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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 224 143 166 it is the complementary color RGB 31 112 89. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 224 143 166. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 224 143 166: RGB 229 143 161, RGB 246 161 180, RGB 255 179 199, RGB 255 197 218 and RGB 255 215 237

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 224 143 166. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 224 143 166: RGB 224 143 166, RGB 207 125 147, RGB 190 107 128, RGB 173 89 109 and RGB 156 71 90

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 36 / 26 / 12

HEX #E08FA6

RGB 224 143 166

HSL 342.96, 0.57%, 0.72%

LAB 68.2, 33.7, 0.8

 

Complementary color

CMYK 72 / 0 / 21 / 56

HEX #1F7059

RGB 31 112 89

HSL 162.96, 0.57%, 0.28%

LAB 42.16, -30.08, 5.86

 

CMYK 0 / 38 / 30 / 10

HEX #E58FA1

RGB 229 143 161

HSL 347.44, 0.62%, 0.73%

LAB 68.66, 34.82, 4.34

 

CMYK 0 / 35 / 27 / 4

HEX #F6A1B4

RGB 246 161 180

HSL 346.59, 0.83%, 0.8%

LAB 75.06, 33.98, 3.31

 

CMYK 0 / 30 / 22 / 0

HEX #FFB3C7

RGB 255 179 199

HSL 344.21, 1%, 0.85%

LAB 80.53, 30.39, 1.03

 

CMYK 0 / 23 / 15 / 0

HEX #FFC5DA

RGB 255 197 218

HSL 338.28, 1%, 0.89%

LAB 85.13, 23.8, -2.45

 

CMYK 0 / 16 / 7 / 0

HEX #FFD7ED

RGB 255 215 237

HSL 327, 1%, 0.92%

LAB 89.85, 17.46, -5.57

 

CMYK 0 / 36 / 26 / 12

HEX #E08FA6

RGB 224 143 166

HSL 342.96, 0.57%, 0.72%

LAB 68.2, 33.7, 0.8

 

CMYK 0 / 40 / 29 / 19

HEX #CF7D93

RGB 207 125 147

HSL 343.9, 0.46%, 0.65%

LAB 61.69, 34.55, 1.84

 

CMYK 0 / 44 / 33 / 25

HEX #BE6B80

RGB 190 107 128

HSL 344.82, 0.39%, 0.58%

LAB 55.09, 35.46, 3.01

 

CMYK 0 / 49 / 37 / 32

HEX #AD596D

RGB 173 89 109

HSL 345.71, 0.34%, 0.51%

LAB 48.43, 36.41, 4.38

 

CMYK 0 / 54 / 42 / 39

HEX #9C475A

RGB 156 71 90

HSL 346.59, 0.37%, 0.45%

LAB 41.71, 37.37, 6.04

 

CMYK 0 / 36 / 26 / 12

HEX #E08FA6

RGB 224 143 166

HSL 342.96, 0.57%, 0.72%

LAB 68.2, 33.7, 0.8

 

CMYK 0 / 37 / 32 / 12

HEX #E08E99

RGB 224 142 153

HSL 351.95, 0.57%, 0.72%

LAB 67.65, 32.49, 7.29

 

CMYK 0 / 35 / 37 / 12

HEX #E0918E

RGB 224 145 142

HSL 2.2, 0.57%, 0.72%

LAB 68.06, 29.53, 14.03

 

CMYK 0 / 29 / 37 / 12

HEX #E09F8E

RGB 224 159 142

HSL 12.44, 0.57%, 0.72%

LAB 71.28, 22.02, 18.51

 

CMYK 0 / 23 / 37 / 12

HEX #E0AC8E

RGB 224 172 142

HSL 21.95, 0.57%, 0.72%

LAB 74.38, 15.05, 22.77

 

CMYK 0 / 36 / 26 / 12

HEX #E08FA6

RGB 224 143 166

HSL 342.96, 0.57%, 0.72%

LAB 68.2, 33.7, 0.8

 

CMYK 0 / 35 / 25 / 92

HEX #140D0F

RGB 20 13 15

HSL 342.86, 0.21%, 0.06%

LAB 4.26, 2.9, -0.04

 

CMYK 0 / 37 / 25 / 72

HEX #472D35

RGB 71 45 53

HSL 341.54, 0.22%, 0.23%

LAB 21.85, 13.34, -0.21

 

CMYK 0 / 36 / 26 / 52

HEX #7A4E5A

RGB 122 78 90

HSL 343.64, 0.22%, 0.39%

LAB 38.42, 20.35, 0.67

 

CMYK 0 / 36 / 26 / 32

HEX #AD6E80

RGB 173 110 128

HSL 342.86, 0.28%, 0.55%

LAB 53.59, 27.51, 0.56

 

CMYK 0 / 36 / 26 / 12

HEX #E08FA6

RGB 224 143 166

HSL 342.96, 0.57%, 0.72%

LAB 68.2, 33.7, 0.8

 

CMYK 0 / 4 / 37 / 12

HEX #E0D88E

RGB 224 216 142

HSL 54.15, 0.57%, 0.72%

LAB 85.46, -7.98, 37.49

 

CMYK 37 / 11 / 0 / 12

HEX #8EC7E0

RGB 142 199 224

HSL 198.29, 0.57%, 0.72%

LAB 77.27, -12.23, -18.28

 

CMYK 0 / 36 / 26 / 12

HEX #E08FA6

RGB 224 143 166

HSL 342.96, 0.57%, 0.72%

LAB 68.2, 33.7, 0.8

 

CMYK 25 / 0 / 37 / 12

HEX #A7E08E

RGB 167 224 142

HSL 101.71, 0.57%, 0.72%

LAB 83.69, -33, 34.44

 

CMYK 37 / 25 / 0 / 12

HEX #8EA7E0

RGB 142 167 224

HSL 221.71, 0.57%, 0.72%

LAB 68.58, 5.13, -31.56

 

CMYK 0 / 36 / 26 / 12

HEX #E08FA6

RGB 224 143 166

HSL 342.96, 0.57%, 0.72%

LAB 68.2, 33.7, 0.8

 

CMYK 0 / 4 / 37 / 12

HEX #E0D88E

RGB 224 216 142

HSL 54.15, 0.57%, 0.72%

LAB 85.46, -7.98, 37.49

 

CMYK 37 / 0 / 11 / 12

HEX #8EE0C7

RGB 142 224 199

HSL 161.71, 0.57%, 0.72%

LAB 83.54, -30.55, 4.36

 

CMYK 37 / 33 / 0 / 12

HEX #8E97E0

RGB 142 151 224

HSL 233.41, 0.57%, 0.72%

LAB 64.38, 14.23, -38.1

 

CMYK 0 / 36 / 26 / 12

HEX #E08FA6

RGB 224 143 166

HSL 342.96, 0.57%, 0.72%

LAB 68.2, 33.7, 0.8

 

CMYK 7 / 0 / 37 / 12

HEX #D0E08E

RGB 208 224 142

HSL 71.71, 0.57%, 0.72%

LAB 86.34, -18.13, 38.4

 

CMYK 37 / 0 / 11 / 12

HEX #8EE0C7

RGB 142 224 199

HSL 161.71, 0.57%, 0.72%

LAB 83.54, -30.55, 4.36

 

CMYK 29 / 37 / 0 / 12

HEX #9F8EE0

RGB 159 142 224

HSL 252.44, 0.57%, 0.72%

LAB 63.42, 24.13, -39.49

 

Description

Color code: RGB 224 143 166 | qconv.com Color code: RGB 224 143 166 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 224 red, 143 green and 166 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
224 143 166 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 36 magenta, 26 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 36% 26% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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