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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 224 136 202 it is the complementary color RGB 31 119 53. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 224 136 202. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 224 136 202: RGB 229 136 197, RGB 246 154 216, RGB 255 172 235, RGB 255 190 254 and RGB 255 208 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 224 136 202. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 224 136 202: RGB 224 136 202, RGB 207 118 183, RGB 190 100 164, RGB 173 82 145 and RGB 156 64 126

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 39 / 10 / 12

HEX #E088CA

RGB 224 136 202

HSL 315, 0.59%, 0.71%

LAB 67.81, 42.91, -19.93

 

Complementary color

CMYK 74 / 0 / 55 / 53

HEX #1F7735

RGB 31 119 53

HSL 135, 0.59%, 0.29%

LAB 43.86, -40.7, 28.79

 

CMYK 0 / 41 / 14 / 10

HEX #E588C5

RGB 229 136 197

HSL 320.65, 0.64%, 0.72%

LAB 68.24, 43.72, -16.43

 

CMYK 0 / 37 / 12 / 4

HEX #F69AD8

RGB 246 154 216

HSL 319.57, 0.84%, 0.78%

LAB 74.61, 42.96, -17.12

 

CMYK 0 / 33 / 8 / 0

HEX #FFACEB

RGB 255 172 235

HSL 314.46, 1%, 0.84%

LAB 80.05, 39.66, -19.14

 

CMYK 0 / 25 / 0 / 0

HEX #FFBEFE

RGB 255 190 254

HSL 300.92, 1%, 0.87%

LAB 84.61, 33.54, -22.4

 

CMYK 0 / 18 / 0 / 0

HEX #FFD0FF

RGB 255 208 255

HSL 300, 1%, 0.91%

LAB 88.73, 24.27, -16.71

 

CMYK 0 / 39 / 10 / 12

HEX #E088CA

RGB 224 136 202

HSL 315, 0.59%, 0.71%

LAB 67.81, 42.91, -19.93

 

CMYK 0 / 43 / 12 / 19

HEX #CF76B7

RGB 207 118 183

HSL 316.18, 0.48%, 0.64%

LAB 61.34, 43.67, -19.26

 

CMYK 0 / 47 / 14 / 25

HEX #BE64A4

RGB 190 100 164

HSL 317.33, 0.41%, 0.57%

LAB 54.81, 44.42, -18.48

 

CMYK 0 / 53 / 16 / 32

HEX #AD5291

RGB 173 82 145

HSL 318.46, 0.36%, 0.5%

LAB 48.21, 45.11, -17.56

 

CMYK 0 / 59 / 19 / 39

HEX #9C407E

RGB 156 64 126

HSL 319.57, 0.42%, 0.43%

LAB 41.6, 45.67, -16.4

 

CMYK 0 / 39 / 10 / 12

HEX #E088CA

RGB 224 136 202

HSL 315, 0.59%, 0.71%

LAB 67.81, 42.91, -19.93

 

CMYK 0 / 39 / 16 / 12

HEX #E089BC

RGB 224 137 188

HSL 324.83, 0.58%, 0.71%

LAB 67.55, 40.13, -12.49

 

CMYK 0 / 39 / 23 / 12

HEX #E089AD

RGB 224 137 173

HSL 335.17, 0.58%, 0.71%

LAB 67.09, 37.87, -4.76

 

CMYK 0 / 39 / 29 / 12

HEX #E0899F

RGB 224 137 159

HSL 344.83, 0.58%, 0.71%

LAB 66.7, 35.92, 2.56

 

CMYK 0 / 39 / 36 / 12

HEX #E08990

RGB 224 137 144

HSL 355.17, 0.58%, 0.71%

LAB 66.33, 34.02, 10.48

 

CMYK 0 / 39 / 10 / 12

HEX #E088CA

RGB 224 136 202

HSL 315, 0.59%, 0.71%

LAB 67.81, 42.91, -19.93

 

CMYK 0 / 40 / 10 / 92

HEX #140C12

RGB 20 12 18

HSL 315, 0.25%, 0.06%

LAB 4.11, 3.95, -1.95

 

CMYK 0 / 39 / 10 / 72

HEX #472B40

RGB 71 43 64

HSL 315, 0.25%, 0.22%

LAB 21.72, 16.79, -7.92

 

CMYK 0 / 39 / 10 / 52

HEX #7A4A6E

RGB 122 74 110

HSL 315, 0.24%, 0.38%

LAB 38.13, 26.19, -12.24

 

CMYK 0 / 39 / 10 / 32

HEX #AD699C

RGB 173 105 156

HSL 315, 0.29%, 0.55%

LAB 53.37, 34.81, -16.2

 

CMYK 0 / 39 / 10 / 12

HEX #E088CA

RGB 224 136 202

HSL 315, 0.59%, 0.71%

LAB 67.81, 42.91, -19.93

 

CMYK 0 / 21 / 39 / 12

HEX #E0B089

RGB 224 176 137

HSL 26.9, 0.58%, 0.71%

LAB 75.27, 12.33, 26.65

 

CMYK 39 / 0 / 6 / 12

HEX #89E0D3

RGB 137 224 211

HSL 171.03, 0.58%, 0.71%

LAB 83.62, -29.2, -1.91

 

CMYK 0 / 39 / 10 / 12

HEX #E088CA

RGB 224 136 202

HSL 315, 0.59%, 0.71%

LAB 67.81, 42.91, -19.93

 

CMYK 10 / 0 / 39 / 12

HEX #CAE089

RGB 202 224 137

HSL 75.17, 0.58%, 0.71%

LAB 85.84, -20.99, 40.17

 

CMYK 39 / 10 / 0 / 12

HEX #89CAE0

RGB 137 202 224

HSL 195.17, 0.58%, 0.71%

LAB 77.84, -15.1, -17.45

 

CMYK 0 / 39 / 10 / 12

HEX #E088CA

RGB 224 136 202

HSL 315, 0.59%, 0.71%

LAB 67.81, 42.91, -19.93

 

CMYK 0 / 21 / 39 / 12

HEX #E0B089

RGB 224 176 137

HSL 26.9, 0.58%, 0.71%

LAB 75.27, 12.33, 26.65

 

CMYK 39 / 0 / 29 / 12

HEX #89E09F

RGB 137 224 159

HSL 135.17, 0.58%, 0.71%

LAB 82.45, -39.83, 23.78

 

CMYK 39 / 17 / 0 / 12

HEX #89B9E0

RGB 137 185 224

HSL 206.9, 0.58%, 0.71%

LAB 73.15, -6.12, -24.56

 

CMYK 0 / 39 / 10 / 12

HEX #E088CA

RGB 224 136 202

HSL 315, 0.59%, 0.71%

LAB 67.81, 42.91, -19.93

 

CMYK 0 / 10 / 39 / 12

HEX #E0CA89

RGB 224 202 137

HSL 44.83, 0.58%, 0.71%

LAB 81.78, -1.37, 35.26

 

CMYK 39 / 0 / 29 / 12

HEX #89E09F

RGB 137 224 159

HSL 135.17, 0.58%, 0.71%

LAB 82.45, -39.83, 23.78

 

CMYK 39 / 29 / 0 / 12

HEX #899FE0

RGB 137 159 224

HSL 224.83, 0.58%, 0.71%

LAB 66.13, 8.31, -35.39

 

Description

Color code: RGB 224 136 202 | qconv.com Color code: RGB 224 136 202 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 224 red, 136 green and 202 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
224 136 202 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 39 magenta, 10 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 39% 10% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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