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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 223 71 147 it is the complementary color RGB 32 184 108. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 223 71 147. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 223 71 147: RGB 228 71 142, RGB 245 89 161, RGB 255 107 180, RGB 255 125 199 and RGB 255 143 218

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 223 71 147. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 223 71 147: RGB 223 71 147, RGB 206 53 128, RGB 189 35 109, RGB 172 17 90 and RGB 155 0 71

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 68 / 34 / 13

HEX #DF4793

RGB 223 71 147

HSL 330, 0.7%, 0.58%

LAB 54.34, 64.97, -8.72

 

Complementary color

CMYK 83 / 0 / 41 / 28

HEX #20B86C

RGB 32 184 108

HSL 150, 0.7%, 0.42%

LAB 66.27, -55.03, 28.16

 

CMYK 0 / 69 / 38 / 11

HEX #E4478E

RGB 228 71 142

HSL 332.87, 0.74%, 0.59%

LAB 55.02, 65.82, -4.67

 

CMYK 0 / 64 / 34 / 4

HEX #F559A1

RGB 245 89 161

HSL 332.31, 0.89%, 0.65%

LAB 60.9, 65.78, -6.77

 

CMYK 0 / 58 / 29 / 0

HEX #FF6BB4

RGB 255 107 180

HSL 330.41, 1%, 0.71%

LAB 65.8, 63.39, -10.18

 

CMYK 0 / 51 / 22 / 0

HEX #FF7DC7

RGB 255 125 199

HSL 325.85, 1%, 0.75%

LAB 69.51, 57.68, -15.32

 

CMYK 0 / 44 / 15 / 0

HEX #FF8FDA

RGB 255 143 218

HSL 319.82, 1%, 0.78%

LAB 73.52, 51.72, -19.76

 

CMYK 0 / 68 / 34 / 13

HEX #DF4793

RGB 223 71 147

HSL 330, 0.7%, 0.58%

LAB 54.34, 64.97, -8.72

 

CMYK 0 / 74 / 38 / 19

HEX #CE3580

RGB 206 53 128

HSL 330.59, 0.61%, 0.51%

LAB 48.54, 64.57, -6.31

 

CMYK 0 / 81 / 42 / 26

HEX #BD236D

RGB 189 35 109

HSL 331.17, 0.69%, 0.44%

LAB 42.95, 63.45, -3.28

 

CMYK 0 / 90 / 48 / 33

HEX #AC115A

RGB 172 17 90

HSL 331.74, 0.82%, 0.37%

LAB 37.68, 61.28, 0.6

 

CMYK 0 / 100 / 54 / 39

HEX #9B0047

RGB 155 0 71

HSL 332.52, 1%, 0.3%

LAB 32.75, 57.97, 5.41

 

CMYK 0 / 68 / 34 / 13

HEX #DF4793

RGB 223 71 147

HSL 330, 0.7%, 0.58%

LAB 54.34, 64.97, -8.72

 

CMYK 0 / 68 / 45 / 13

HEX #DE487A

RGB 222 72 122

HSL 340, 0.69%, 0.58%

LAB 53.57, 61.75, 4.98

 

CMYK 0 / 68 / 56 / 13

HEX #DE4861

RGB 222 72 97

HSL 350, 0.69%, 0.58%

LAB 52.98, 59.68, 19.09

 

CMYK 0 / 68 / 68 / 13

HEX #DE4848

RGB 222 72 72

HSL 0, 0.69%, 0.58%

LAB 52.54, 58.13, 33.24

 

CMYK 0 / 56 / 68 / 13

HEX #DE6148

RGB 222 97 72

HSL 10, 0.69%, 0.58%

LAB 56.63, 47.25, 38.12

 

CMYK 0 / 68 / 34 / 13

HEX #DF4793

RGB 223 71 147

HSL 330, 0.7%, 0.58%

LAB 54.34, 64.97, -8.72

 

CMYK 0 / 68 / 32 / 93

HEX #13060D

RGB 19 6 13

HSL 327.69, 0.52%, 0.05%

LAB 2.69, 5.05, -1.32

 

CMYK 0 / 69 / 34 / 73

HEX #46162E

RGB 70 22 46

HSL 330, 0.52%, 0.18%

LAB 15.87, 25.86, -4.17

 

CMYK 0 / 68 / 34 / 53

HEX #792750

RGB 121 39 80

HSL 330, 0.51%, 0.31%

LAB 29.65, 39.73, -5.87

 

CMYK 0 / 68 / 34 / 33

HEX #AC3771

RGB 172 55 113

HSL 330.26, 0.52%, 0.45%

LAB 42.3, 52.69, -7.07

 

CMYK 0 / 68 / 34 / 13

HEX #DF4793

RGB 223 71 147

HSL 330, 0.7%, 0.58%

LAB 54.34, 64.97, -8.72

 

CMYK 0 / 20 / 68 / 13

HEX #DEB148

RGB 222 177 72

HSL 42, 0.69%, 0.58%

LAB 74.47, 5.47, 57.99

 

CMYK 68 / 7 / 0 / 13

HEX #48CFDE

RGB 72 207 222

HSL 186, 0.69%, 0.58%

LAB 76.85, -31.31, -18.1

 

CMYK 0 / 68 / 34 / 13

HEX #DF4793

RGB 223 71 147

HSL 330, 0.7%, 0.58%

LAB 54.34, 64.97, -8.72

 

CMYK 34 / 0 / 68 / 13

HEX #93DE48

RGB 147 222 72

HSL 90, 0.69%, 0.58%

LAB 81.24, -46.58, 63.39

 

CMYK 68 / 34 / 0 / 13

HEX #4893DE

RGB 72 147 222

HSL 210, 0.69%, 0.58%

LAB 59.45, 0.56, -44.98

 

CMYK 0 / 68 / 34 / 13

HEX #DF4793

RGB 223 71 147

HSL 330, 0.7%, 0.58%

LAB 54.34, 64.97, -8.72

 

CMYK 0 / 20 / 68 / 13

HEX #DEB148

RGB 222 177 72

HSL 42, 0.69%, 0.58%

LAB 74.47, 5.47, 57.99

 

CMYK 68 / 0 / 34 / 13

HEX #48DE93

RGB 72 222 147

HSL 150, 0.69%, 0.58%

LAB 79.46, -56.31, 25.57

 

CMYK 68 / 47 / 0 / 13

HEX #4875DE

RGB 72 117 222

HSL 222, 0.69%, 0.58%

LAB 51.12, 18.69, -58.25

 

CMYK 0 / 68 / 34 / 13

HEX #DF4793

RGB 223 71 147

HSL 330, 0.7%, 0.58%

LAB 54.34, 64.97, -8.72

 

CMYK 0 / 0 / 68 / 13

HEX #DEDE48

RGB 222 222 72

HSL 60, 0.69%, 0.58%

LAB 86.13, -17.53, 69.94

 

CMYK 68 / 0 / 34 / 13

HEX #48DE93

RGB 72 222 147

HSL 150, 0.69%, 0.58%

LAB 79.46, -56.31, 25.57

 

CMYK 68 / 68 / 0 / 13

HEX #4848DE

RGB 72 72 222

HSL 240, 0.69%, 0.58%

LAB 40.06, 46.43, -76.23

 

Description

Color code: RGB 223 71 147 | qconv.com Color code: RGB 223 71 147 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 223 red, 71 green and 147 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
223 71 147 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 68 magenta, 34 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 68% 34% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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