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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 224 58 21 it is the complementary color RGB 31 197 234. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 224 58 21. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 224 58 21: RGB 229 58 16, RGB 246 76 35, RGB 255 94 54, RGB 255 112 73 and RGB 255 130 92

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 224 58 21. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 224 58 21: RGB 224 58 21, RGB 207 40 2, RGB 190 22 0, RGB 173 4 0 and RGB 156 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 74 / 91 / 12

HEX #E03A15

RGB 224 58 21

HSL 10.94, 0.83%, 0.48%

LAB 50.6, 62.16, 56.83

 

Complementary color

CMYK 87 / 16 / 0 / 8

HEX #1FC5EA

RGB 31 197 234

HSL 190.94, 0.83%, 0.52%

LAB 73.65, -26.75, -29.5

 

CMYK 0 / 75 / 93 / 10

HEX #E53A10

RGB 229 58 16

HSL 11.83, 0.87%, 0.48%

LAB 51.52, 63.62, 59.5

 

CMYK 0 / 69 / 86 / 4

HEX #F64C23

RGB 246 76 35

HSL 11.66, 0.92%, 0.55%

LAB 56.96, 62.98, 58.02

 

CMYK 0 / 63 / 79 / 0

HEX #FF5E36

RGB 255 94 54

HSL 11.94, 1%, 0.61%

LAB 61.25, 59.34, 53.95

 

CMYK 0 / 56 / 71 / 0

HEX #FF7049

RGB 255 112 73

HSL 12.86, 1%, 0.64%

LAB 64.43, 52.16, 47.85

 

CMYK 0 / 49 / 64 / 0

HEX #FF825C

RGB 255 130 92

HSL 13.99, 1%, 0.68%

LAB 68.02, 44.56, 42.11

 

CMYK 0 / 74 / 91 / 12

HEX #E03A15

RGB 224 58 21

HSL 10.94, 0.83%, 0.48%

LAB 50.6, 62.16, 56.83

 

CMYK 0 / 81 / 99 / 19

HEX #CF2802

RGB 207 40 2

HSL 11.12, 0.98%, 0.41%

LAB 45.34, 62.25, 57.66

 

CMYK 0 / 88 / 100 / 25

HEX #BE1600

RGB 190 22 0

HSL 6.95, 1%, 0.37%

LAB 40.44, 61.46, 54.22

 

CMYK 0 / 98 / 100 / 32

HEX #AD0400

RGB 173 4 0

HSL 1.39, 1%, 0.34%

LAB 35.93, 59.4, 50.2

 

CMYK 0 / 100 / 100 / 39

HEX #9C0000

RGB 156 0 0

HSL 0, 1%, 0.31%

LAB 31.96, 55.5, 45.93

 

CMYK 0 / 74 / 91 / 12

HEX #E03A15

RGB 224 58 21

HSL 10.94, 0.83%, 0.48%

LAB 50.6, 62.16, 56.83

 

CMYK 0 / 61 / 91 / 13

HEX #DF5814

RGB 223 88 20

HSL 20.1, 0.84%, 0.48%

LAB 54.78, 50.01, 59.98

 

CMYK 0 / 45 / 91 / 13

HEX #DF7A14

RGB 223 122 20

HSL 30.15, 0.84%, 0.48%

LAB 61.36, 33.34, 64.7

 

CMYK 0 / 30 / 91 / 13

HEX #DF9C14

RGB 223 156 20

HSL 40.2, 0.84%, 0.48%

LAB 69.12, 15.27, 70.44

 

CMYK 0 / 15 / 91 / 13

HEX #DFBE14

RGB 223 190 20

HSL 50.25, 0.84%, 0.48%

LAB 77.62, -2.68, 76.86

 

CMYK 0 / 74 / 91 / 12

HEX #E03A15

RGB 224 58 21

HSL 10.94, 0.83%, 0.48%

LAB 50.6, 62.16, 56.83

 

CMYK 0 / 75 / 90 / 92

HEX #140502

RGB 20 5 2

HSL 10, 0.82%, 0.04%

LAB 2.36, 4.3, 2.8

 

CMYK 0 / 75 / 90 / 72

HEX #471207

RGB 71 18 7

HSL 10.31, 0.82%, 0.15%

LAB 14.33, 24.66, 19.05

 

CMYK 0 / 74 / 91 / 52

HEX #7A200B

RGB 122 32 11

HSL 11.35, 0.83%, 0.26%

LAB 27.28, 37.93, 34.65

 

CMYK 0 / 74 / 91 / 32

HEX #AD2D10

RGB 173 45 16

HSL 11.08, 0.83%, 0.37%

LAB 39.24, 50.44, 46.13

 

CMYK 0 / 74 / 91 / 12

HEX #E03A15

RGB 224 58 21

HSL 10.94, 0.83%, 0.48%

LAB 50.6, 62.16, 56.83

 

CMYK 33 / 0 / 91 / 13

HEX #95DF14

RGB 149 223 20

HSL 81.87, 0.84%, 0.48%

LAB 81.41, -48.62, 77.59

 

CMYK 91 / 70 / 0 / 13

HEX #1444DF

RGB 20 68 223

HSL 225.81, 0.84%, 0.48%

LAB 37.13, 45.17, -81.69

 

CMYK 0 / 74 / 91 / 12

HEX #E03A15

RGB 224 58 21

HSL 10.94, 0.83%, 0.48%

LAB 50.6, 62.16, 56.83

 

CMYK 91 / 0 / 76 / 13

HEX #14DF36

RGB 20 223 54

HSL 130.05, 0.84%, 0.48%

LAB 77.99, -75.05, 65.32

 

CMYK 76 / 91 / 0 / 13

HEX #3614DF

RGB 54 20 223

HSL 250.05, 0.84%, 0.48%

LAB 30.91, 68.56, -91.98

 

CMYK 0 / 74 / 91 / 12

HEX #E03A15

RGB 224 58 21

HSL 10.94, 0.83%, 0.48%

LAB 50.6, 62.16, 56.83

 

CMYK 33 / 0 / 91 / 13

HEX #95DF14

RGB 149 223 20

HSL 81.87, 0.84%, 0.48%

LAB 81.41, -48.62, 77.59

 

CMYK 91 / 15 / 0 / 13

HEX #14BEDF

RGB 20 190 223

HSL 189.75, 0.84%, 0.48%

LAB 71.08, -27.43, -27.5

 

CMYK 57 / 91 / 0 / 13

HEX #5F14DF

RGB 95 20 223

HSL 262.17, 0.84%, 0.48%

LAB 34.52, 70.9, -85.87

 

CMYK 0 / 74 / 91 / 12

HEX #E03A15

RGB 224 58 21

HSL 10.94, 0.83%, 0.48%

LAB 50.6, 62.16, 56.83

 

CMYK 61 / 0 / 91 / 13

HEX #58DF14

RGB 88 223 20

HSL 99.9, 0.84%, 0.48%

LAB 78.98, -66.96, 74.6

 

CMYK 91 / 15 / 0 / 13

HEX #14BEDF

RGB 20 190 223

HSL 189.75, 0.84%, 0.48%

LAB 71.08, -27.43, -27.5

 

CMYK 30 / 91 / 0 / 13

HEX #9C14DF

RGB 156 20 223

HSL 280.2, 0.84%, 0.48%

LAB 42.61, 77.2, -72.28

 

Description

Color code: RGB 224 58 21 | qconv.com Color code: RGB 224 58 21 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 224 red, 58 green and 21 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
224 58 21 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 74 magenta, 91 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 74% 91% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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PANTONE® to HKS®

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Sherwin Williams® to HKS®

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NCS® to PANTONE®

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convert from NCS-number (S0000-X00X) to Sherwin Williams®-number (SW 0000)

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