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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 224 177 52 it is the complementary color RGB 31 78 203. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 224 177 52. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 224 177 52: RGB 229 177 47, RGB 246 195 66, RGB 255 213 85, RGB 255 231 104 and RGB 255 249 123

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 224 177 52. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 224 177 52: RGB 224 177 52, RGB 207 159 33, RGB 190 141 14, RGB 173 123 0 and RGB 156 105 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 21 / 77 / 12

HEX #E0B134

RGB 224 177 52

HSL 43.6, 0.74%, 0.54%

LAB 74.53, 5.39, 66.03

 

Complementary color

CMYK 85 / 62 / 0 / 20

HEX #1F4ECB

RGB 31 78 203

HSL 223.6, 0.74%, 0.46%

LAB 37.94, 32.01, -68.85

 

CMYK 0 / 23 / 79 / 10

HEX #E5B12F

RGB 229 177 47

HSL 42.86, 0.78%, 0.54%

LAB 75.02, 7.36, 68.36

 

CMYK 0 / 21 / 73 / 4

HEX #F6C342

RGB 246 195 66

HSL 43, 0.91%, 0.61%

LAB 81.3, 5.93, 68.12

 

CMYK 0 / 16 / 67 / 0

HEX #FFD555

RGB 255 213 85

HSL 45.18, 1%, 0.67%

LAB 86.75, 1.36, 66.4

 

CMYK 0 / 9 / 59 / 0

HEX #FFE768

RGB 255 231 104

HSL 50.46, 1%, 0.7%

LAB 91.42, -6.56, 63.37

 

CMYK 0 / 2 / 52 / 0

HEX #FFF97B

RGB 255 249 123

HSL 57.27, 1%, 0.74%

LAB 96.18, -14.04, 60.37

 

CMYK 0 / 21 / 77 / 12

HEX #E0B134

RGB 224 177 52

HSL 43.6, 0.74%, 0.54%

LAB 74.53, 5.39, 66.03

 

CMYK 0 / 23 / 84 / 19

HEX #CF9F21

RGB 207 159 33

HSL 43.45, 0.73%, 0.47%

LAB 68.15, 6.94, 65.8

 

CMYK 0 / 26 / 93 / 25

HEX #BE8D0E

RGB 190 141 14

HSL 43.3, 0.86%, 0.4%

LAB 61.68, 8.76, 64.34

 

CMYK 0 / 29 / 100 / 32

HEX #AD7B00

RGB 173 123 0

HSL 42.66, 1%, 0.34%

LAB 55.12, 10.84, 61.12

 

CMYK 0 / 33 / 100 / 39

HEX #9C6900

RGB 156 105 0

HSL 40.38, 1%, 0.31%

LAB 48.47, 13.22, 55.67

 

CMYK 0 / 21 / 77 / 12

HEX #E0B134

RGB 224 177 52

HSL 43.6, 0.74%, 0.54%

LAB 74.53, 5.39, 66.03

 

CMYK 0 / 9 / 78 / 12

HEX #E0CC32

RGB 224 204 50

HSL 53.1, 0.74%, 0.54%

LAB 81.44, -8.68, 73

 

CMYK 4 / 0 / 78 / 12

HEX #D7E032

RGB 215 224 50

HSL 63.1, 0.74%, 0.54%

LAB 86, -22.36, 76.81

 

CMYK 17 / 0 / 78 / 12

HEX #BAE032

RGB 186 224 50

HSL 73.1, 0.74%, 0.54%

LAB 83.96, -34.11, 74.2

 

CMYK 30 / 0 / 78 / 12

HEX #9DE032

RGB 157 224 50

HSL 83.1, 0.74%, 0.54%

LAB 82.22, -45.16, 71.97

 

CMYK 0 / 21 / 77 / 12

HEX #E0B134

RGB 224 177 52

HSL 43.6, 0.74%, 0.54%

LAB 74.53, 5.39, 66.03

 

CMYK 0 / 20 / 75 / 92

HEX #141005

RGB 20 16 5

HSL 44, 0.6%, 0.05%

LAB 4.79, -0.12, 5.12

 

CMYK 0 / 21 / 77 / 72

HEX #473810

RGB 71 56 16

HSL 43.64, 0.63%, 0.17%

LAB 24.34, 1.57, 26.51

 

CMYK 0 / 21 / 77 / 52

HEX #7A601C

RGB 122 96 28

HSL 43.4, 0.63%, 0.29%

LAB 42.13, 3.14, 40.69

 

CMYK 0 / 21 / 77 / 32

HEX #AD8928

RGB 173 137 40

HSL 43.76, 0.62%, 0.42%

LAB 58.91, 4.02, 53.88

 

CMYK 0 / 21 / 77 / 12

HEX #E0B134

RGB 224 177 52

HSL 43.6, 0.74%, 0.54%

LAB 74.53, 5.39, 66.03

 

CMYK 71 / 0 / 78 / 12

HEX #41E032

RGB 65 224 50

HSL 114.83, 0.74%, 0.54%

LAB 78.85, -70.64, 67.59

 

CMYK 53 / 78 / 0 / 12

HEX #6932E0

RGB 105 50 224

HSL 258.97, 0.74%, 0.54%

LAB 39.01, 62.34, -78.99

 

CMYK 0 / 21 / 77 / 12

HEX #E0B134

RGB 224 177 52

HSL 43.6, 0.74%, 0.54%

LAB 74.53, 5.39, 66.03

 

CMYK 78 / 0 / 22 / 12

HEX #32E0AF

RGB 50 224 175

HSL 163.1, 0.74%, 0.54%

LAB 80.23, -53.99, 11.92

 

CMYK 22 / 78 / 0 / 12

HEX #AF32E0

RGB 175 50 224

HSL 283.1, 0.74%, 0.54%

LAB 47.98, 73.06, -63.98

 

CMYK 0 / 21 / 77 / 12

HEX #E0B134

RGB 224 177 52

HSL 43.6, 0.74%, 0.54%

LAB 74.53, 5.39, 66.03

 

CMYK 71 / 0 / 78 / 12

HEX #41E032

RGB 65 224 50

HSL 114.83, 0.74%, 0.54%

LAB 78.85, -70.64, 67.59

 

CMYK 78 / 55 / 0 / 12

HEX #3264E0

RGB 50 100 224

HSL 222.76, 0.74%, 0.54%

LAB 45.87, 27.33, -67.91

 

CMYK 6 / 78 / 0 / 12

HEX #D232E0

RGB 210 50 224

HSL 295.17, 0.74%, 0.54%

LAB 53.35, 79.42, -55.06

 

CMYK 0 / 21 / 77 / 12

HEX #E0B134

RGB 224 177 52

HSL 43.6, 0.74%, 0.54%

LAB 74.53, 5.39, 66.03

 

CMYK 78 / 0 / 61 / 12

HEX #32E058

RGB 50 224 88

HSL 133.1, 0.74%, 0.54%

LAB 78.86, -69.48, 53.34

 

CMYK 78 / 55 / 0 / 12

HEX #3264E0

RGB 50 100 224

HSL 222.76, 0.74%, 0.54%

LAB 45.87, 27.33, -67.91

 

CMYK 0 / 78 / 17 / 12

HEX #E032BA

RGB 224 50 186

HSL 313.1, 0.74%, 0.54%

LAB 53.68, 76.66, -32.6

 

Description

Color code: RGB 224 177 52 | qconv.com Color code: RGB 224 177 52 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 224 red, 177 green and 52 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
224 177 52 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 21 magenta, 77 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 21% 77% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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