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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 225 210 49 it is the complementary color RGB 30 45 206. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 225 210 49. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 225 210 49: RGB 230 210 44, RGB 247 228 63, RGB 255 246 82, RGB 255 255 101 and RGB 255 255 120

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 225 210 49. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 225 210 49: RGB 225 210 49, RGB 208 192 30, RGB 191 174 11, RGB 174 156 0 and RGB 157 138 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 7 / 78 / 12

HEX #E1D231

RGB 225 210 49

HSL 54.89, 0.75%, 0.54%

LAB 83.08, -11.31, 74.8

 

Complementary color

CMYK 85 / 78 / 0 / 19

HEX #1E2DCE

RGB 30 45 206

HSL 234.89, 0.75%, 0.46%

LAB 30.9, 52.89, -82.19

 

CMYK 0 / 9 / 81 / 10

HEX #E6D22C

RGB 230 210 44

HSL 53.55, 0.79%, 0.54%

LAB 83.49, -9.35, 76.72

 

CMYK 0 / 8 / 74 / 3

HEX #F7E43F

RGB 247 228 63

HSL 53.8, 0.92%, 0.61%

LAB 89.68, -10.54, 77.19

 

CMYK 0 / 4 / 68 / 0

HEX #FFF652

RGB 255 246 82

HSL 56.88, 1%, 0.66%

LAB 95.07, -15.23, 76.06

 

CMYK 0 / 0 / 60 / 0

HEX #FFFF65

RGB 255 255 101

HSL 60, 1%, 0.7%

LAB 97.52, -18.5, 71.29

 

CMYK 0 / 0 / 53 / 0

HEX #FFFF78

RGB 255 255 120

HSL 60, 1%, 0.74%

LAB 97.69, -17.18, 63.45

 

CMYK 0 / 7 / 78 / 12

HEX #E1D231

RGB 225 210 49

HSL 54.89, 0.75%, 0.54%

LAB 83.08, -11.31, 74.8

 

CMYK 0 / 8 / 86 / 18

HEX #D0C01E

RGB 208 192 30

HSL 54.61, 0.75%, 0.47%

LAB 76.8, -10.03, 73.75

 

CMYK 0 / 9 / 94 / 25

HEX #BFAE0B

RGB 191 174 11

HSL 54.33, 0.89%, 0.4%

LAB 70.44, -8.54, 71.39

 

CMYK 0 / 10 / 100 / 32

HEX #AE9C00

RGB 174 156 0

HSL 53.79, 1%, 0.34%

LAB 63.98, -6.8, 67.34

 

CMYK 0 / 12 / 100 / 38

HEX #9D8A00

RGB 157 138 0

HSL 52.74, 1%, 0.31%

LAB 57.41, -4.88, 61.9

 

CMYK 0 / 7 / 78 / 12

HEX #E1D231

RGB 225 210 49

HSL 54.89, 0.75%, 0.54%

LAB 83.08, -11.31, 74.8

 

CMYK 5 / 0 / 78 / 12

HEX #D5E131

RGB 213 225 49

HSL 64.09, 0.75%, 0.54%

LAB 86.12, -23.7, 77.13

 

CMYK 18 / 0 / 78 / 12

HEX #B8E131

RGB 184 225 49

HSL 73.98, 0.75%, 0.54%

LAB 84.1, -35.4, 74.57

 

CMYK 31 / 0 / 78 / 12

HEX #9BE131

RGB 155 225 49

HSL 83.86, 0.75%, 0.54%

LAB 82.4, -46.36, 72.38

 

CMYK 44 / 0 / 78 / 12

HEX #7DE131

RGB 125 225 49

HSL 94.09, 0.75%, 0.54%

LAB 80.98, -56.46, 70.55

 

CMYK 0 / 7 / 78 / 12

HEX #E1D231

RGB 225 210 49

HSL 54.89, 0.75%, 0.54%

LAB 83.08, -11.31, 74.8

 

CMYK 0 / 5 / 76 / 92

HEX #151405

RGB 21 20 5

HSL 56.25, 0.62%, 0.05%

LAB 6.06, -2.08, 6.98

 

CMYK 0 / 7 / 78 / 72

HEX #484310

RGB 72 67 16

HSL 54.64, 0.64%, 0.17%

LAB 27.92, -4.86, 30.18

 

CMYK 0 / 7 / 78 / 52

HEX #7B731B

RGB 123 115 27

HSL 55, 0.64%, 0.29%

LAB 47.69, -7.38, 46.42

 

CMYK 0 / 7 / 78 / 32

HEX #AEA226

RGB 174 162 38

HSL 54.71, 0.64%, 0.42%

LAB 65.73, -9.14, 60.93

 

CMYK 0 / 7 / 78 / 12

HEX #E1D231

RGB 225 210 49

HSL 54.89, 0.75%, 0.54%

LAB 83.08, -11.31, 74.8

 

CMYK 78 / 0 / 70 / 12

HEX #31E143

RGB 49 225 67

HSL 126.14, 0.75%, 0.54%

LAB 78.99, -72.04, 61.95

 

CMYK 39 / 78 / 0 / 12

HEX #8931E1

RGB 137 49 225

HSL 270, 0.75%, 0.54%

LAB 42.69, 67.41, -73.39

 

CMYK 0 / 7 / 78 / 12

HEX #E1D231

RGB 225 210 49

HSL 54.89, 0.75%, 0.54%

LAB 83.08, -11.31, 74.8

 

CMYK 78 / 0 / 8 / 12

HEX #31E1D0

RGB 49 225 208

HSL 174.2, 0.75%, 0.54%

LAB 81.32, -46.13, -3.98

 

CMYK 8 / 78 / 0 / 12

HEX #D031E1

RGB 208 49 225

HSL 294.2, 0.75%, 0.54%

LAB 53, 79.47, -56.21

 

CMYK 0 / 7 / 78 / 12

HEX #E1D231

RGB 225 210 49

HSL 54.89, 0.75%, 0.54%

LAB 83.08, -11.31, 74.8

 

CMYK 78 / 0 / 70 / 12

HEX #31E143

RGB 49 225 67

HSL 126.14, 0.75%, 0.54%

LAB 78.99, -72.04, 61.95

 

CMYK 78 / 70 / 0 / 12

HEX #3143E1

RGB 49 67 225

HSL 233.86, 0.75%, 0.54%

LAB 38.03, 48.08, -81.33

 

CMYK 0 / 78 / 8 / 12

HEX #E131D0

RGB 225 49 208

HSL 305.8, 0.75%, 0.54%

LAB 54.82, 80.15, -43.46

 

CMYK 0 / 7 / 78 / 12

HEX #E1D231

RGB 225 210 49

HSL 54.89, 0.75%, 0.54%

LAB 83.08, -11.31, 74.8

 

CMYK 78 / 0 / 47 / 12

HEX #31E178

RGB 49 225 120

HSL 144.2, 0.75%, 0.54%

LAB 79.53, -65.47, 39.24

 

CMYK 78 / 70 / 0 / 12

HEX #3143E1

RGB 49 67 225

HSL 233.86, 0.75%, 0.54%

LAB 38.03, 48.08, -81.33

 

CMYK 0 / 78 / 31 / 12

HEX #E1319B

RGB 225 49 155

HSL 323.86, 0.75%, 0.54%

LAB 52.48, 73.4, -16.25

 

Description

Color code: RGB 225 210 49 | qconv.com Color code: RGB 225 210 49 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 225 red, 210 green and 49 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
225 210 49 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 7 magenta, 78 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 7% 78% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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