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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 225 201 150 it is the complementary color RGB 30 54 105. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 225 201 150. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 225 201 150: RGB 230 201 145, RGB 247 219 164, RGB 255 237 183, RGB 255 255 202 and RGB 255 255 221

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 225 201 150. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 225 201 150: RGB 225 201 150, RGB 208 183 131, RGB 191 165 112, RGB 174 147 93 and RGB 157 129 74

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 11 / 33 / 12

HEX #E1C996

RGB 225 201 150

HSL 40.8, 0.56%, 0.74%

LAB 81.83, 1.06, 28.6

 

Complementary color

CMYK 71 / 49 / 0 / 59

HEX #1E3669

RGB 30 54 105

HSL 220.8, 0.56%, 0.26%

LAB 23.45, 9.54, -32.66

 

CMYK 0 / 13 / 37 / 10

HEX #E6C991

RGB 230 201 145

HSL 39.53, 0.63%, 0.74%

LAB 82.19, 2.42, 31.76

 

CMYK 0 / 11 / 34 / 3

HEX #F7DBA4

RGB 247 219 164

HSL 39.76, 0.84%, 0.81%

LAB 88.5, 1.92, 30.63

 

CMYK 0 / 7 / 28 / 0

HEX #FFEDB7

RGB 255 237 183

HSL 45, 1%, 0.86%

LAB 93.99, -1.87, 28.42

 

CMYK 0 / 0 / 21 / 0

HEX #FFFFCA

RGB 255 255 202

HSL 60, 1%, 0.9%

LAB 98.85, -8.33, 25.41

 

CMYK 0 / 0 / 13 / 0

HEX #FFFFDD

RGB 255 255 221

HSL 60, 1%, 0.93%

LAB 99.22, -5.56, 16.27

 

CMYK 0 / 11 / 33 / 12

HEX #E1C996

RGB 225 201 150

HSL 40.8, 0.56%, 0.74%

LAB 81.83, 1.06, 28.6

 

CMYK 0 / 12 / 37 / 18

HEX #D0B783

RGB 208 183 131

HSL 40.52, 0.45%, 0.66%

LAB 75.4, 1.55, 29.75

 

CMYK 0 / 14 / 41 / 25

HEX #BFA570

RGB 191 165 112

HSL 40.25, 0.38%, 0.59%

LAB 68.86, 2.11, 30.96

 

CMYK 0 / 16 / 47 / 32

HEX #AE935D

RGB 174 147 93

HSL 40, 0.33%, 0.52%

LAB 62.22, 2.78, 32.26

 

CMYK 0 / 18 / 53 / 38

HEX #9D814A

RGB 157 129 74

HSL 39.76, 0.36%, 0.45%

LAB 55.44, 3.59, 33.62

 

CMYK 0 / 11 / 33 / 12

HEX #E1C996

RGB 225 201 150

HSL 40.8, 0.56%, 0.74%

LAB 81.83, 1.06, 28.6

 

CMYK 0 / 5 / 33 / 12

HEX #E1D597

RGB 225 213 151

HSL 50.27, 0.55%, 0.74%

LAB 84.91, -5.01, 32.19

 

CMYK 0 / 0 / 33 / 12

HEX #E1E197

RGB 225 225 151

HSL 60, 0.55%, 0.74%

LAB 88.01, -11.09, 36.28

 

CMYK 5 / 0 / 33 / 12

HEX #D5E197

RGB 213 225 151

HSL 69.73, 0.55%, 0.74%

LAB 87.11, -15.64, 34.93

 

CMYK 11 / 0 / 33 / 12

HEX #C9E197

RGB 201 225 151

HSL 79.46, 0.55%, 0.74%

LAB 86.26, -20.11, 33.64

 

CMYK 0 / 11 / 33 / 12

HEX #E1C996

RGB 225 201 150

HSL 40.8, 0.56%, 0.74%

LAB 81.83, 1.06, 28.6

 

CMYK 0 / 10 / 33 / 92

HEX #15130E

RGB 21 19 14

HSL 42.86, 0.2%, 0.07%

LAB 5.93, -0.12, 2.94

 

CMYK 0 / 11 / 33 / 72

HEX #484030

RGB 72 64 48

HSL 40, 0.2%, 0.24%

LAB 27.46, 0.52, 11.06

 

CMYK 0 / 11 / 33 / 52

HEX #7B6E52

RGB 123 110 82

HSL 40.98, 0.2%, 0.4%

LAB 46.94, 0.51, 17.5

 

CMYK 0 / 11 / 33 / 32

HEX #AE9B74

RGB 174 155 116

HSL 40.34, 0.26%, 0.57%

LAB 64.73, 1.07, 23.04

 

CMYK 0 / 11 / 33 / 12

HEX #E1C996

RGB 225 201 150

HSL 40.8, 0.56%, 0.74%

LAB 81.83, 1.06, 28.6

 

CMYK 28 / 0 / 33 / 12

HEX #A1E197

RGB 161 225 151

HSL 111.89, 0.55%, 0.74%

LAB 83.79, -34.15, 29.92

 

CMYK 24 / 33 / 0 / 12

HEX #AB97E1

RGB 171 151 225

HSL 256.22, 0.55%, 0.74%

LAB 66.69, 22.74, -34.87

 

CMYK 0 / 11 / 33 / 12

HEX #E1C996

RGB 225 201 150

HSL 40.8, 0.56%, 0.74%

LAB 81.83, 1.06, 28.6

 

CMYK 33 / 0 / 11 / 12

HEX #97E1C9

RGB 151 225 201

HSL 160.54, 0.55%, 0.74%

LAB 84.3, -28.09, 4.45

 

CMYK 11 / 33 / 0 / 12

HEX #C997E1

RGB 201 151 225

HSL 280.54, 0.55%, 0.74%

LAB 69.46, 31.86, -30.36

 

CMYK 0 / 11 / 33 / 12

HEX #E1C996

RGB 225 201 150

HSL 40.8, 0.56%, 0.74%

LAB 81.83, 1.06, 28.6

 

CMYK 28 / 0 / 33 / 12

HEX #A1E197

RGB 161 225 151

HSL 111.89, 0.55%, 0.74%

LAB 83.79, -34.15, 29.92

 

CMYK 33 / 22 / 0 / 12

HEX #97B0E1

RGB 151 176 225

HSL 219.73, 0.55%, 0.74%

LAB 71.6, 2.88, -27.41

 

CMYK 4 / 33 / 0 / 12

HEX #D797E1

RGB 215 151 225

HSL 291.89, 0.55%, 0.74%

LAB 70.88, 36.22, -28.05

 

CMYK 0 / 11 / 33 / 12

HEX #E1C996

RGB 225 201 150

HSL 40.8, 0.56%, 0.74%

LAB 81.83, 1.06, 28.6

 

CMYK 33 / 0 / 28 / 12

HEX #97E1A3

RGB 151 225 163

HSL 129.73, 0.55%, 0.74%

LAB 83.48, -35.39, 23.23

 

CMYK 33 / 22 / 0 / 12

HEX #97B0E1

RGB 151 176 225

HSL 219.73, 0.55%, 0.74%

LAB 71.6, 2.88, -27.41

 

CMYK 0 / 33 / 5 / 12

HEX #E197D5

RGB 225 151 213

HSL 309.73, 0.55%, 0.74%

LAB 71.52, 37.21, -20.39

 

Description

Color code: RGB 225 201 150 | qconv.com Color code: RGB 225 201 150 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 225 red, 201 green and 150 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
225 201 150 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 11 magenta, 33 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 11% 33% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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