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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 227 24 218 it is the complementary color RGB 28 231 37. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 227 24 218. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 227 24 218: RGB 232 24 213, RGB 249 42 232, RGB 255 60 251, RGB 255 78 255 and RGB 255 96 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 227 24 218. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 227 24 218: RGB 227 24 218, RGB 210 6 199, RGB 193 0 180, RGB 176 0 161 and RGB 159 0 142

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 89 / 4 / 11

HEX #E318DA

RGB 227 24 218

HSL 302.66, 0.81%, 0.49%

LAB 54.08, 86.66, -50.33

 

Complementary color

CMYK 88 / 0 / 84 / 9

HEX #1CE725

RGB 28 231 37

HSL 122.66, 0.81%, 0.51%

LAB 80.48, -77.75, 72.34

 

CMYK 0 / 90 / 8 / 9

HEX #E818D5

RGB 232 24 213

HSL 305.48, 0.82%, 0.5%

LAB 54.67, 86.85, -46.48

 

CMYK 0 / 83 / 7 / 2

HEX #F92AE8

RGB 249 42 232

HSL 304.93, 0.95%, 0.57%

LAB 59.55, 89.66, -49.32

 

CMYK 0 / 76 / 2 / 0

HEX #FF3CFB

RGB 255 60 251

HSL 301.23, 1%, 0.62%

LAB 62.89, 89.51, -54.53

 

CMYK 0 / 69 / 0 / 0

HEX #FF4EFF

RGB 255 78 255

HSL 300, 1%, 0.65%

LAB 64.91, 84.93, -53.53

 

CMYK 0 / 62 / 0 / 0

HEX #FF60FF

RGB 255 96 255

HSL 300, 1%, 0.69%

LAB 67.16, 78.59, -49.97

 

CMYK 0 / 89 / 4 / 11

HEX #E318DA

RGB 227 24 218

HSL 302.66, 0.81%, 0.49%

LAB 54.08, 86.66, -50.33

 

CMYK 0 / 97 / 5 / 18

HEX #D206C7

RGB 210 6 199

HSL 303.24, 0.94%, 0.42%

LAB 49.44, 82.85, -46.98

 

CMYK 0 / 100 / 7 / 24

HEX #C100B4

RGB 193 0 180

HSL 304.04, 1%, 0.38%

LAB 45.13, 77.82, -42.93

 

CMYK 0 / 100 / 9 / 31

HEX #B000A1

RGB 176 0 161

HSL 305.11, 1%, 0.35%

LAB 40.9, 72.24, -38.52

 

CMYK 0 / 100 / 11 / 38

HEX #9F008E

RGB 159 0 142

HSL 306.42, 1%, 0.31%

LAB 36.6, 66.55, -33.99

 

CMYK 0 / 89 / 4 / 11

HEX #E318DA

RGB 227 24 218

HSL 302.66, 0.81%, 0.49%

LAB 54.08, 86.66, -50.33

 

CMYK 0 / 90 / 18 / 11

HEX #E217B9

RGB 226 23 185

HSL 312.12, 0.82%, 0.49%

LAB 52.16, 82.24, -34.37

 

CMYK 0 / 90 / 33 / 11

HEX #E21797

RGB 226 23 151

HSL 322.17, 0.82%, 0.49%

LAB 50.71, 78.4, -16.54

 

CMYK 0 / 90 / 48 / 11

HEX #E21776

RGB 226 23 118

HSL 331.92, 0.82%, 0.49%

LAB 49.6, 75.4, 1.76

 

CMYK 0 / 90 / 63 / 11

HEX #E21754

RGB 226 23 84

HSL 341.97, 0.82%, 0.49%

LAB 48.79, 73.13, 21.48

 

CMYK 0 / 89 / 4 / 11

HEX #E318DA

RGB 227 24 218

HSL 302.66, 0.81%, 0.49%

LAB 54.08, 86.66, -50.33

 

CMYK 0 / 91 / 4 / 91

HEX #170216

RGB 23 2 22

HSL 302.86, 0.84%, 0.05%

LAB 2.56, 10.26, -6.83

 

CMYK 0 / 89 / 4 / 71

HEX #4A0847

RGB 74 8 71

HSL 302.73, 0.8%, 0.16%

LAB 15.92, 37.01, -21.7

 

CMYK 0 / 90 / 4 / 51

HEX #7D0D78

RGB 125 13 120

HSL 302.68, 0.81%, 0.27%

LAB 29.42, 54.99, -32.05

 

CMYK 0 / 89 / 4 / 31

HEX #B013A9

RGB 176 19 169

HSL 302.68, 0.81%, 0.38%

LAB 42.09, 71.23, -41.42

 

CMYK 0 / 89 / 4 / 11

HEX #E318DA

RGB 227 24 218

HSL 302.66, 0.81%, 0.49%

LAB 54.08, 86.66, -50.33

 

CMYK 0 / 69 / 90 / 11

HEX #E24617

RGB 226 70 23

HSL 13.89, 0.82%, 0.49%

LAB 52.52, 58.57, 57.65

 

CMYK 90 / 0 / 33 / 11

HEX #17E297

RGB 23 226 151

HSL 157.83, 0.82%, 0.49%

LAB 80.07, -62.2, 24.22

 

CMYK 0 / 89 / 4 / 11

HEX #E318DA

RGB 227 24 218

HSL 302.66, 0.81%, 0.49%

LAB 54.08, 86.66, -50.33

 

CMYK 3 / 0 / 90 / 11

HEX #DBE217

RGB 219 226 23

HSL 62.07, 0.82%, 0.49%

LAB 86.76, -22.35, 83.33

 

CMYK 90 / 3 / 0 / 11

HEX #17DBE2

RGB 23 219 226

HSL 182.07, 0.82%, 0.49%

LAB 79.8, -40.1, -15.85

 

CMYK 0 / 89 / 4 / 11

HEX #E318DA

RGB 227 24 218

HSL 302.66, 0.81%, 0.49%

LAB 54.08, 86.66, -50.33

 

CMYK 0 / 69 / 90 / 11

HEX #E24617

RGB 226 70 23

HSL 13.89, 0.82%, 0.49%

LAB 52.52, 58.57, 57.65

 

CMYK 90 / 0 / 87 / 11

HEX #17E21E

RGB 23 226 30

HSL 122.07, 0.82%, 0.49%

LAB 78.85, -77, 72.36

 

CMYK 90 / 21 / 0 / 11

HEX #17B2E2

RGB 23 178 226

HSL 194.19, 0.82%, 0.49%

LAB 67.66, -20.17, -34.41

 

CMYK 0 / 89 / 4 / 11

HEX #E318DA

RGB 227 24 218

HSL 302.66, 0.81%, 0.49%

LAB 54.08, 86.66, -50.33

 

CMYK 0 / 42 / 90 / 11

HEX #E28317

RGB 226 131 23

HSL 31.92, 0.82%, 0.49%

LAB 63.72, 29.91, 65.89

 

CMYK 90 / 0 / 87 / 11

HEX #17E21E

RGB 23 226 30

HSL 122.07, 0.82%, 0.49%

LAB 78.85, -77, 72.36

 

CMYK 90 / 48 / 0 / 11

HEX #1776E2

RGB 23 118 226

HSL 211.92, 0.82%, 0.49%

LAB 50.25, 14.57, -61.98

 

Description

Color code: RGB 227 24 218 | qconv.com Color code: RGB 227 24 218 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 227 red, 24 green and 218 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
227 24 218 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 89 magenta, 4 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 89% 4% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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