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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 224 52 125 it is the complementary color RGB 31 203 130. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 224 52 125. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 224 52 125: RGB 229 52 120, RGB 246 70 139, RGB 255 88 158, RGB 255 106 177 and RGB 255 124 196

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 224 52 125. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 224 52 125: RGB 224 52 125, RGB 207 34 106, RGB 190 16 87, RGB 173 0 68 and RGB 156 0 49

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 77 / 44 / 12

HEX #E0347D

RGB 224 52 125

HSL 334.53, 0.74%, 0.54%

LAB 51.59, 69.31, 0.36

 

Complementary color

CMYK 85 / 0 / 36 / 20

HEX #1FCB82

RGB 31 203 130

HSL 154.53, 0.74%, 0.46%

LAB 72.64, -57.69, 25.09

 

CMYK 0 / 77 / 48 / 10

HEX #E53478

RGB 229 52 120

HSL 336.95, 0.77%, 0.55%

LAB 52.36, 70.18, 4.61

 

CMYK 0 / 72 / 43 / 4

HEX #F6468B

RGB 246 70 139

HSL 336.48, 0.91%, 0.62%

LAB 57.88, 70.83, 1.66

 

CMYK 0 / 65 / 38 / 0

HEX #FF589E

RGB 255 88 158

HSL 334.85, 1%, 0.67%

LAB 62.26, 68.71, -2.84

 

CMYK 0 / 58 / 31 / 0

HEX #FF6AB1

RGB 255 106 177

HSL 331.41, 1%, 0.71%

LAB 65.55, 63.46, -8.86

 

CMYK 0 / 51 / 23 / 0

HEX #FF7CC4

RGB 255 124 196

HSL 327.02, 1%, 0.74%

LAB 69.23, 57.74, -14.06

 

CMYK 0 / 77 / 44 / 12

HEX #E0347D

RGB 224 52 125

HSL 334.53, 0.74%, 0.54%

LAB 51.59, 69.31, 0.36

 

CMYK 0 / 84 / 49 / 19

HEX #CF226A

RGB 207 34 106

HSL 335.03, 0.72%, 0.47%

LAB 46.24, 67.95, 3.81

 

CMYK 0 / 92 / 54 / 25

HEX #BE1057

RGB 190 16 87

HSL 335.52, 0.84%, 0.4%

LAB 41.23, 65.55, 8.09

 

CMYK 0 / 100 / 61 / 32

HEX #AD0044

RGB 173 0 68

HSL 336.42, 1%, 0.34%

LAB 36.56, 62.05, 13.26

 

CMYK 0 / 100 / 69 / 39

HEX #9C0031

RGB 156 0 49

HSL 341.15, 1%, 0.31%

LAB 32.46, 56.84, 19.59

 

CMYK 0 / 77 / 44 / 12

HEX #E0347D

RGB 224 52 125

HSL 334.53, 0.74%, 0.54%

LAB 51.59, 69.31, 0.36

 

CMYK 0 / 78 / 57 / 12

HEX #E03261

RGB 224 50 97

HSL 343.79, 0.74%, 0.54%

LAB 50.68, 67.67, 16.02

 

CMYK 0 / 78 / 70 / 12

HEX #E03244

RGB 224 50 68

HSL 353.79, 0.74%, 0.54%

LAB 50.15, 66.02, 32.76

 

CMYK 0 / 72 / 78 / 12

HEX #E03E32

RGB 224 62 50

HSL 4.14, 0.74%, 0.54%

LAB 51.29, 61.5, 44.19

 

CMYK 0 / 59 / 78 / 12

HEX #E05B32

RGB 224 91 50

HSL 14.14, 0.74%, 0.54%

LAB 55.64, 49.77, 48.63

 

CMYK 0 / 77 / 44 / 12

HEX #E0347D

RGB 224 52 125

HSL 334.53, 0.74%, 0.54%

LAB 51.59, 69.31, 0.36

 

CMYK 0 / 75 / 45 / 92

HEX #14050B

RGB 20 5 11

HSL 336, 0.6%, 0.05%

LAB 2.54, 5.56, -0.62

 

CMYK 0 / 77 / 44 / 72

HEX #471028

RGB 71 16 40

HSL 333.82, 0.63%, 0.17%

LAB 14.75, 28.33, -1.45

 

CMYK 0 / 77 / 44 / 52

HEX #7A1C44

RGB 122 28 68

HSL 334.47, 0.63%, 0.29%

LAB 27.81, 43.1, -0.62

 

CMYK 0 / 77 / 44 / 32

HEX #AD2861

RGB 173 40 97

HSL 334.29, 0.62%, 0.42%

LAB 40.02, 56.66, -0.41

 

CMYK 0 / 77 / 44 / 12

HEX #E0347D

RGB 224 52 125

HSL 334.53, 0.74%, 0.54%

LAB 51.59, 69.31, 0.36

 

CMYK 0 / 18 / 78 / 12

HEX #E0B732

RGB 224 183 50

HSL 45.86, 0.74%, 0.54%

LAB 76.04, 2.16, 68.1

 

CMYK 78 / 13 / 0 / 12

HEX #32C3E0

RGB 50 195 224

HSL 190, 0.74%, 0.54%

LAB 72.95, -27.49, -25.14

 

CMYK 0 / 77 / 44 / 12

HEX #E0347D

RGB 224 52 125

HSL 334.53, 0.74%, 0.54%

LAB 51.59, 69.31, 0.36

 

CMYK 44 / 0 / 78 / 12

HEX #7EE032

RGB 126 224 50

HSL 93.79, 0.74%, 0.54%

LAB 80.73, -55.71, 70.04

 

CMYK 78 / 44 / 0 / 12

HEX #327EE0

RGB 50 126 224

HSL 213.79, 0.74%, 0.54%

LAB 52.93, 10.96, -56.52

 

CMYK 0 / 77 / 44 / 12

HEX #E0347D

RGB 224 52 125

HSL 334.53, 0.74%, 0.54%

LAB 51.59, 69.31, 0.36

 

CMYK 0 / 18 / 78 / 12

HEX #E0B732

RGB 224 183 50

HSL 45.86, 0.74%, 0.54%

LAB 76.04, 2.16, 68.1

 

CMYK 78 / 0 / 33 / 12

HEX #32E095

RGB 50 224 149

HSL 154.14, 0.74%, 0.54%

LAB 79.7, -59.7, 24.8

 

CMYK 78 / 59 / 0 / 12

HEX #325BE0

RGB 50 91 224

HSL 225.86, 0.74%, 0.54%

LAB 43.57, 33.06, -71.67

 

CMYK 0 / 77 / 44 / 12

HEX #E0347D

RGB 224 52 125

HSL 334.53, 0.74%, 0.54%

LAB 51.59, 69.31, 0.36

 

CMYK 5 / 0 / 78 / 12

HEX #D4E032

RGB 212 224 50

HSL 64.14, 0.74%, 0.54%

LAB 85.78, -23.59, 76.52

 

CMYK 78 / 0 / 33 / 12

HEX #32E095

RGB 50 224 149

HSL 154.14, 0.74%, 0.54%

LAB 79.7, -59.7, 24.8

 

CMYK 72 / 78 / 0 / 12

HEX #3E32E0

RGB 62 50 224

HSL 244.14, 0.74%, 0.54%

LAB 35.37, 57.94, -85.12

 

Description

Color code: RGB 224 52 125 | qconv.com Color code: RGB 224 52 125 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 224 red, 52 green and 125 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
224 52 125 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 77 magenta, 44 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 77% 44% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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