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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 225 245 177 it is the complementary color RGB 30 10 78. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 225 245 177. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 225 245 177: RGB 230 245 172, RGB 247 255 191, RGB 255 255 210, RGB 255 255 229 and RGB 255 255 248

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 225 245 177. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 225 245 177: RGB 225 245 177, RGB 208 227 158, RGB 191 209 139, RGB 174 191 120 and RGB 157 173 101

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 8 / 0 / 28 / 4

HEX #E1F5B1

RGB 225 245 177

HSL 77.65, 0.77%, 0.83%

LAB 93.66, -17.65, 30.64

 

Complementary color

CMYK 62 / 87 / 0 / 69

HEX #1E0A4E

RGB 30 10 78

HSL 257.65, 0.77%, 0.17%

LAB 9.35, 29.23, -37.56

 

CMYK 6 / 0 / 30 / 4

HEX #E6F5AC

RGB 230 245 172

HSL 72.33, 0.78%, 0.82%

LAB 93.93, -16.5, 33.58

 

CMYK 3 / 0 / 25 / 0

HEX #F7FFBF

RGB 247 255 191

HSL 67.5, 1%, 0.87%

LAB 98.06, -12.71, 29.78

 

CMYK 0 / 0 / 18 / 0

HEX #FFFFD2

RGB 255 255 210

HSL 60, 1%, 0.91%

LAB 99, -7.2, 21.56

 

CMYK 0 / 0 / 10 / 0

HEX #FFFFE5

RGB 255 255 229

HSL 60, 1%, 0.95%

LAB 99.39, -4.32, 12.43

 

CMYK 0 / 0 / 3 / 0

HEX #FFFFF8

RGB 255 255 248

HSL 60, 1%, 0.99%

LAB 99.83, -1.2, 3.33

 

CMYK 8 / 0 / 28 / 4

HEX #E1F5B1

RGB 225 245 177

HSL 77.65, 0.77%, 0.83%

LAB 93.66, -17.65, 30.64

 

CMYK 8 / 0 / 30 / 11

HEX #D0E39E

RGB 208 227 158

HSL 76.52, 0.55%, 0.75%

LAB 87.4, -17.58, 31.68

 

CMYK 9 / 0 / 33 / 18

HEX #BFD18B

RGB 191 209 139

HSL 75.43, 0.43%, 0.68%

LAB 81.04, -17.5, 32.77

 

CMYK 9 / 0 / 37 / 25

HEX #AEBF78

RGB 174 191 120

HSL 74.37, 0.36%, 0.61%

LAB 74.58, -17.39, 33.91

 

CMYK 9 / 0 / 42 / 32

HEX #9DAD65

RGB 157 173 101

HSL 73.33, 0.31%, 0.54%

LAB 68.02, -17.24, 35.09

 

CMYK 8 / 0 / 28 / 4

HEX #E1F5B1

RGB 225 245 177

HSL 77.65, 0.77%, 0.83%

LAB 93.66, -17.65, 30.64

 

CMYK 13 / 0 / 27 / 4

HEX #D6F5B2

RGB 214 245 178

HSL 87.76, 0.77%, 0.83%

LAB 92.93, -21.43, 29.02

 

CMYK 17 / 0 / 27 / 4

HEX #CBF5B2

RGB 203 245 178

HSL 97.61, 0.77%, 0.83%

LAB 92.23, -25.27, 27.95

 

CMYK 22 / 0 / 27 / 4

HEX #C0F5B2

RGB 192 245 178

HSL 107.46, 0.77%, 0.83%

LAB 91.56, -29, 26.93

 

CMYK 26 / 0 / 27 / 4

HEX #B5F5B2

RGB 181 245 178

HSL 117.31, 0.77%, 0.83%

LAB 90.94, -32.62, 25.97

 

CMYK 8 / 0 / 28 / 4

HEX #E1F5B1

RGB 225 245 177

HSL 77.65, 0.77%, 0.83%

LAB 93.66, -17.65, 30.64

 

CMYK 7 / 0 / 27 / 84

HEX #26291E

RGB 38 41 30

HSL 76.36, 0.15%, 0.14%

LAB 15.96, -3.84, 6.78

 

CMYK 9 / 0 / 28 / 64

HEX #545C42

RGB 84 92 66

HSL 78.46, 0.16%, 0.31%

LAB 37.72, -8.25, 13.96

 

CMYK 8 / 0 / 28 / 44

HEX #838F67

RGB 131 143 103

HSL 78, 0.16%, 0.48%

LAB 57.51, -11.59, 19.89

 

CMYK 8 / 0 / 28 / 24

HEX #B2C28C

RGB 178 194 140

HSL 77.78, 0.31%, 0.65%

LAB 76.03, -14.7, 25.41

 

CMYK 8 / 0 / 28 / 4

HEX #E1F5B1

RGB 225 245 177

HSL 77.65, 0.77%, 0.83%

LAB 93.66, -17.65, 30.64

 

CMYK 27 / 0 / 14 / 4

HEX #B2F5D2

RGB 178 245 210

HSL 148.66, 0.77%, 0.83%

LAB 91.43, -27.91, 10.17

 

CMYK 3 / 27 / 0 / 4

HEX #EDB2F5

RGB 237 178 245

HSL 292.84, 0.77%, 0.83%

LAB 79.86, 32.51, -24.98

 

CMYK 8 / 0 / 28 / 4

HEX #E1F5B1

RGB 225 245 177

HSL 77.65, 0.77%, 0.83%

LAB 93.66, -17.65, 30.64

 

CMYK 27 / 8 / 0 / 4

HEX #B2E2F5

RGB 178 226 245

HSL 197.01, 0.77%, 0.83%

LAB 87.22, -11.18, -14.29

 

CMYK 0 / 27 / 8 / 4

HEX #F5B2E2

RGB 245 178 226

HSL 317.01, 0.77%, 0.83%

LAB 80.04, 31.71, -14.41

 

CMYK 8 / 0 / 28 / 4

HEX #E1F5B1

RGB 225 245 177

HSL 77.65, 0.77%, 0.83%

LAB 93.66, -17.65, 30.64

 

CMYK 27 / 0 / 14 / 4

HEX #B2F5D2

RGB 178 245 210

HSL 148.66, 0.77%, 0.83%

LAB 91.43, -27.91, 10.17

 

CMYK 20 / 27 / 0 / 4

HEX #C5B2F5

RGB 197 178 245

HSL 257.01, 0.77%, 0.83%

LAB 76.26, 20.08, -30.82

 

CMYK 0 / 27 / 13 / 4

HEX #F5B2D4

RGB 245 178 212

HSL 329.55, 0.77%, 0.83%

LAB 79.62, 29.41, -7.47

 

CMYK 8 / 0 / 28 / 4

HEX #E1F5B1

RGB 225 245 177

HSL 77.65, 0.77%, 0.83%

LAB 93.66, -17.65, 30.64

 

CMYK 27 / 0 / 6 / 4

HEX #B2F5E6

RGB 178 245 230

HSL 166.57, 0.77%, 0.83%

LAB 91.9, -23.91, 0.48

 

CMYK 20 / 27 / 0 / 4

HEX #C5B2F5

RGB 197 178 245

HSL 257.01, 0.77%, 0.83%

LAB 76.26, 20.08, -30.82

 

CMYK 0 / 27 / 22 / 4

HEX #F5B2C0

RGB 245 178 192

HSL 347.46, 0.77%, 0.83%

LAB 79.08, 26.35, 2.57

 

Description

Color code: RGB 225 245 177 | qconv.com Color code: RGB 225 245 177 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 225 red, 245 green and 177 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
225 245 177 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 8 cyan, none magenta, 28 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
8% 0% 28% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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