5 / 74 / 0 / 6

HEX #E33EF0

RGB 227 62 240

HSL 295.62, 0.86%, 0.59%

LAB 58.1, 81.87, -56.31

 

Complementary color

CMYK 85 / 0 / 92 / 24

HEX #1CC10F

RGB 28 193 15

HSL 115.62, 0.86%, 0.41%

LAB 68.33, -67.92, 65.92

 

CMYK 1 / 74 / 0 / 8

HEX #E83EEB

RGB 232 62 235

HSL 298.96, 0.81%, 0.58%

LAB 58.6, 82.06, -52.67

 

CMYK 2 / 69 / 0 / 0

HEX #F950FE

RGB 249 80 254

HSL 298.28, 0.99%, 0.65%

LAB 64.19, 82.86, -54.18

 

CMYK 0 / 62 / 0 / 0

HEX #FF62FF

RGB 255 98 255

HSL 300, 1%, 0.69%

LAB 67.44, 77.81, -49.53

 

CMYK 0 / 55 / 0 / 0

HEX #FF74FF

RGB 255 116 255

HSL 300, 1%, 0.73%

LAB 70.16, 70.36, -45.25

 

CMYK 0 / 47 / 0 / 0

HEX #FF86FF

RGB 255 134 255

HSL 300, 1%, 0.76%

LAB 73.24, 62.13, -40.43

 

CMYK 5 / 74 / 0 / 6

HEX #E33EF0

RGB 227 62 240

HSL 295.62, 0.86%, 0.59%

LAB 58.1, 81.87, -56.31

 

CMYK 5 / 80 / 0 / 13

HEX #D22CDD

RGB 210 44 221

HSL 296.27, 0.72%, 0.52%

LAB 52.65, 80.46, -54.48

 

CMYK 4 / 87 / 0 / 21

HEX #C11ACA

RGB 193 26 202

HSL 296.93, 0.77%, 0.45%

LAB 47.42, 78.15, -52.12

 

CMYK 4 / 96 / 0 / 28

HEX #B008B7

RGB 176 8 183

HSL 297.6, 0.92%, 0.37%

LAB 42.49, 74.67, -49.08

 

CMYK 3 / 100 / 0 / 36

HEX #9F00A4

RGB 159 0 164

HSL 298.17, 1%, 0.32%

LAB 37.93, 69.79, -45.25

 

CMYK 5 / 74 / 0 / 6

HEX #E33EF0

RGB 227 62 240

HSL 295.62, 0.86%, 0.59%

LAB 58.1, 81.87, -56.31

 

CMYK 0 / 75 / 6 / 6

HEX #F03CE1

RGB 240 60 225

HSL 305, 0.86%, 0.59%

LAB 59.15, 82.74, -46.1

 

CMYK 0 / 75 / 19 / 6

HEX #F03CC3

RGB 240 60 195

HSL 315, 0.86%, 0.59%

LAB 57.75, 78.63, -31.25

 

CMYK 0 / 75 / 31 / 6

HEX #F03CA5

RGB 240 60 165

HSL 325, 0.86%, 0.59%

LAB 56.56, 75.04, -15.69

 

CMYK 0 / 75 / 44 / 6

HEX #F03C87

RGB 240 60 135

HSL 335, 0.86%, 0.59%

LAB 55.59, 72.03, 0.56

 

CMYK 5 / 74 / 0 / 6

HEX #E33EF0

RGB 227 62 240

HSL 295.62, 0.86%, 0.59%

LAB 58.1, 81.87, -56.31

 

CMYK 6 / 75 / 0 / 86

HEX #220924

RGB 34 9 36

HSL 295.56, 0.6%, 0.09%

LAB 5.99, 17.49, -12.47

 

CMYK 6 / 75 / 0 / 66

HEX #521657

RGB 82 22 87

HSL 295.38, 0.6%, 0.21%

LAB 20.27, 36.92, -25.61

 

CMYK 5 / 74 / 0 / 46

HEX #83248A

RGB 131 36 138

HSL 295.88, 0.59%, 0.34%

LAB 33.82, 52.9, -36.25

 

CMYK 5 / 74 / 0 / 26

HEX #B331BD

RGB 179 49 189

HSL 295.71, 0.59%, 0.47%

LAB 46.25, 67.8, -46.56

 

CMYK 5 / 74 / 0 / 6

HEX #E33EF0

RGB 227 62 240

HSL 295.62, 0.86%, 0.59%

LAB 58.1, 81.87, -56.31

 

CMYK 0 / 66 / 75 / 6

HEX #F0513C

RGB 240 81 60

HSL 7, 0.86%, 0.59%

LAB 56.82, 59.86, 45.59

 

CMYK 75 / 0 / 36 / 6

HEX #3CF099

RGB 60 240 153

HSL 151, 0.86%, 0.59%

LAB 84.78, -63.58, 29.63

 

CMYK 5 / 74 / 0 / 6

HEX #E33EF0

RGB 227 62 240

HSL 295.62, 0.86%, 0.59%

LAB 58.1, 81.87, -56.31

 

CMYK 0 / 6 / 75 / 6

HEX #F0E13C

RGB 240 225 60

HSL 55, 0.86%, 0.59%

LAB 88.31, -12.09, 76.65

 

CMYK 75 / 0 / 6 / 6

HEX #3CF0E1

RGB 60 240 225

HSL 175, 0.86%, 0.59%

LAB 86.36, -46.92, -5.5

 

CMYK 5 / 74 / 0 / 6

HEX #E33EF0

RGB 227 62 240

HSL 295.62, 0.86%, 0.59%

LAB 58.1, 81.87, -56.31

 

CMYK 0 / 66 / 75 / 6

HEX #F0513C

RGB 240 81 60

HSL 7, 0.86%, 0.59%

LAB 56.82, 59.86, 45.59

 

CMYK 69 / 0 / 75 / 6

HEX #4BF03C

RGB 75 240 60

HSL 115, 0.86%, 0.59%

LAB 84.04, -73.24, 69.61

 

CMYK 75 / 9 / 0 / 6

HEX #3CDBF0

RGB 60 219 240

HSL 187, 0.86%, 0.59%

LAB 80.69, -33.17, -21.92

 

CMYK 5 / 74 / 0 / 6

HEX #E33EF0

RGB 227 62 240

HSL 295.62, 0.86%, 0.59%

LAB 58.1, 81.87, -56.31

 

CMYK 0 / 44 / 75 / 6

HEX #F0873C

RGB 240 135 60

HSL 25, 0.86%, 0.59%

LAB 66.66, 34.61, 55.83

 

CMYK 69 / 0 / 75 / 6

HEX #4BF03C

RGB 75 240 60

HSL 115, 0.86%, 0.59%

LAB 84.04, -73.24, 69.61

 

CMYK 75 / 31 / 0 / 6

HEX #3CA5F0

RGB 60 165 240

HSL 205, 0.86%, 0.59%

LAB 65.09, -5.18, -46.06

 

Description

Color code: RGB 227 62 240 | qconv.com Color code: RGB 227 62 240 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 227 red, 62 green and 240 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
227 62 240 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 5 cyan, 74 magenta, none yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
5% 74% 0% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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