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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 0 / 65 / 10 / 0 it is the complementary color CMYK 100 / 0 / 85 / 35. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 0 / 65 / 10 / 0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 0 / 65 / 10 / 0: CMYK 0 / 65 / 12 / 0, CMYK 0 / 58 / 4 / 0, CMYK 0 / 51 / 0 / 0, CMYK 0 / 44 / 0 / 0 and CMYK 0 / 37 / 0 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 0 / 65 / 10 / 0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 0 / 65 / 10 / 0: CMYK 0 / 65 / 10 / 0, CMYK 0 / 70 / 11 / 7, CMYK 0 / 76 / 13 / 13, CMYK 0 / 83 / 15 / 20 and CMYK 0 / 91 / 18 / 27

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 65 / 10 / 0

HEX #FF59E6

RGB 255 89 230

HSL 309.04, 1%, 0.67%

LAB 65.06, 77.37, -39.46

 

Complementary color

CMYK 100 / 0 / 85 / 35

HEX #00A619

RGB 0 166 25

HSL 129.04, 1%, 0.33%

LAB 59.29, -61.66, 56.02

 

CMYK 0 / 65 / 12 / 0

HEX #FF59E1

RGB 255 89 225

HSL 310.84, 1%, 0.67%

LAB 64.84, 76.65, -37.01

 

CMYK 0 / 58 / 4 / 0

HEX #FF6BF4

RGB 255 107 244

HSL 304.46, 1%, 0.71%

LAB 68.25, 72.42, -42.22

 

CMYK 0 / 51 / 0 / 0

HEX #FF7DFF

RGB 255 125 255

HSL 300, 1%, 0.75%

LAB 71.65, 66.33, -42.9

 

CMYK 0 / 44 / 0 / 0

HEX #FF8FFF

RGB 255 143 255

HSL 300, 1%, 0.78%

LAB 74.9, 57.79, -37.84

 

CMYK 0 / 37 / 0 / 0

HEX #FFA1FF

RGB 255 161 255

HSL 300, 1%, 0.82%

LAB 78.44, 48.78, -32.36

 

CMYK 0 / 65 / 10 / 0

HEX #FF59E6

RGB 255 89 230

HSL 309.04, 1%, 0.67%

LAB 65.06, 77.37, -39.46

 

CMYK 0 / 70 / 11 / 7

HEX #EE47D3

RGB 238 71 211

HSL 309.7, 0.83%, 0.61%

LAB 59.33, 76.96, -37.93

 

CMYK 0 / 76 / 13 / 13

HEX #DD35C0

RGB 221 53 192

HSL 310.36, 0.71%, 0.54%

LAB 53.73, 76, -36.02

 

CMYK 0 / 83 / 15 / 20

HEX #CC23AD

RGB 204 35 173

HSL 311.01, 0.71%, 0.47%

LAB 48.33, 74.29, -33.61

 

CMYK 0 / 91 / 18 / 27

HEX #BB119A

RGB 187 17 154

HSL 311.65, 0.83%, 0.4%

LAB 43.21, 71.54, -30.53

 

CMYK 0 / 65 / 10 / 0

HEX #FF59E6

RGB 255 89 230

HSL 309.04, 1%, 0.67%

LAB 65.06, 77.37, -39.46

 

CMYK 0 / 66 / 21 / 0

HEX #FF56C9

RGB 255 86 201

HSL 319.17, 1%, 0.67%

LAB 63.45, 74.47, -25.66

 

CMYK 0 / 66 / 32 / 0

HEX #FF56AD

RGB 255 86 173

HSL 329.11, 1%, 0.67%

LAB 62.45, 71.08, -11.2

 

CMYK 0 / 66 / 43 / 0

HEX #FF5691

RGB 255 86 145

HSL 339.05, 1%, 0.67%

LAB 61.62, 68.19, 3.75

 

CMYK 0 / 66 / 54 / 0

HEX #FF5675

RGB 255 86 117

HSL 348.99, 1%, 0.67%

LAB 60.96, 65.85, 19.1

 

CMYK 0 / 65 / 10 / 0

HEX #FF59E6

RGB 255 89 230

HSL 309.04, 1%, 0.67%

LAB 65.06, 77.37, -39.46

 

CMYK 0 / 65 / 10 / 80

HEX #33122E

RGB 51 18 46

HSL 309.09, 0.48%, 0.14%

LAB 11.51, 21.16, -11.13

 

CMYK 0 / 65 / 10 / 60

HEX #66245C

RGB 102 36 92

HSL 309.09, 0.48%, 0.27%

LAB 26.33, 37.05, -19.14

 

CMYK 0 / 65 / 10 / 40

HEX #99358A

RGB 153 53 138

HSL 309, 0.49%, 0.4%

LAB 39.84, 51.66, -26.52

 

CMYK 0 / 65 / 10 / 20

HEX #CC47B8

RGB 204 71 184

HSL 309.02, 0.57%, 0.54%

LAB 52.73, 64.84, -33.15

 

CMYK 0 / 65 / 10 / 0

HEX #FF59E6

RGB 255 89 230

HSL 309.04, 1%, 0.67%

LAB 65.06, 77.37, -39.46

 

CMYK 0 / 43 / 66 / 0

HEX #FF9156

RGB 255 145 86

HSL 20.95, 1%, 0.67%

LAB 71, 36.67, 48.69

 

CMYK 66 / 0 / 17 / 0

HEX #56FFD4

RGB 86 255 212

HSL 164.73, 1%, 0.67%

LAB 90.89, -53.18, 7.92

 

CMYK 0 / 65 / 10 / 0

HEX #FF59E6

RGB 255 89 230

HSL 309.04, 1%, 0.67%

LAB 65.06, 77.37, -39.46

 

CMYK 10 / 0 / 66 / 0

HEX #E5FF56

RGB 229 255 86

HSL 69.23, 1%, 0.67%

LAB 95.52, -29.68, 74.42

 

CMYK 66 / 10 / 0 / 0

HEX #56E5FF

RGB 86 229 255

HSL 189.23, 1%, 0.67%

LAB 84.61, -30.27, -23.87

 

CMYK 0 / 65 / 10 / 0

HEX #FF59E6

RGB 255 89 230

HSL 309.04, 1%, 0.67%

LAB 65.06, 77.37, -39.46

 

CMYK 0 / 43 / 66 / 0

HEX #FF9156

RGB 255 145 86

HSL 20.95, 1%, 0.67%

LAB 71, 36.67, 48.69

 

CMYK 66 / 0 / 56 / 0

HEX #56FF6F

RGB 86 255 111

HSL 128.88, 1%, 0.67%

LAB 89.23, -71.32, 55.45

 

CMYK 66 / 23 / 0 / 0

HEX #56C4FF

RGB 86 196 255

HSL 200.95, 1%, 0.67%

LAB 75.25, -13.61, -38.24

 

CMYK 0 / 65 / 10 / 0

HEX #FF59E6

RGB 255 89 230

HSL 309.04, 1%, 0.67%

LAB 65.06, 77.37, -39.46

 

CMYK 0 / 23 / 66 / 0

HEX #FFC456

RGB 255 196 86

HSL 39.05, 1%, 0.67%

LAB 82.6, 10.17, 61.56

 

CMYK 66 / 0 / 56 / 0

HEX #56FF6F

RGB 86 255 111

HSL 128.88, 1%, 0.67%

LAB 89.23, -71.32, 55.45

 

CMYK 66 / 43 / 0 / 0

HEX #5691FF

RGB 86 145 255

HSL 219.05, 1%, 0.67%

LAB 61.18, 15.23, -60.44

 

Description

Color code: CMYK 0 / 65 / 10 / 0 | qconv.com Color code: CMYK 0 / 65 / 10 / 0 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 255 red, 89 green and 230 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
255 89 230 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 65 magenta, 10 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 65% 10% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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