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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 223 84 138 it is the complementary color RGB 32 171 117. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 223 84 138. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 223 84 138: RGB 228 84 133, RGB 245 102 152, RGB 255 120 171, RGB 255 138 190 and RGB 255 156 209

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 223 84 138. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 223 84 138: RGB 223 84 138, RGB 206 66 119, RGB 189 48 100, RGB 172 30 81 and RGB 155 12 62

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 62 / 38 / 13

HEX #DF548A

RGB 223 84 138

HSL 336.69, 0.68%, 0.6%

LAB 55.95, 58.82, -1.03

 

Complementary color

CMYK 81 / 0 / 32 / 33

HEX #20AB75

RGB 32 171 117

HSL 156.69, 0.68%, 0.4%

LAB 62.27, -48.28, 17.96

 

CMYK 0 / 63 / 42 / 11

HEX #E45485

RGB 228 84 133

HSL 339.58, 0.73%, 0.61%

LAB 56.61, 59.82, 2.97

 

CMYK 0 / 58 / 38 / 4

HEX #F56698

RGB 245 102 152

HSL 339.02, 0.88%, 0.68%

LAB 62.66, 59.32, 1.02

 

CMYK 0 / 53 / 33 / 0

HEX #FF78AB

RGB 255 120 171

HSL 337.33, 1%, 0.74%

LAB 67.75, 56.44, -2.2

 

CMYK 0 / 46 / 25 / 0

HEX #FF8ABE

RGB 255 138 190

HSL 333.33, 1%, 0.77%

LAB 71.66, 50.17, -7.08

 

CMYK 0 / 39 / 18 / 0

HEX #FF9CD1

RGB 255 156 209

HSL 327.88, 1%, 0.81%

LAB 75.85, 43.8, -11.33

 

CMYK 0 / 62 / 38 / 13

HEX #DF548A

RGB 223 84 138

HSL 336.69, 0.68%, 0.6%

LAB 55.95, 58.82, -1.03

 

CMYK 0 / 68 / 42 / 19

HEX #CE4277

RGB 206 66 119

HSL 337.29, 0.59%, 0.53%

LAB 49.92, 59.05, 1.16

 

CMYK 0 / 75 / 47 / 26

HEX #BD3064

RGB 189 48 100

HSL 337.87, 0.59%, 0.46%

LAB 44.02, 58.82, 3.89

 

CMYK 0 / 83 / 53 / 33

HEX #AC1E51

RGB 172 30 81

HSL 338.45, 0.7%, 0.4%

LAB 38.36, 57.84, 7.35

 

CMYK 0 / 92 / 60 / 39

HEX #9B0C3E

RGB 155 12 62

HSL 339.02, 0.86%, 0.33%

LAB 33.09, 55.68, 11.82

 

CMYK 0 / 62 / 38 / 13

HEX #DF548A

RGB 223 84 138

HSL 336.69, 0.68%, 0.6%

LAB 55.95, 58.82, -1.03

 

CMYK 0 / 63 / 48 / 13

HEX #DE5374

RGB 222 83 116

HSL 345.76, 0.68%, 0.6%

LAB 55.05, 56.75, 10.66

 

CMYK 0 / 63 / 59 / 13

HEX #DE535C

RGB 222 83 92

HSL 356.12, 0.68%, 0.6%

LAB 54.54, 54.83, 24.13

 

CMYK 0 / 56 / 63 / 13

HEX #DE6153

RGB 222 97 83

HSL 6.04, 0.68%, 0.6%

LAB 56.79, 47.9, 32.18

 

CMYK 0 / 46 / 63 / 13

HEX #DE7853

RGB 222 120 83

HSL 15.97, 0.68%, 0.6%

LAB 61.3, 36.46, 37.73

 

CMYK 0 / 62 / 38 / 13

HEX #DF548A

RGB 223 84 138

HSL 336.69, 0.68%, 0.6%

LAB 55.95, 58.82, -1.03

 

CMYK 0 / 63 / 37 / 93

HEX #13070C

RGB 19 7 12

HSL 335, 0.46%, 0.05%

LAB 2.86, 4.49, -0.6

 

CMYK 0 / 63 / 39 / 73

HEX #461A2B

RGB 70 26 43

HSL 336.82, 0.46%, 0.19%

LAB 16.58, 23.2, -0.96

 

CMYK 0 / 62 / 38 / 53

HEX #792E4B

RGB 121 46 75

HSL 336.8, 0.45%, 0.33%

LAB 30.7, 35.76, -1.03

 

CMYK 0 / 62 / 38 / 33

HEX #AC416A

RGB 172 65 106

HSL 337.01, 0.45%, 0.46%

LAB 43.64, 47.6, -0.75

 

CMYK 0 / 62 / 38 / 13

HEX #DF548A

RGB 223 84 138

HSL 336.69, 0.68%, 0.6%

LAB 55.95, 58.82, -1.03

 

CMYK 0 / 13 / 63 / 13

HEX #DEC253

RGB 222 194 83

HSL 47.91, 0.68%, 0.6%

LAB 78.89, -2.77, 57.93

 

CMYK 63 / 13 / 0 / 13

HEX #53C2DE

RGB 83 194 222

HSL 192.09, 0.68%, 0.6%

LAB 73.35, -23.21, -23.38

 

CMYK 0 / 62 / 38 / 13

HEX #DF548A

RGB 223 84 138

HSL 336.69, 0.68%, 0.6%

LAB 55.95, 58.82, -1.03

 

CMYK 37 / 0 / 63 / 13

HEX #8BDE53

RGB 139 222 83

HSL 95.83, 0.68%, 0.6%

LAB 80.94, -48.42, 58.54

 

CMYK 63 / 37 / 0 / 13

HEX #538BDE

RGB 83 139 222

HSL 215.83, 0.68%, 0.6%

LAB 57.63, 7.12, -47.83

 

CMYK 0 / 62 / 38 / 13

HEX #DF548A

RGB 223 84 138

HSL 336.69, 0.68%, 0.6%

LAB 55.95, 58.82, -1.03

 

CMYK 0 / 13 / 63 / 13

HEX #DEC253

RGB 222 194 83

HSL 47.91, 0.68%, 0.6%

LAB 78.89, -2.77, 57.93

 

CMYK 63 / 0 / 25 / 13

HEX #53DEA6

RGB 83 222 166

HSL 155.83, 0.68%, 0.6%

LAB 80.09, -50.5, 16.56

 

CMYK 63 / 50 / 0 / 13

HEX #536FDE

RGB 83 111 222

HSL 227.91, 0.68%, 0.6%

LAB 50.08, 24.2, -59.91

 

CMYK 0 / 62 / 38 / 13

HEX #DF548A

RGB 223 84 138

HSL 336.69, 0.68%, 0.6%

LAB 55.95, 58.82, -1.03

 

CMYK 6 / 0 / 63 / 13

HEX #D0DE53

RGB 208 222 83

HSL 66.04, 0.68%, 0.6%

LAB 85.14, -22.6, 64.31

 

CMYK 63 / 0 / 25 / 13

HEX #53DEA6

RGB 83 222 166

HSL 155.83, 0.68%, 0.6%

LAB 80.09, -50.5, 16.56

 

CMYK 56 / 63 / 0 / 13

HEX #6153DE

RGB 97 83 222

HSL 246.04, 0.68%, 0.6%

LAB 44.24, 43.63, -69.33

 

Description

Color code: RGB 223 84 138 | qconv.com Color code: RGB 223 84 138 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 223 red, 84 green and 138 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
223 84 138 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 62 magenta, 38 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 62% 38% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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