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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 226 189 160 it is the complementary color RGB 29 66 95. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 226 189 160. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 226 189 160: RGB 231 189 155, RGB 248 207 174, RGB 255 225 193, RGB 255 243 212 and RGB 255 255 231

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 226 189 160. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 226 189 160: RGB 226 189 160, RGB 209 171 141, RGB 192 153 122, RGB 175 135 103 and RGB 158 117 84

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 16 / 29 / 11

HEX #E2BDA0

RGB 226 189 160

HSL 26.36, 0.53%, 0.76%

LAB 79.1, 9.02, 19.6

 

Complementary color

CMYK 69 / 31 / 0 / 63

HEX #1D425F

RGB 29 66 95

HSL 206.36, 0.53%, 0.24%

LAB 26.69, -2.85, -21.07

 

CMYK 0 / 18 / 33 / 9

HEX #E7BD9B

RGB 231 189 155

HSL 26.84, 0.61%, 0.76%

LAB 79.47, 10.3, 22.86

 

CMYK 0 / 17 / 30 / 3

HEX #F8CFAE

RGB 248 207 174

HSL 26.76, 0.84%, 0.83%

LAB 85.83, 9.74, 21.8

 

CMYK 0 / 12 / 24 / 0

HEX #FFE1C1

RGB 255 225 193

HSL 30.97, 1%, 0.88%

LAB 91.22, 5.56, 19.45

 

CMYK 0 / 5 / 17 / 0

HEX #FFF3D4

RGB 255 243 212

HSL 43.26, 1%, 0.92%

LAB 96.04, -0.9, 16.4

 

CMYK 0 / 0 / 9 / 0

HEX #FFFFE7

RGB 255 255 231

HSL 60, 1%, 0.95%

LAB 99.44, -4.01, 11.47

 

CMYK 0 / 16 / 29 / 11

HEX #E2BDA0

RGB 226 189 160

HSL 26.36, 0.53%, 0.76%

LAB 79.1, 9.02, 19.6

 

CMYK 0 / 18 / 33 / 18

HEX #D1AB8D

RGB 209 171 141

HSL 26.47, 0.43%, 0.69%

LAB 72.63, 9.58, 20.67

 

CMYK 0 / 20 / 36 / 25

HEX #C0997A

RGB 192 153 122

HSL 26.57, 0.36%, 0.62%

LAB 66.05, 10.22, 21.82

 

CMYK 0 / 23 / 41 / 31

HEX #AF8767

RGB 175 135 103

HSL 26.67, 0.31%, 0.55%

LAB 59.36, 10.96, 23.08

 

CMYK 0 / 26 / 47 / 38

HEX #9E7554

RGB 158 117 84

HSL 26.76, 0.31%, 0.47%

LAB 52.54, 11.83, 24.45

 

CMYK 0 / 16 / 29 / 11

HEX #E2BDA0

RGB 226 189 160

HSL 26.36, 0.53%, 0.76%

LAB 79.1, 9.02, 19.6

 

CMYK 0 / 12 / 29 / 11

HEX #E2C8A1

RGB 226 200 161

HSL 36, 0.53%, 0.76%

LAB 81.87, 3.36, 22.88

 

CMYK 0 / 7 / 29 / 11

HEX #E2D3A1

RGB 226 211 161

HSL 46.15, 0.53%, 0.76%

LAB 84.65, -2.35, 26.68

 

CMYK 0 / 2 / 29 / 11

HEX #E2DDA1

RGB 226 221 161

HSL 55.38, 0.53%, 0.76%

LAB 87.22, -7.46, 30.14

 

CMYK 3 / 0 / 29 / 11

HEX #DBE2A1

RGB 219 226 161

HSL 66.46, 0.53%, 0.76%

LAB 87.98, -12.61, 31.07

 

CMYK 0 / 16 / 29 / 11

HEX #E2BDA0

RGB 226 189 160

HSL 26.36, 0.53%, 0.76%

LAB 79.1, 9.02, 19.6

 

CMYK 0 / 18 / 27 / 91

HEX #161210

RGB 22 18 16

HSL 20, 0.16%, 0.07%

LAB 5.79, 1.3, 1.68

 

CMYK 0 / 16 / 29 / 71

HEX #493D34

RGB 73 61 52

HSL 25.71, 0.17%, 0.25%

LAB 26.74, 3.57, 7.49

 

CMYK 0 / 16 / 29 / 51

HEX #7C6858

RGB 124 104 88

HSL 26.67, 0.17%, 0.42%

LAB 45.48, 5.33, 11.98

 

CMYK 0 / 17 / 29 / 31

HEX #AF927C

RGB 175 146 124

HSL 25.88, 0.24%, 0.59%

LAB 62.61, 7.51, 15.73

 

CMYK 0 / 16 / 29 / 11

HEX #E2BDA0

RGB 226 189 160

HSL 26.36, 0.53%, 0.76%

LAB 79.1, 9.02, 19.6

 

CMYK 18 / 0 / 29 / 11

HEX #B9E2A1

RGB 185 226 161

HSL 97.85, 0.53%, 0.76%

LAB 85.65, -24.94, 27.52

 

CMYK 28 / 29 / 0 / 11

HEX #A3A1E2

RGB 163 161 226

HSL 241.85, 0.53%, 0.76%

LAB 68.58, 14.97, -32.54

 

CMYK 0 / 16 / 29 / 11

HEX #E2BDA0

RGB 226 189 160

HSL 26.36, 0.53%, 0.76%

LAB 79.1, 9.02, 19.6

 

CMYK 29 / 0 / 16 / 11

HEX #A1E2BD

RGB 161 226 189

HSL 145.85, 0.53%, 0.76%

LAB 84.81, -28.03, 11.58

 

CMYK 16 / 29 / 0 / 11

HEX #BDA1E2

RGB 189 161 226

HSL 265.85, 0.53%, 0.76%

LAB 70.73, 22.82, -29.05

 

CMYK 0 / 16 / 29 / 11

HEX #E2BDA0

RGB 226 189 160

HSL 26.36, 0.53%, 0.76%

LAB 79.1, 9.02, 19.6

 

CMYK 18 / 0 / 29 / 11

HEX #B9E2A1

RGB 185 226 161

HSL 97.85, 0.53%, 0.76%

LAB 85.65, -24.94, 27.52

 

CMYK 29 / 12 / 0 / 11

HEX #A1C6E2

RGB 161 198 226

HSL 205.85, 0.53%, 0.76%

LAB 78.14, -5.91, -17.93

 

CMYK 11 / 29 / 0 / 11

HEX #CAA1E2

RGB 202 161 226

HSL 277.85, 0.53%, 0.76%

LAB 71.92, 26.89, -27.12

 

CMYK 0 / 16 / 29 / 11

HEX #E2BDA0

RGB 226 189 160

HSL 26.36, 0.53%, 0.76%

LAB 79.1, 9.02, 19.6

 

CMYK 27 / 0 / 29 / 11

HEX #A5E2A1

RGB 165 226 161

HSL 116.31, 0.53%, 0.76%

LAB 84.47, -31.73, 25.73

 

CMYK 29 / 12 / 0 / 11

HEX #A1C6E2

RGB 161 198 226

HSL 205.85, 0.53%, 0.76%

LAB 78.14, -5.91, -17.93

 

CMYK 2 / 29 / 0 / 11

HEX #DDA1E2

RGB 221 161 226

HSL 295.38, 0.53%, 0.76%

LAB 73.77, 32.94, -24.12

 

Description

Color code: RGB 226 189 160 | qconv.com Color code: RGB 226 189 160 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 226 red, 189 green and 160 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
226 189 160 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 16 magenta, 29 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 16% 29% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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