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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 227 105 53 it is the complementary color RGB 28 150 202. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 227 105 53. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 227 105 53: RGB 232 105 48, RGB 249 123 67, RGB 255 141 86, RGB 255 159 105 and RGB 255 177 124

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 227 105 53. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 227 105 53: RGB 227 105 53, RGB 210 87 34, RGB 193 69 15, RGB 176 51 0 and RGB 159 33 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 54 / 77 / 11

HEX #E36935

RGB 227 105 53

HSL 17.93, 0.76%, 0.55%

LAB 58.69, 44.38, 50.4

 

Complementary color

CMYK 86 / 26 / 0 / 21

HEX #1C96CA

RGB 28 150 202

HSL 197.93, 0.76%, 0.45%

LAB 58.34, -13.24, -35.6

 

CMYK 0 / 55 / 79 / 9

HEX #E86930

RGB 232 105 48

HSL 18.59, 0.8%, 0.55%

LAB 59.41, 46.07, 53.69

 

CMYK 0 / 51 / 73 / 2

HEX #F97B43

RGB 249 123 67

HSL 18.46, 0.94%, 0.62%

LAB 65.52, 44.45, 51.78

 

CMYK 0 / 45 / 66 / 0

HEX #FF8D56

RGB 255 141 86

HSL 19.53, 1%, 0.67%

LAB 70.16, 38.71, 47.73

 

CMYK 0 / 38 / 59 / 0

HEX #FF9F69

RGB 255 159 105

HSL 21.6, 1%, 0.71%

LAB 74.24, 30.68, 42.87

 

CMYK 0 / 31 / 51 / 0

HEX #FFB17C

RGB 255 177 124

HSL 24.27, 1%, 0.74%

LAB 78.55, 22.78, 38.42

 

CMYK 0 / 54 / 77 / 11

HEX #E36935

RGB 227 105 53

HSL 17.93, 0.76%, 0.55%

LAB 58.69, 44.38, 50.4

 

CMYK 0 / 59 / 84 / 18

HEX #D25722

RGB 210 87 34

HSL 18.07, 0.72%, 0.48%

LAB 52.55, 46.01, 52.25

 

CMYK 0 / 64 / 92 / 24

HEX #C1450F

RGB 193 69 15

HSL 18.2, 0.86%, 0.41%

LAB 46.48, 47.61, 53.32

 

CMYK 0 / 71 / 100 / 31

HEX #B03300

RGB 176 51 0

HSL 17.39, 1%, 0.35%

LAB 40.57, 48.97, 52.63

 

CMYK 0 / 79 / 100 / 38

HEX #9F2100

RGB 159 33 0

HSL 12.45, 1%, 0.31%

LAB 34.92, 49.76, 48.04

 

CMYK 0 / 54 / 77 / 11

HEX #E36935

RGB 227 105 53

HSL 17.93, 0.76%, 0.55%

LAB 58.69, 44.38, 50.4

 

CMYK 0 / 42 / 77 / 11

HEX #E38335

RGB 227 131 53

HSL 26.9, 0.76%, 0.55%

LAB 64.02, 31.16, 55.71

 

CMYK 0 / 30 / 77 / 11

HEX #E3A035

RGB 227 160 53

HSL 36.9, 0.76%, 0.55%

LAB 70.68, 15.75, 62.15

 

CMYK 0 / 17 / 77 / 11

HEX #E3BD35

RGB 227 189 53

HSL 46.9, 0.76%, 0.55%

LAB 77.87, 0.43, 68.88

 

CMYK 0 / 4 / 77 / 11

HEX #E3DA35

RGB 227 218 53

HSL 56.9, 0.76%, 0.55%

LAB 85.37, -14.32, 75.73

 

CMYK 0 / 54 / 77 / 11

HEX #E36935

RGB 227 105 53

HSL 17.93, 0.76%, 0.55%

LAB 58.69, 44.38, 50.4

 

CMYK 0 / 52 / 78 / 91

HEX #170B05

RGB 23 11 5

HSL 20, 0.64%, 0.05%

LAB 3.91, 3.66, 3.86

 

CMYK 0 / 54 / 77 / 71

HEX #4A2211

RGB 74 34 17

HSL 17.89, 0.63%, 0.18%

LAB 18.54, 17.42, 19.73

 

CMYK 0 / 54 / 77 / 51

HEX #7D3A1D

RGB 125 58 29

HSL 18.13, 0.62%, 0.3%

LAB 32.86, 26.92, 30.89

 

CMYK 0 / 54 / 77 / 31

HEX #B05129

RGB 176 81 41

HSL 17.78, 0.62%, 0.43%

LAB 46.01, 36.17, 40.84

 

CMYK 0 / 54 / 77 / 11

HEX #E36935

RGB 227 105 53

HSL 17.93, 0.76%, 0.55%

LAB 58.69, 44.38, 50.4

 

CMYK 37 / 0 / 77 / 11

HEX #8FE335

RGB 143 227 53

HSL 88.97, 0.76%, 0.55%

LAB 82.4, -51.19, 70.99

 

CMYK 77 / 68 / 0 / 11

HEX #3549E3

RGB 53 73 227

HSL 233.1, 0.76%, 0.55%

LAB 39.69, 45.55, -79.72

 

CMYK 0 / 54 / 77 / 11

HEX #E36935

RGB 227 105 53

HSL 17.93, 0.76%, 0.55%

LAB 58.69, 44.38, 50.4

 

CMYK 77 / 0 / 55 / 11

HEX #35E366

RGB 53 227 102

HSL 136.9, 0.76%, 0.55%

LAB 79.98, -68.32, 48.39

 

CMYK 55 / 77 / 0 / 11

HEX #6635E3

RGB 102 53 227

HSL 256.9, 0.76%, 0.55%

LAB 39.44, 61.46, -80.01

 

CMYK 0 / 54 / 77 / 11

HEX #E36935

RGB 227 105 53

HSL 17.93, 0.76%, 0.55%

LAB 58.69, 44.38, 50.4

 

CMYK 37 / 0 / 77 / 11

HEX #8FE335

RGB 143 227 53

HSL 88.97, 0.76%, 0.55%

LAB 82.4, -51.19, 70.99

 

CMYK 77 / 22 / 0 / 11

HEX #35B2E3

RGB 53 178 227

HSL 196.9, 0.76%, 0.55%

LAB 68.13, -17.5, -34.2

 

CMYK 40 / 77 / 0 / 11

HEX #8935E3

RGB 137 53 227

HSL 268.97, 0.76%, 0.55%

LAB 43.38, 66.36, -73.41

 

CMYK 0 / 54 / 77 / 11

HEX #E36935

RGB 227 105 53

HSL 17.93, 0.76%, 0.55%

LAB 58.69, 44.38, 50.4

 

CMYK 60 / 0 / 77 / 11

HEX #5AE335

RGB 90 227 53

HSL 107.24, 0.76%, 0.55%

LAB 80.39, -66.44, 68.37

 

CMYK 77 / 22 / 0 / 11

HEX #35B2E3

RGB 53 178 227

HSL 196.9, 0.76%, 0.55%

LAB 68.13, -17.5, -34.2

 

CMYK 17 / 77 / 0 / 11

HEX #BD35E3

RGB 189 53 227

HSL 286.9, 0.76%, 0.55%

LAB 50.58, 75.18, -61.37

 

Description

Color code: RGB 227 105 53 | qconv.com Color code: RGB 227 105 53 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 227 red, 105 green and 53 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
227 105 53 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 54 magenta, 77 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 54% 77% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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