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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 225 53 197 it is the complementary color RGB 30 202 58. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 225 53 197. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 225 53 197 shade: RGB 230 53 192, RGB 247 71 211, RGB 255 89 230, RGB 255 107 249 and RGB 255 125 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 225 53 197. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 225 53 197 shade: RGB 225 53 197, RGB 208 35 178, RGB 191 17 159, RGB 174 0 140 and RGB 157 0 121

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 225 53 197 shade: RGB 225 55 198, RGB 225 55 152, RGB 225 55 106, RGB 225 55 60 and RGB 225 55 55

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 225 53 197 shade: RGB 225 55 198, RGB 207 55 225, RGB 161 55 225, RGB 115 55 225 and RGB 70 55 225

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 225 53 197 shade matches the following richer shades: RGB 225 55 198 and RGB 244 37 210

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 225 53 197 shade: RGB 225 55 198, RGB 207 74 185, RGB 188 92 172, RGB 169 111 160 and RGB 151 130 147

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 225 53 197 shade: RGB 160 55 225, RGB 205 55 225, RGB 225 55 200, RGB 225 55 154 and RGB 225 55 109

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 225 53 197 shade: RGB 172 26 148, RGB 208 31 179, RGB 225 55 198, RGB 231 91 208 and RGB 236 127 218

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 225 53 197 shade: RGB 225 53 197, RGB 225 115 55 and RGB 55 225 183

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 225 53 197 shade: RGB 225 53 197, RGB 200 225 55 and RGB 55 200 225

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 225 53 197 shade: RGB 225 53 197, RGB 225 115 55, RGB 55 225 81 and RGB 55 166 225

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 225 53 197 shade: RGB 225 53 197, RGB 225 166 55, RGB 55 225 81 and RGB 55 115 225

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 76 / 12 / 12

HEX #E135C5

RGB 225 53 197

HSL 309.77, 0.74%, 0.55%

LAB 54.64, 77.56, -37.43

 

Complementary color

CMYK 85 / 0 / 71 / 21

HEX #1ECA3A

RGB 30 202 58

HSL 129.77, 0.74%, 0.45%

LAB 71.43, -67.94, 57.36

 

CMYK 0 / 77 / 17 / 10

HEX #E635C0

RGB 230 53 192

HSL 312.88, 0.78%, 0.55%

LAB 55.25, 77.96, -33.54

 

CMYK 0 / 71 / 15 / 3

HEX #F747D3

RGB 247 71 211

HSL 312.27, 0.92%, 0.62%

LAB 60.77, 79.01, -35.58

 

CMYK 0 / 65 / 10 / 0

HEX #FF59E6

RGB 255 89 230

HSL 309.04, 1%, 0.67%

LAB 65.06, 77.37, -39.46

 

CMYK 0 / 58 / 2 / 0

HEX #FF6BF9

RGB 255 107 249

HSL 302.43, 1%, 0.71%

LAB 68.47, 73.22, -44.61

 

CMYK 0 / 51 / 0 / 0

HEX #FF7DFF

RGB 255 125 255

HSL 300, 1%, 0.75%

LAB 71.65, 66.33, -42.9

 

CMYK 0 / 76 / 12 / 12

HEX #E135C5

RGB 225 53 197

HSL 309.77, 0.74%, 0.55%

LAB 54.64, 77.56, -37.43

 

CMYK 0 / 83 / 14 / 18

HEX #D023B2

RGB 208 35 178

HSL 310.4, 0.71%, 0.48%

LAB 49.28, 75.78, -35.01

 

CMYK 0 / 91 / 17 / 25

HEX #BF119F

RGB 191 17 159

HSL 311.03, 0.84%, 0.41%

LAB 44.2, 72.97, -31.92

 

CMYK 0 / 100 / 20 / 32

HEX #AE008C

RGB 174 0 140

HSL 311.72, 1%, 0.34%

LAB 39.4, 69.09, -28.16

 

CMYK 0 / 100 / 23 / 38

HEX #9D0079

RGB 157 0 121

HSL 313.76, 1%, 0.31%

LAB 35.1, 63.41, -23.31

 

CMYK 0 / 76 / 12 / 12

HEX #E137C6

RGB 225 55 198

HSL 309.53, 0.74%, 0.55%

LAB 54.88, 77.14, -37.63

 

CMYK 0 / 76 / 32 / 12

HEX #E13798

RGB 225 55 152

HSL 325.76, 0.74%, 0.55%

LAB 52.96, 71.39, -13.74

 

CMYK 0 / 76 / 53 / 12

HEX #E1376A

RGB 225 55 106

HSL 342, 0.74%, 0.55%

LAB 51.59, 67.12, 11.86

 

CMYK 0 / 76 / 73 / 12

HEX #E1373C

RGB 225 55 60

HSL 358.24, 0.74%, 0.55%

LAB 50.76, 64.47, 38.15

 

CMYK 0 / 76 / 76 / 12

HEX #E13737

RGB 225 55 55

HSL 0, 0.74%, 0.55%

LAB 50.71, 64.28, 40.9

 

CMYK 0 / 76 / 12 / 12

HEX #E137C6

RGB 225 55 198

HSL 309.53, 0.74%, 0.55%

LAB 54.88, 77.14, -37.63

 

CMYK 8 / 76 / 0 / 12

HEX #CF37E1

RGB 207 55 225

HSL 293.65, 0.74%, 0.55%

LAB 53.42, 77.6, -55.53

 

CMYK 28 / 76 / 0 / 12

HEX #A137E1

RGB 161 55 225

HSL 277.41, 0.74%, 0.55%

LAB 46.64, 69.13, -66.82

 

CMYK 49 / 76 / 0 / 12

HEX #7337E1

RGB 115 55 225

HSL 261.18, 0.74%, 0.55%

LAB 40.92, 61.78, -76.39

 

CMYK 69 / 76 / 0 / 12

HEX #4637E1

RGB 70 55 225

HSL 245.29, 0.74%, 0.55%

LAB 36.88, 56.44, -83.19

 

CMYK 0 / 76 / 12 / 12

HEX #E137C6

RGB 225 55 198

HSL 309.53, 0.74%, 0.55%

LAB 54.88, 77.14, -37.63

 

CMYK 0 / 85 / 14 / 4

HEX #F425D2

RGB 244 37 210

HSL 309.86, 0.9%, 0.55%

LAB 57.28, 86.7, -40.51

 

CMYK 0 / 76 / 12 / 12

HEX #E137C6

RGB 225 55 198

HSL 309.53, 0.74%, 0.55%

LAB 54.88, 77.14, -37.63

 

CMYK 0 / 64 / 11 / 19

HEX #CF4AB9

RGB 207 74 185

HSL 309.92, 0.58%, 0.55%

LAB 53.67, 64.57, -32.23

 

CMYK 0 / 51 / 9 / 26

HEX #BC5CAC

RGB 188 92 172

HSL 310, 0.42%, 0.55%

LAB 53.3, 49.16, -25.47

 

CMYK 0 / 34 / 5 / 34

HEX #A96FA0

RGB 169 111 160

HSL 309.31, 0.25%, 0.55%

LAB 54.39, 30.84, -17.03

 

CMYK 0 / 14 / 3 / 41

HEX #978293

RGB 151 130 147

HSL 311.43, 0.09%, 0.55%

LAB 56.73, 11.11, -6.16

 

CMYK 29 / 76 / 0 / 12

HEX #A037E1

RGB 160 55 225

HSL 277.06, 0.74%, 0.55%

LAB 46.5, 68.95, -67.04

 

CMYK 9 / 76 / 0 / 12

HEX #CD37E1

RGB 205 55 225

HSL 292.94, 0.74%, 0.55%

LAB 53.11, 77.22, -56.05

 

CMYK 0 / 76 / 11 / 12

HEX #E137C8

RGB 225 55 200

HSL 308.82, 0.74%, 0.55%

LAB 54.98, 77.42, -38.63

 

CMYK 0 / 76 / 32 / 12

HEX #E1379A

RGB 225 55 154

HSL 325.06, 0.74%, 0.55%

LAB 53.03, 71.61, -14.81

 

CMYK 0 / 76 / 52 / 12

HEX #E1376D

RGB 225 55 109

HSL 340.94, 0.74%, 0.55%

LAB 51.66, 67.35, 10.15

 

CMYK 0 / 85 / 14 / 33

HEX #AC1A94

RGB 172 26 148

HSL 309.86, 0.74%, 0.39%

LAB 40.65, 66.16, -31.11

 

CMYK 0 / 85 / 14 / 18

HEX #D01FB3

RGB 208 31 179

HSL 309.83, 0.74%, 0.47%

LAB 49.06, 76.71, -35.94

 

CMYK 0 / 76 / 12 / 12

HEX #E137C6

RGB 225 55 198

HSL 309.53, 0.74%, 0.55%

LAB 54.88, 77.14, -37.63

 

CMYK 0 / 61 / 10 / 9

HEX #E75BD0

RGB 231 91 208

HSL 309.86, 0.74%, 0.63%

LAB 60.8, 67.35, -34.01

 

CMYK 0 / 46 / 8 / 7

HEX #EC7FDA

RGB 236 127 218

HSL 309.91, 0.74%, 0.71%

LAB 68.07, 53.85, -28.3

 

CMYK 0 / 76 / 12 / 12

HEX #E135C5

RGB 225 53 197

HSL 309.77, 0.74%, 0.55%

LAB 54.64, 77.56, -37.43

 

CMYK 0 / 49 / 76 / 12

HEX #E17337

RGB 225 115 55

HSL 21.18, 0.74%, 0.55%

LAB 60.38, 38.71, 51.08

 

CMYK 76 / 0 / 19 / 12

HEX #37E1B7

RGB 55 225 183

HSL 165.18, 0.74%, 0.55%

LAB 80.78, -51.93, 8.5

 

CMYK 0 / 76 / 12 / 12

HEX #E135C5

RGB 225 53 197

HSL 309.77, 0.74%, 0.55%

LAB 54.64, 77.56, -37.43

 

CMYK 11 / 0 / 76 / 12

HEX #C8E137

RGB 200 225 55

HSL 68.82, 0.74%, 0.55%

LAB 85.2, -28.77, 74.22

 

CMYK 76 / 11 / 0 / 12

HEX #37C8E1

RGB 55 200 225

HSL 188.82, 0.74%, 0.55%

LAB 74.54, -29.12, -23.24

 

CMYK 0 / 76 / 12 / 12

HEX #E135C5

RGB 225 53 197

HSL 309.77, 0.74%, 0.55%

LAB 54.64, 77.56, -37.43

 

CMYK 0 / 49 / 76 / 12

HEX #E17337

RGB 225 115 55

HSL 21.18, 0.74%, 0.55%

LAB 60.38, 38.71, 51.08

 

CMYK 76 / 0 / 64 / 12

HEX #37E151

RGB 55 225 81

HSL 129.18, 0.74%, 0.55%

LAB 79.19, -69.92, 56.7

 

CMYK 76 / 26 / 0 / 12

HEX #37A6E1

RGB 55 166 225

HSL 200.82, 0.74%, 0.55%

LAB 64.58, -11.49, -38.62

 

CMYK 0 / 76 / 12 / 12

HEX #E135C5

RGB 225 53 197

HSL 309.77, 0.74%, 0.55%

LAB 54.64, 77.56, -37.43

 

CMYK 0 / 26 / 76 / 12

HEX #E1A637

RGB 225 166 55

HSL 39.18, 0.74%, 0.55%

LAB 71.93, 11.77, 62.5

 

CMYK 76 / 0 / 64 / 12

HEX #37E151

RGB 55 225 81

HSL 129.18, 0.74%, 0.55%

LAB 79.19, -69.92, 56.7

 

CMYK 76 / 49 / 0 / 12

HEX #3773E1

RGB 55 115 225

HSL 218.82, 0.74%, 0.55%

LAB 50.11, 18.74, -61.61

 

Description

Color code: RGB 225 53 197 | qconv.com Color code: RGB 225 53 197 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 225 red, 53 green and 197 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
225 53 197 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 76 magenta, 12 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 76% 12% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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