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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 225 212 118 it is the complementary color RGB 30 43 137. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 225 212 118. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 225 212 118: RGB 230 212 113, RGB 247 230 132, RGB 255 248 151, RGB 255 255 170 and RGB 255 255 189

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 225 212 118. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 225 212 118: RGB 225 212 118, RGB 208 194 99, RGB 191 176 80, RGB 174 158 61 and RGB 157 140 42

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 6 / 48 / 12

HEX #E1D476

RGB 225 212 118

HSL 52.71, 0.64%, 0.67%

LAB 84.17, -8.02, 47.81

 

Complementary color

CMYK 78 / 69 / 0 / 46

HEX #1E2B89

RGB 30 43 137

HSL 232.71, 0.64%, 0.33%

LAB 23.03, 29.89, -53.67

 

CMYK 0 / 8 / 51 / 10

HEX #E6D471

RGB 230 212 113

HSL 50.77, 0.7%, 0.67%

LAB 84.54, -6.45, 50.75

 

CMYK 0 / 7 / 47 / 3

HEX #F7E684

RGB 247 230 132

HSL 51.13, 0.88%, 0.74%

LAB 90.8, -7.04, 49.57

 

CMYK 0 / 3 / 41 / 0

HEX #FFF897

RGB 255 248 151

HSL 55.96, 1%, 0.8%

LAB 96.26, -11.01, 47.34

 

CMYK 0 / 0 / 33 / 0

HEX #FFFFAA

RGB 255 255 170

HSL 60, 1%, 0.83%

LAB 98.31, -12.39, 40.69

 

CMYK 0 / 0 / 26 / 0

HEX #FFFFBD

RGB 255 255 189

HSL 60, 1%, 0.87%

LAB 98.61, -10.07, 31.64

 

CMYK 0 / 6 / 48 / 12

HEX #E1D476

RGB 225 212 118

HSL 52.71, 0.64%, 0.67%

LAB 84.17, -8.02, 47.81

 

CMYK 0 / 7 / 52 / 18

HEX #D0C263

RGB 208 194 99

HSL 52.29, 0.54%, 0.6%

LAB 77.81, -7.42, 49

 

CMYK 0 / 8 / 58 / 25

HEX #BFB050

RGB 191 176 80

HSL 51.89, 0.46%, 0.53%

LAB 71.36, -6.71, 50.14

 

CMYK 0 / 9 / 65 / 32

HEX #AE9E3D

RGB 174 158 61

HSL 51.5, 0.48%, 0.46%

LAB 64.79, -5.85, 51.13

 

CMYK 0 / 11 / 73 / 38

HEX #9D8C2A

RGB 157 140 42

HSL 51.13, 0.58%, 0.39%

LAB 58.12, -4.79, 51.79

 

CMYK 0 / 6 / 48 / 12

HEX #E1D476

RGB 225 212 118

HSL 52.71, 0.64%, 0.67%

LAB 84.17, -8.02, 47.81

 

CMYK 1 / 0 / 48 / 12

HEX #DDE074

RGB 221 224 116

HSL 61.67, 0.64%, 0.67%

LAB 86.97, -15.81, 52.07

 

CMYK 9 / 0 / 48 / 12

HEX #CBE074

RGB 203 224 116

HSL 71.67, 0.64%, 0.67%

LAB 85.64, -22.87, 50.15

 

CMYK 17 / 0 / 48 / 12

HEX #B9E074

RGB 185 224 116

HSL 81.67, 0.64%, 0.67%

LAB 84.43, -29.74, 48.4

 

CMYK 25 / 0 / 48 / 12

HEX #A7E074

RGB 167 224 116

HSL 91.67, 0.64%, 0.67%

LAB 83.33, -36.31, 46.81

 

CMYK 0 / 6 / 48 / 12

HEX #E1D476

RGB 225 212 118

HSL 52.71, 0.64%, 0.67%

LAB 84.17, -8.02, 47.81

 

CMYK 0 / 5 / 48 / 92

HEX #15140B

RGB 21 20 11

HSL 54, 0.31%, 0.06%

LAB 6.18, -1.24, 4.7

 

CMYK 0 / 6 / 47 / 72

HEX #484426

RGB 72 68 38

HSL 52.94, 0.31%, 0.22%

LAB 28.52, -3.42, 18.75

 

CMYK 0 / 6 / 47 / 52

HEX #7B7441

RGB 123 116 65

HSL 52.76, 0.31%, 0.37%

LAB 48.36, -5.04, 29.03

 

CMYK 0 / 6 / 48 / 32

HEX #AEA45B

RGB 174 164 91

HSL 52.77, 0.34%, 0.52%

LAB 66.75, -6.63, 38.96

 

CMYK 0 / 6 / 48 / 12

HEX #E1D476

RGB 225 212 118

HSL 52.71, 0.64%, 0.67%

LAB 84.17, -8.02, 47.81

 

CMYK 48 / 0 / 45 / 12

HEX #74E07C

RGB 116 224 124

HSL 124.44, 0.64%, 0.67%

LAB 81, -51.42, 39.49

 

CMYK 25 / 48 / 0 / 12

HEX #A774E0

RGB 167 116 224

HSL 268.33, 0.64%, 0.67%

LAB 58.12, 41.06, -47.79

 

CMYK 0 / 6 / 48 / 12

HEX #E1D476

RGB 225 212 118

HSL 52.71, 0.64%, 0.67%

LAB 84.17, -8.02, 47.81

 

CMYK 48 / 0 / 6 / 12

HEX #74E0D2

RGB 116 224 210

HSL 172.22, 0.64%, 0.67%

LAB 82.74, -34.5, -2.76

 

CMYK 6 / 48 / 0 / 12

HEX #D274E0

RGB 210 116 224

HSL 292.22, 0.64%, 0.67%

LAB 62.99, 52.88, -39.79

 

CMYK 0 / 6 / 48 / 12

HEX #E1D476

RGB 225 212 118

HSL 52.71, 0.64%, 0.67%

LAB 84.17, -8.02, 47.81

 

CMYK 48 / 0 / 45 / 12

HEX #74E07C

RGB 116 224 124

HSL 124.44, 0.64%, 0.67%

LAB 81, -51.42, 39.49

 

CMYK 48 / 42 / 0 / 12

HEX #7483E0

RGB 116 131 224

HSL 231.67, 0.64%, 0.67%

LAB 57.39, 19.38, -49.22

 

CMYK 0 / 48 / 3 / 12

HEX #E074D9

RGB 224 116 217

HSL 303.89, 0.64%, 0.67%

LAB 64.44, 55.57, -33.49

 

CMYK 0 / 6 / 48 / 12

HEX #E1D476

RGB 225 212 118

HSL 52.71, 0.64%, 0.67%

LAB 84.17, -8.02, 47.81

 

CMYK 48 / 0 / 30 / 12

HEX #74E09C

RGB 116 224 156

HSL 142.22, 0.64%, 0.67%

LAB 81.52, -46.11, 23.93

 

CMYK 48 / 42 / 0 / 12

HEX #7483E0

RGB 116 131 224

HSL 231.67, 0.64%, 0.67%

LAB 57.39, 19.38, -49.22

 

CMYK 0 / 48 / 17 / 12

HEX #E074B9

RGB 224 116 185

HSL 321.67, 0.64%, 0.67%

LAB 63.21, 50.4, -17.35

 

Description

Color code: RGB 225 212 118 | qconv.com Color code: RGB 225 212 118 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 225 red, 212 green and 118 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
225 212 118 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 6 magenta, 48 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 6% 48% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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