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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 226 249 199 it is the complementary color RGB 29 6 56. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 226 249 199. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 226 249 199: RGB 231 249 194, RGB 248 255 213, RGB 255 255 232, RGB 255 255 251

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 226 249 199. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 226 249 199: RGB 226 249 199, RGB 209 231 180, RGB 192 213 161, RGB 175 195 142 and RGB 158 177 123

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 9 / 0 / 20 / 2

HEX #E2F9C7

RGB 226 249 199

HSL 87.6, 0.81%, 0.88%

LAB 95.18, -16.06, 21.54

 

Complementary color

CMYK 48 / 89 / 0 / 78

HEX #1D0638

RGB 29 6 56

HSL 267.6, 0.81%, 0.12%

LAB 6.12, 23.81, -27.25

 

CMYK 7 / 0 / 22 / 2

HEX #E7F9C2

RGB 231 249 194

HSL 79.64, 0.82%, 0.87%

LAB 95.43, -15.06, 24.49

 

CMYK 3 / 0 / 16 / 0

HEX #F8FFD5

RGB 248 255 213

HSL 70, 1%, 0.92%

LAB 98.54, -9.22, 19.32

 

CMYK 0 / 0 / 9 / 0

HEX #FFFFE8

RGB 255 255 232

HSL 60, 1%, 0.95%

LAB 99.46, -3.85, 10.99

 

CMYK 0 / 0 / 2 / 0

HEX #FFFFFB

RGB 255 255 251

HSL 60, 1%, 0.99%

LAB 99.9, -0.69, 1.9

 

CMYK 9 / 0 / 20 / 2

HEX #E2F9C7

RGB 226 249 199

HSL 87.6, 0.81%, 0.88%

LAB 95.18, -16.06, 21.54

 

CMYK 10 / 0 / 22 / 9

HEX #D1E7B4

RGB 209 231 180

HSL 85.88, 0.52%, 0.81%

LAB 88.92, -16.06, 22.46

 

CMYK 10 / 0 / 24 / 16

HEX #C0D5A1

RGB 192 213 161

HSL 84.23, 0.38%, 0.73%

LAB 82.58, -16.05, 23.42

 

CMYK 10 / 0 / 27 / 24

HEX #AFC38E

RGB 175 195 142

HSL 82.64, 0.31%, 0.66%

LAB 76.13, -16.04, 24.44

 

CMYK 11 / 0 / 31 / 31

HEX #9EB17B

RGB 158 177 123

HSL 81.11, 0.26%, 0.59%

LAB 69.57, -16.01, 25.52

 

CMYK 9 / 0 / 20 / 2

HEX #E2F9C7

RGB 226 249 199

HSL 87.6, 0.81%, 0.88%

LAB 95.18, -16.06, 21.54

 

CMYK 12 / 0 / 20 / 2

HEX #DAF9C7

RGB 218 249 199

HSL 97.2, 0.81%, 0.88%

LAB 94.64, -18.82, 20.71

 

CMYK 16 / 0 / 20 / 2

HEX #D2F9C7

RGB 210 249 199

HSL 106.8, 0.81%, 0.88%

LAB 94.13, -21.53, 19.92

 

CMYK 19 / 0 / 20 / 2

HEX #CAF9C7

RGB 202 249 199

HSL 116.4, 0.81%, 0.88%

LAB 93.64, -24.2, 19.16

 

CMYK 20 / 0 / 18 / 2

HEX #C7F9CD

RGB 199 249 205

HSL 127.2, 0.81%, 0.88%

LAB 93.58, -24.16, 15.97

 

CMYK 9 / 0 / 20 / 2

HEX #E2F9C7

RGB 226 249 199

HSL 87.6, 0.81%, 0.88%

LAB 95.18, -16.06, 21.54

 

CMYK 9 / 0 / 20 / 82

HEX #292D24

RGB 41 45 36

HSL 86.67, 0.11%, 0.16%

LAB 17.81, -3.85, 5.24

 

CMYK 9 / 0 / 20 / 62

HEX #57604D

RGB 87 96 77

HSL 88.42, 0.11%, 0.34%

LAB 39.46, -7.39, 9.7

 

CMYK 10 / 0 / 20 / 42

HEX #859375

RGB 133 147 117

HSL 88, 0.12%, 0.52%

LAB 59.1, -10.71, 14.23

 

CMYK 9 / 0 / 20 / 22

HEX #B4C69E

RGB 180 198 158

HSL 87, 0.26%, 0.7%

LAB 77.61, -13.27, 18.03

 

CMYK 9 / 0 / 20 / 2

HEX #E2F9C7

RGB 226 249 199

HSL 87.6, 0.81%, 0.88%

LAB 95.18, -16.06, 21.54

 

CMYK 20 / 0 / 7 / 2

HEX #C7F9E7

RGB 199 249 231

HSL 158.4, 0.81%, 0.88%

LAB 94.17, -19.38, 3.4

 

CMYK 0 / 20 / 1 / 2

HEX #F9C7F6

RGB 249 199 246

HSL 303.6, 0.81%, 0.88%

LAB 85.83, 25.43, -16.37

 

CMYK 9 / 0 / 20 / 2

HEX #E2F9C7

RGB 226 249 199

HSL 87.6, 0.81%, 0.88%

LAB 95.18, -16.06, 21.54

 

CMYK 20 / 9 / 0 / 2

HEX #C7E2F9

RGB 199 226 249

HSL 207.6, 0.81%, 0.88%

LAB 88.63, -4.12, -14.15

 

CMYK 0 / 20 / 9 / 2

HEX #F9C7E2

RGB 249 199 226

HSL 327.6, 0.81%, 0.88%

LAB 85.24, 21.97, -6.61

 

CMYK 9 / 0 / 20 / 2

HEX #E2F9C7

RGB 226 249 199

HSL 87.6, 0.81%, 0.88%

LAB 95.18, -16.06, 21.54

 

CMYK 20 / 0 / 7 / 2

HEX #C7F9E7

RGB 199 249 231

HSL 158.4, 0.81%, 0.88%

LAB 94.17, -19.38, 3.4

 

CMYK 11 / 20 / 0 / 2

HEX #DDC7F9

RGB 221 199 249

HSL 266.4, 0.81%, 0.88%

LAB 83.47, 16.98, -21.76

 

CMYK 0 / 20 / 13 / 2

HEX #F9C7D8

RGB 249 199 216

HSL 339.6, 0.81%, 0.88%

LAB 84.97, 20.34, -1.68

 

CMYK 9 / 0 / 20 / 2

HEX #E2F9C7

RGB 226 249 199

HSL 87.6, 0.81%, 0.88%

LAB 95.18, -16.06, 21.54

 

CMYK 20 / 0 / 1 / 2

HEX #C7F9F6

RGB 199 249 246

HSL 176.4, 0.81%, 0.88%

LAB 94.55, -16.38, -3.8

 

CMYK 11 / 20 / 0 / 2

HEX #DDC7F9

RGB 221 199 249

HSL 266.4, 0.81%, 0.88%

LAB 83.47, 16.98, -21.76

 

CMYK 0 / 20 / 19 / 2

HEX #F9C7CA

RGB 249 199 202

HSL 356.4, 0.81%, 0.88%

LAB 84.61, 18.18, 5.26

 

Description

Color code: RGB 226 249 199 | qconv.com Color code: RGB 226 249 199 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 226 red, 249 green and 199 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
226 249 199 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 9 cyan, none magenta, 20 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
9% 0% 20% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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