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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 224 229 145 it is the complementary color RGB 31 26 110. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 224 229 145. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 224 229 145: RGB 229 229 140, RGB 246 247 159, RGB 255 255 178, RGB 255 255 197 and RGB 255 255 216

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 224 229 145. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 224 229 145: RGB 224 229 145, RGB 207 211 126, RGB 190 193 107, RGB 173 175 88 and RGB 156 157 69

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 2 / 0 / 37 / 10

HEX #E0E591

RGB 224 229 145

HSL 63.57, 0.62%, 0.73%

LAB 88.89, -14.16, 40.41

 

Complementary color

CMYK 72 / 76 / 0 / 57

HEX #1F1A6E

RGB 31 26 110

HSL 243.57, 0.62%, 0.27%

LAB 16.28, 31.04, -47.56

 

CMYK 0 / 0 / 39 / 10

HEX #E5E58C

RGB 229 229 140

HSL 60, 0.63%, 0.72%

LAB 89.2, -12.79, 43.37

 

CMYK 0 / 0 / 36 / 3

HEX #F6F79F

RGB 246 247 159

HSL 60.68, 0.85%, 0.8%

LAB 95.42, -13.09, 42.23

 

CMYK 0 / 0 / 30 / 0

HEX #FFFFB2

RGB 255 255 178

HSL 60, 1%, 0.85%

LAB 98.43, -11.44, 36.89

 

CMYK 0 / 0 / 23 / 0

HEX #FFFFC5

RGB 255 255 197

HSL 60, 1%, 0.89%

LAB 98.75, -9.01, 27.81

 

CMYK 0 / 0 / 15 / 0

HEX #FFFFD8

RGB 255 255 216

HSL 60, 1%, 0.92%

LAB 99.12, -6.32, 18.67

 

CMYK 2 / 0 / 37 / 10

HEX #E0E591

RGB 224 229 145

HSL 63.57, 0.62%, 0.73%

LAB 88.89, -14.16, 40.41

 

CMYK 2 / 0 / 40 / 17

HEX #CFD37E

RGB 207 211 126

HSL 62.82, 0.49%, 0.66%

LAB 82.57, -13.87, 41.57

 

CMYK 2 / 0 / 45 / 24

HEX #BEC16B

RGB 190 193 107

HSL 62.09, 0.41%, 0.59%

LAB 76.16, -13.53, 42.75

 

CMYK 1 / 0 / 50 / 31

HEX #ADAF58

RGB 173 175 88

HSL 61.38, 0.35%, 0.52%

LAB 69.65, -13.1, 43.93

 

CMYK 1 / 0 / 56 / 38

HEX #9C9D45

RGB 156 157 69

HSL 60.68, 0.39%, 0.44%

LAB 63.02, -12.57, 45.06

 

CMYK 2 / 0 / 37 / 10

HEX #E0E591

RGB 224 229 145

HSL 63.57, 0.62%, 0.73%

LAB 88.89, -14.16, 40.41

 

CMYK 8 / 0 / 37 / 11

HEX #D2E48F

RGB 210 228 143

HSL 72.71, 0.61%, 0.73%

LAB 87.57, -19.22, 39.51

 

CMYK 14 / 0 / 37 / 11

HEX #C4E48F

RGB 196 228 143

HSL 82.59, 0.61%, 0.73%

LAB 86.61, -24.44, 38.07

 

CMYK 21 / 0 / 37 / 11

HEX #B5E48F

RGB 181 228 143

HSL 93.18, 0.61%, 0.73%

LAB 85.65, -29.85, 36.65

 

CMYK 27 / 0 / 37 / 11

HEX #A7E48F

RGB 167 228 143

HSL 103.06, 0.61%, 0.73%

LAB 84.84, -34.71, 35.43

 

CMYK 2 / 0 / 37 / 10

HEX #E0E591

RGB 224 229 145

HSL 63.57, 0.62%, 0.73%

LAB 88.89, -14.16, 40.41

 

CMYK 4 / 0 / 36 / 90

HEX #181910

RGB 24 25 16

HSL 66.67, 0.22%, 0.08%

LAB 8.37, -2.56, 5.47

 

CMYK 3 / 0 / 37 / 70

HEX #4A4C30

RGB 74 76 48

HSL 64.29, 0.23%, 0.24%

LAB 31.44, -6.02, 16.41

 

CMYK 2 / 0 / 37 / 50

HEX #7C7F50

RGB 124 127 80

HSL 63.83, 0.23%, 0.41%

LAB 51.89, -8.98, 25.2

 

CMYK 2 / 0 / 37 / 30

HEX #AEB271

RGB 174 178 113

HSL 63.69, 0.3%, 0.57%

LAB 70.89, -11.58, 32.78

 

CMYK 2 / 0 / 37 / 10

HEX #E0E591

RGB 224 229 145

HSL 63.57, 0.62%, 0.73%

LAB 88.89, -14.16, 40.41

 

CMYK 37 / 0 / 28 / 11

HEX #8FE4A4

RGB 143 228 164

HSL 134.82, 0.61%, 0.73%

LAB 83.97, -38.99, 23.31

 

CMYK 13 / 37 / 0 / 11

HEX #C68FE4

RGB 198 143 228

HSL 278.82, 0.61%, 0.73%

LAB 67.47, 35.94, -35.13

 

CMYK 2 / 0 / 37 / 10

HEX #E0E591

RGB 224 229 145

HSL 63.57, 0.62%, 0.73%

LAB 88.89, -14.16, 40.41

 

CMYK 37 / 2 / 0 / 11

HEX #8FE0E4

RGB 143 224 228

HSL 182.82, 0.61%, 0.73%

LAB 84.36, -23.66, -9.79

 

CMYK 0 / 37 / 2 / 11

HEX #E48FE0

RGB 228 143 224

HSL 302.82, 0.61%, 0.73%

LAB 70.54, 44.33, -27.91

 

CMYK 2 / 0 / 37 / 10

HEX #E0E591

RGB 224 229 145

HSL 63.57, 0.62%, 0.73%

LAB 88.89, -14.16, 40.41

 

CMYK 37 / 0 / 28 / 11

HEX #8FE4A4

RGB 143 228 164

HSL 134.82, 0.61%, 0.73%

LAB 83.97, -38.99, 23.31

 

CMYK 36 / 37 / 0 / 11

HEX #938FE4

RGB 147 143 228

HSL 242.82, 0.61%, 0.73%

LAB 62.89, 21.27, -42.62

 

CMYK 0 / 37 / 9 / 11

HEX #E48FCF

RGB 228 143 207

HSL 314.82, 0.61%, 0.73%

LAB 69.93, 41.38, -19.46

 

CMYK 2 / 0 / 37 / 10

HEX #E0E591

RGB 224 229 145

HSL 63.57, 0.62%, 0.73%

LAB 88.89, -14.16, 40.41

 

CMYK 37 / 0 / 17 / 11

HEX #8FE4BE

RGB 143 228 190

HSL 153.18, 0.61%, 0.73%

LAB 84.51, -34.04, 10.49

 

CMYK 36 / 37 / 0 / 11

HEX #938FE4

RGB 147 143 228

HSL 242.82, 0.61%, 0.73%

LAB 62.89, 21.27, -42.62

 

CMYK 0 / 37 / 21 / 11

HEX #E48FB5

RGB 228 143 181

HSL 333.18, 0.61%, 0.73%

LAB 69.09, 37.27, -6.23

 

Description

Color code: RGB 224 229 145 | qconv.com Color code: RGB 224 229 145 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 224 red, 229 green and 145 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
224 229 145 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 2 cyan, none magenta, 37 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
2% 0% 37% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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