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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 224 51 137 it is the complementary color RGB 31 204 118. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 224 51 137. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 224 51 137: RGB 229 51 132, RGB 246 69 151, RGB 255 87 170, RGB 255 105 189 and RGB 255 123 208

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 224 51 137. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 224 51 137: RGB 224 51 137, RGB 207 33 118, RGB 190 15 99, RGB 173 0 80 and RGB 156 0 61

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 77 / 39 / 12

HEX #E03389

RGB 224 51 137

HSL 330.17, 0.74%, 0.54%

LAB 51.86, 70.73, -6.46

 

Complementary color

CMYK 85 / 0 / 42 / 20

HEX #1FCC76

RGB 31 204 118

HSL 150.17, 0.74%, 0.46%

LAB 72.75, -60.37, 31.46

 

CMYK 0 / 78 / 42 / 10

HEX #E53384

RGB 229 51 132

HSL 332.7, 0.77%, 0.55%

LAB 52.61, 71.51, -2.25

 

CMYK 0 / 72 / 39 / 4

HEX #F64597

RGB 246 69 151

HSL 332.2, 0.91%, 0.62%

LAB 58.12, 72.3, -5.05

 

CMYK 0 / 66 / 33 / 0

HEX #FF57AA

RGB 255 87 170

HSL 330.36, 1%, 0.67%

LAB 62.49, 70.37, -9.42

 

CMYK 0 / 59 / 26 / 0

HEX #FF69BD

RGB 255 105 189

HSL 326.4, 1%, 0.71%

LAB 65.78, 65.37, -15.32

 

CMYK 0 / 52 / 18 / 0

HEX #FF7BD0

RGB 255 123 208

HSL 321.36, 1%, 0.74%

LAB 69.46, 59.88, -20.41

 

CMYK 0 / 77 / 39 / 12

HEX #E03389

RGB 224 51 137

HSL 330.17, 0.74%, 0.54%

LAB 51.86, 70.73, -6.46

 

CMYK 0 / 84 / 43 / 19

HEX #CF2176

RGB 207 33 118

HSL 330.69, 0.73%, 0.47%

LAB 46.53, 69.19, -3.18

 

CMYK 0 / 92 / 48 / 25

HEX #BE0F63

RGB 190 15 99

HSL 331.2, 0.85%, 0.4%

LAB 41.52, 66.61, 0.91

 

CMYK 0 / 100 / 54 / 32

HEX #AD0050

RGB 173 0 80

HSL 332.25, 1%, 0.34%

LAB 36.86, 62.86, 5.89

 

CMYK 0 / 100 / 61 / 39

HEX #9C003D

RGB 156 0 61

HSL 336.54, 1%, 0.31%

LAB 32.71, 57.53, 12

 

CMYK 0 / 77 / 39 / 12

HEX #E03389

RGB 224 51 137

HSL 330.17, 0.74%, 0.54%

LAB 51.86, 70.73, -6.46

 

CMYK 0 / 78 / 52 / 12

HEX #E0326C

RGB 224 50 108

HSL 340, 0.74%, 0.54%

LAB 50.93, 68.46, 9.7

 

CMYK 0 / 78 / 65 / 12

HEX #E0324F

RGB 224 50 79

HSL 350, 0.74%, 0.54%

LAB 50.33, 66.57, 26.43

 

CMYK 0 / 78 / 78 / 12

HEX #E03232

RGB 224 50 50

HSL 0, 0.74%, 0.54%

LAB 49.93, 65.31, 42.77

 

CMYK 0 / 65 / 78 / 12

HEX #E04F32

RGB 224 79 50

HSL 10, 0.74%, 0.54%

LAB 53.67, 55, 46.64

 

CMYK 0 / 77 / 39 / 12

HEX #E03389

RGB 224 51 137

HSL 330.17, 0.74%, 0.54%

LAB 51.86, 70.73, -6.46

 

CMYK 0 / 75 / 40 / 92

HEX #14050C

RGB 20 5 12

HSL 332, 0.6%, 0.05%

LAB 2.56, 5.71, -1.03

 

CMYK 0 / 77 / 39 / 72

HEX #47102B

RGB 71 16 43

HSL 330.55, 0.63%, 0.17%

LAB 14.87, 28.73, -3.47

 

CMYK 0 / 77 / 39 / 52

HEX #7A1C4B

RGB 122 28 75

HSL 330, 0.63%, 0.29%

LAB 28.05, 43.88, -4.93

 

CMYK 0 / 77 / 39 / 32

HEX #AD276A

RGB 173 39 106

HSL 330, 0.63%, 0.42%

LAB 40.21, 57.88, -5.8

 

CMYK 0 / 77 / 39 / 12

HEX #E03389

RGB 224 51 137

HSL 330.17, 0.74%, 0.54%

LAB 51.86, 70.73, -6.46

 

CMYK 0 / 23 / 78 / 12

HEX #E0AC32

RGB 224 172 50

HSL 42.07, 0.74%, 0.54%

LAB 73.27, 7.96, 65.57

 

CMYK 78 / 8 / 0 / 12

HEX #32CFE0

RGB 50 207 224

HSL 185.86, 0.74%, 0.54%

LAB 76.49, -33.3, -19.76

 

CMYK 0 / 77 / 39 / 12

HEX #E03389

RGB 224 51 137

HSL 330.17, 0.74%, 0.54%

LAB 51.86, 70.73, -6.46

 

CMYK 39 / 0 / 78 / 12

HEX #89E032

RGB 137 224 50

HSL 90, 0.74%, 0.54%

LAB 81.21, -52.15, 70.67

 

CMYK 78 / 39 / 0 / 12

HEX #3289E0

RGB 50 137 224

HSL 210, 0.74%, 0.54%

LAB 56.04, 4.26, -51.55

 

CMYK 0 / 77 / 39 / 12

HEX #E03389

RGB 224 51 137

HSL 330.17, 0.74%, 0.54%

LAB 51.86, 70.73, -6.46

 

CMYK 0 / 23 / 78 / 12

HEX #E0AC32

RGB 224 172 50

HSL 42.07, 0.74%, 0.54%

LAB 73.27, 7.96, 65.57

 

CMYK 78 / 0 / 39 / 12

HEX #32E089

RGB 50 224 137

HSL 150, 0.74%, 0.54%

LAB 79.5, -62.04, 30.68

 

CMYK 78 / 54 / 0 / 12

HEX #3266E0

RGB 50 102 224

HSL 222.07, 0.74%, 0.54%

LAB 46.4, 26.06, -67.06

 

CMYK 0 / 77 / 39 / 12

HEX #E03389

RGB 224 51 137

HSL 330.17, 0.74%, 0.54%

LAB 51.86, 70.73, -6.46

 

CMYK 0 / 0 / 78 / 12

HEX #E0E032

RGB 224 224 50

HSL 60, 0.74%, 0.54%

LAB 86.7, -18.63, 77.69

 

CMYK 78 / 0 / 39 / 12

HEX #32E089

RGB 50 224 137

HSL 150, 0.74%, 0.54%

LAB 79.5, -62.04, 30.68

 

CMYK 78 / 78 / 0 / 12

HEX #3232E0

RGB 50 50 224

HSL 240, 0.74%, 0.54%

LAB 34.68, 57.1, -86.28

 

Description

Color code: RGB 224 51 137 | qconv.com Color code: RGB 224 51 137 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 224 red, 51 green and 137 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
224 51 137 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 77 magenta, 39 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 77% 39% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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