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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 225 76 244 it is the complementary color RGB 30 179 11. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 225 76 244. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 225 76 244: RGB 230 76 239, RGB 247 94 255, RGB 255 112 255, RGB 255 130 255 and RGB 255 148 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 225 76 244. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 225 76 244: RGB 225 76 244, RGB 208 58 225, RGB 191 40 206, RGB 174 22 187 and RGB 157 4 168

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 8 / 69 / 0 / 4

HEX #E14CF4

RGB 225 76 244

HSL 293.21, 0.88%, 0.63%

LAB 59.62, 77.57, -56.12

 

Complementary color

CMYK 83 / 0 / 94 / 30

HEX #1EB30B

RGB 30 179 11

HSL 113.21, 0.88%, 0.37%

LAB 63.79, -63.77, 62.67

 

CMYK 4 / 68 / 0 / 6

HEX #E64CEF

RGB 230 76 239

HSL 296.69, 0.84%, 0.62%

LAB 60.09, 77.79, -52.55

 

CMYK 3 / 63 / 0 / 0

HEX #F75EFF

RGB 247 94 255

HSL 297.02, 1%, 0.68%

LAB 65.75, 77.53, -52.27

 

CMYK 0 / 56 / 0 / 0

HEX #FF70FF

RGB 255 112 255

HSL 300, 1%, 0.72%

LAB 69.52, 72.09, -46.25

 

CMYK 0 / 49 / 0 / 0

HEX #FF82FF

RGB 255 130 255

HSL 300, 1%, 0.75%

LAB 72.53, 64.02, -41.54

 

CMYK 0 / 42 / 0 / 0

HEX #FF94FF

RGB 255 148 255

HSL 300, 1%, 0.79%

LAB 75.86, 55.33, -36.36

 

CMYK 8 / 69 / 0 / 4

HEX #E14CF4

RGB 225 76 244

HSL 293.21, 0.88%, 0.63%

LAB 59.62, 77.57, -56.12

 

CMYK 8 / 74 / 0 / 12

HEX #D03AE1

RGB 208 58 225

HSL 293.89, 0.74%, 0.55%

LAB 53.89, 76.89, -54.77

 

CMYK 7 / 81 / 0 / 19

HEX #BF28CE

RGB 191 40 206

HSL 294.58, 0.67%, 0.48%

LAB 48.32, 75.53, -53

 

CMYK 7 / 88 / 0 / 27

HEX #AE16BB

RGB 174 22 187

HSL 295.27, 0.79%, 0.41%

LAB 43, 73.18, -50.64

 

CMYK 7 / 98 / 0 / 34

HEX #9D04A8

RGB 157 4 168

HSL 295.98, 0.95%, 0.34%

LAB 37.99, 69.64, -47.58

 

CMYK 8 / 69 / 0 / 4

HEX #E14CF4

RGB 225 76 244

HSL 293.21, 0.88%, 0.63%

LAB 59.62, 77.57, -56.12

 

CMYK 0 / 68 / 3 / 5

HEX #F34DEB

RGB 243 77 235

HSL 302.89, 0.87%, 0.63%

LAB 61.96, 79.62, -47.23

 

CMYK 0 / 68 / 15 / 5

HEX #F34DCF

RGB 243 77 207

HSL 313.01, 0.87%, 0.63%

LAB 60.66, 75.53, -33.52

 

CMYK 0 / 68 / 26 / 5

HEX #F34DB4

RGB 243 77 180

HSL 322.77, 0.87%, 0.63%

LAB 59.58, 72, -19.76

 

CMYK 0 / 68 / 37 / 5

HEX #F34D98

RGB 243 77 152

HSL 332.89, 0.87%, 0.63%

LAB 58.63, 68.83, -4.93

 

CMYK 8 / 69 / 0 / 4

HEX #E14CF4

RGB 225 76 244

HSL 293.21, 0.88%, 0.63%

LAB 59.62, 77.57, -56.12

 

CMYK 7 / 70 / 0 / 84

HEX #250C28

RGB 37 12 40

HSL 293.57, 0.54%, 0.1%

LAB 7.31, 18.4, -13.41

 

CMYK 8 / 69 / 0 / 64

HEX #541C5B

RGB 84 28 91

HSL 293.33, 0.53%, 0.23%

LAB 21.84, 35.54, -25.75

 

CMYK 8 / 69 / 0 / 44

HEX #832C8E

RGB 131 44 142

HSL 293.27, 0.53%, 0.36%

LAB 35.16, 50.53, -36.58

 

CMYK 8 / 69 / 0 / 24

HEX #B23CC1

RGB 178 60 193

HSL 293.23, 0.53%, 0.5%

LAB 47.68, 64.42, -46.62

 

CMYK 8 / 69 / 0 / 4

HEX #E14CF4

RGB 225 76 244

HSL 293.21, 0.88%, 0.63%

LAB 59.62, 77.57, -56.12

 

CMYK 0 / 63 / 68 / 5

HEX #F35B4D

RGB 243 91 77

HSL 5.06, 0.87%, 0.63%

LAB 59.04, 57.51, 39.05

 

CMYK 68 / 0 / 35 / 5

HEX #4DF39D

RGB 77 243 157

HSL 148.92, 0.87%, 0.63%

LAB 86.06, -61.53, 29.38

 

CMYK 8 / 69 / 0 / 4

HEX #E14CF4

RGB 225 76 244

HSL 293.21, 0.88%, 0.63%

LAB 59.62, 77.57, -56.12

 

CMYK 0 / 8 / 68 / 5

HEX #F3E04D

RGB 243 224 77

HSL 53.13, 0.87%, 0.63%

LAB 88.4, -9.58, 70.91

 

CMYK 68 / 0 / 8 / 5

HEX #4DF3E0

RGB 77 243 224

HSL 173.13, 0.87%, 0.63%

LAB 87.51, -46.45, -3.25

 

CMYK 8 / 69 / 0 / 4

HEX #E14CF4

RGB 225 76 244

HSL 293.21, 0.88%, 0.63%

LAB 59.62, 77.57, -56.12

 

CMYK 0 / 63 / 68 / 5

HEX #F35B4D

RGB 243 91 77

HSL 5.06, 0.87%, 0.63%

LAB 59.04, 57.51, 39.05

 

CMYK 60 / 0 / 68 / 5

HEX #60F34D

RGB 96 243 77

HSL 113.13, 0.87%, 0.63%

LAB 85.57, -68.75, 65.42

 

CMYK 68 / 6 / 0 / 5

HEX #4DE5F3

RGB 77 229 243

HSL 185.06, 0.87%, 0.63%

LAB 84.01, -34.97, -18.46

 

CMYK 8 / 69 / 0 / 4

HEX #E14CF4

RGB 225 76 244

HSL 293.21, 0.88%, 0.63%

LAB 59.62, 77.57, -56.12

 

CMYK 0 / 42 / 68 / 5

HEX #F38D4D

RGB 243 141 77

HSL 23.13, 0.87%, 0.63%

LAB 68.49, 33.51, 49.89

 

CMYK 60 / 0 / 68 / 5

HEX #60F34D

RGB 96 243 77

HSL 113.13, 0.87%, 0.63%

LAB 85.57, -68.75, 65.42

 

CMYK 68 / 26 / 0 / 5

HEX #4DB4F3

RGB 77 180 243

HSL 202.77, 0.87%, 0.63%

LAB 69.96, -10.23, -40.03

 

Description

Color code: RGB 225 76 244 | qconv.com Color code: RGB 225 76 244 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 225 red, 76 green and 244 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
225 76 244 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 8 cyan, 69 magenta, none yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
8% 69% 0% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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