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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 225 30 85 it is the complementary color RGB 30 225 170. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 225 30 85. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 225 30 85: RGB 230 30 80, RGB 247 48 99, RGB 255 66 118, RGB 255 84 137 and RGB 255 102 156

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 225 30 85. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 225 30 85: RGB 225 30 85, RGB 208 12 66, RGB 191 0 47, RGB 174 0 28 and RGB 157 0 9

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 87 / 62 / 12

HEX #E11E55

RGB 225 30 85

HSL 343.08, 0.76%, 0.5%

LAB 49, 71.81, 21.11

 

Complementary color

CMYK 87 / 0 / 24 / 12

HEX #1EE1AA

RGB 30 225 170

HSL 163.08, 0.76%, 0.5%

LAB 80.2, -57.23, 14.48

 

CMYK 0 / 87 / 65 / 10

HEX #E61E50

RGB 230 30 80

HSL 345, 0.8%, 0.51%

LAB 49.89, 72.79, 25.51

 

CMYK 0 / 81 / 60 / 3

HEX #F73063

RGB 247 48 99

HSL 344.62, 0.93%, 0.58%

LAB 54.85, 74.42, 21.2

 

CMYK 0 / 74 / 54 / 0

HEX #FF4276

RGB 255 66 118

HSL 343.49, 1%, 0.63%

LAB 58.48, 72.85, 15.1

 

CMYK 0 / 67 / 46 / 0

HEX #FF5489

RGB 255 84 137

HSL 341.4, 1%, 0.66%

LAB 61.14, 68.22, 7.71

 

CMYK 0 / 60 / 39 / 0

HEX #FF669C

RGB 255 102 156

HSL 338.82, 1%, 0.7%

LAB 64.29, 62.83, 1.28

 

CMYK 0 / 87 / 62 / 12

HEX #E11E55

RGB 225 30 85

HSL 343.08, 0.76%, 0.5%

LAB 49, 71.81, 21.11

 

CMYK 0 / 94 / 68 / 18

HEX #D00C42

RGB 208 12 66

HSL 343.47, 0.89%, 0.43%

LAB 44.33, 69.17, 26.09

 

CMYK 0 / 100 / 75 / 25

HEX #BF002F

RGB 191 0 47

HSL 345.24, 1%, 0.37%

LAB 40.05, 65.39, 31.82

 

CMYK 0 / 100 / 84 / 32

HEX #AE001C

RGB 174 0 28

HSL 350.34, 1%, 0.34%

LAB 36.14, 60.59, 37.84

 

CMYK 0 / 100 / 94 / 38

HEX #9D0009

RGB 157 0 9

HSL 356.56, 1%, 0.31%

LAB 32.23, 55.88, 42.55

 

CMYK 0 / 87 / 62 / 12

HEX #E11E55

RGB 225 30 85

HSL 343.08, 0.76%, 0.5%

LAB 49, 71.81, 21.11

 

CMYK 0 / 87 / 76 / 12

HEX #E01E35

RGB 224 30 53

HSL 352.89, 0.76%, 0.5%

LAB 48.3, 70.12, 39.35

 

CMYK 0 / 82 / 87 / 12

HEX #E0281E

RGB 224 40 30

HSL 3.09, 0.76%, 0.5%

LAB 48.83, 67.42, 51.88

 

CMYK 0 / 68 / 87 / 12

HEX #E0481E

RGB 224 72 30

HSL 12.99, 0.76%, 0.5%

LAB 52.48, 57.27, 54.82

 

CMYK 0 / 54 / 87 / 12

HEX #E0681E

RGB 224 104 30

HSL 22.89, 0.76%, 0.5%

LAB 57.89, 43.04, 59.16

 

CMYK 0 / 87 / 62 / 12

HEX #E11E55

RGB 225 30 85

HSL 343.08, 0.76%, 0.5%

LAB 49, 71.81, 21.11

 

CMYK 0 / 86 / 62 / 92

HEX #150308

RGB 21 3 8

HSL 343.33, 0.75%, 0.05%

LAB 2.19, 6.37, 0.11

 

CMYK 0 / 86 / 63 / 72

HEX #480A1B

RGB 72 10 27

HSL 343.55, 0.76%, 0.16%

LAB 13.67, 29.74, 6.62

 

CMYK 0 / 87 / 63 / 52

HEX #7B102E

RGB 123 16 46

HSL 343.18, 0.77%, 0.27%

LAB 26.1, 45.15, 11.9

 

CMYK 0 / 87 / 62 / 32

HEX #AE1742

RGB 174 23 66

HSL 342.91, 0.77%, 0.39%

LAB 37.85, 58.92, 16.33

 

CMYK 0 / 87 / 62 / 12

HEX #E11E55

RGB 225 30 85

HSL 343.08, 0.76%, 0.5%

LAB 49, 71.81, 21.11

 

CMYK 0 / 7 / 87 / 12

HEX #E0D01E

RGB 224 208 30

HSL 55.05, 0.76%, 0.5%

LAB 82.41, -11.26, 78.86

 

CMYK 87 / 27 / 0 / 12

HEX #1EA3E0

RGB 30 163 224

HSL 198.87, 0.76%, 0.5%

LAB 63.22, -12.43, -40.23

 

CMYK 0 / 87 / 62 / 12

HEX #E11E55

RGB 225 30 85

HSL 343.08, 0.76%, 0.5%

LAB 49, 71.81, 21.11

 

CMYK 62 / 0 / 87 / 12

HEX #55E01E

RGB 85 224 30

HSL 102.99, 0.76%, 0.5%

LAB 79.23, -67.67, 73.08

 

CMYK 87 / 62 / 0 / 12

HEX #1E55E0

RGB 30 85 224

HSL 222.99, 0.76%, 0.5%

LAB 41.46, 35.35, -75.14

 

CMYK 0 / 87 / 62 / 12

HEX #E11E55

RGB 225 30 85

HSL 343.08, 0.76%, 0.5%

LAB 49, 71.81, 21.11

 

CMYK 0 / 7 / 87 / 12

HEX #E0D01E

RGB 224 208 30

HSL 55.05, 0.76%, 0.5%

LAB 82.41, -11.26, 78.86

 

CMYK 87 / 0 / 25 / 12

HEX #1EE0A9

RGB 30 224 169

HSL 162.99, 0.76%, 0.5%

LAB 79.87, -57.08, 14.55

 

CMYK 87 / 79 / 0 / 12

HEX #1E2EE0

RGB 30 46 224

HSL 235.05, 0.76%, 0.5%

LAB 33.16, 58.1, -88.84

 

CMYK 0 / 87 / 62 / 12

HEX #E11E55

RGB 225 30 85

HSL 343.08, 0.76%, 0.5%

LAB 49, 71.81, 21.11

 

CMYK 19 / 0 / 87 / 12

HEX #B6E01E

RGB 182 224 30

HSL 72.99, 0.76%, 0.5%

LAB 83.63, -36.34, 78.56

 

CMYK 87 / 0 / 25 / 12

HEX #1EE0A9

RGB 30 224 169

HSL 162.99, 0.76%, 0.5%

LAB 79.87, -57.08, 14.55

 

CMYK 68 / 87 / 0 / 12

HEX #481EE0

RGB 72 30 224

HSL 252.99, 0.76%, 0.5%

LAB 33.32, 66.83, -88.5

 

Description

Color code: RGB 225 30 85 | qconv.com Color code: RGB 225 30 85 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 225 red, 30 green and 85 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
225 30 85 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 87 magenta, 62 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 87% 62% 12% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

17% - PD | Cross Battle
Link: http://exveemedia.com

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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