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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 223 204 194 it is the complementary color RGB 32 51 61. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 223 204 194. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 223 204 194: RGB 228 204 189, RGB 245 222 208, RGB 255 240 227, RGB 255 255 246

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 223 204 194. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 223 204 194: RGB 223 204 194, RGB 206 186 175, RGB 189 168 156, RGB 172 150 137 and RGB 155 132 118

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 9 / 13 / 13

HEX #DFCCC2

RGB 223 204 194

HSL 20.69, 0.31%, 0.82%

LAB 83.32, 4.97, 7.37

 

Complementary color

CMYK 48 / 16 / 0 / 76

HEX #20333D

RGB 32 51 61

HSL 200.69, 0.31%, 0.18%

LAB 20.09, -4.49, -8.71

 

CMYK 0 / 11 / 17 / 11

HEX #E4CCBD

RGB 228 204 189

HSL 23.08, 0.42%, 0.82%

LAB 83.63, 5.99, 10.52

 

CMYK 0 / 9 / 15 / 4

HEX #F5DED0

RGB 245 222 208

HSL 22.7, 0.65%, 0.89%

LAB 89.96, 5.66, 9.72

 

CMYK 0 / 6 / 11 / 0

HEX #FFF0E3

RGB 255 240 227

HSL 27.86, 1%, 0.95%

LAB 95.63, 2.92, 8.08

 

CMYK 0 / 0 / 4 / 0

HEX #FFFFF6

RGB 255 255 246

HSL 60, 1%, 0.98%

LAB 99.78, -1.54, 4.28

 

CMYK 0 / 9 / 13 / 13

HEX #DFCCC2

RGB 223 204 194

HSL 20.69, 0.31%, 0.82%

LAB 83.32, 4.97, 7.37

 

CMYK 0 / 10 / 15 / 19

HEX #CEBAAF

RGB 206 186 175

HSL 21.29, 0.24%, 0.75%

LAB 76.88, 5.29, 8.15

 

CMYK 0 / 11 / 17 / 26

HEX #BDA89C

RGB 189 168 156

HSL 21.82, 0.2%, 0.68%

LAB 70.33, 5.64, 8.97

 

CMYK 0 / 13 / 20 / 33

HEX #AC9689

RGB 172 150 137

HSL 22.29, 0.17%, 0.61%

LAB 63.66, 6.03, 9.85

 

CMYK 0 / 15 / 24 / 39

HEX #9B8476

RGB 155 132 118

HSL 22.7, 0.16%, 0.54%

LAB 56.86, 6.48, 10.8

 

CMYK 0 / 9 / 13 / 13

HEX #DFCCC2

RGB 223 204 194

HSL 20.69, 0.31%, 0.82%

LAB 83.32, 4.97, 7.37

 

CMYK 0 / 6 / 13 / 13

HEX #DFD1C2

RGB 223 209 194

HSL 31.03, 0.31%, 0.82%

LAB 84.58, 2.35, 9.17

 

CMYK 0 / 4 / 13 / 13

HEX #DFD5C2

RGB 223 213 194

HSL 39.31, 0.31%, 0.82%

LAB 85.59, 0.27, 10.61

 

CMYK 0 / 2 / 13 / 13

HEX #DFDAC2

RGB 223 218 194

HSL 49.66, 0.31%, 0.82%

LAB 86.86, -2.31, 12.42

 

CMYK 0 / 0 / 13 / 13

HEX #DFDFC2

RGB 223 223 194

HSL 60, 0.31%, 0.82%

LAB 88.14, -4.88, 14.23

 

CMYK 0 / 9 / 13 / 13

HEX #DFCCC2

RGB 223 204 194

HSL 20.69, 0.31%, 0.82%

LAB 83.32, 4.97, 7.37

 

CMYK 0 / 11 / 11 / 93

HEX #131111

RGB 19 17 17

HSL 0, 0.06%, 0.07%

LAB 5.24, 0.78, 0.27

 

CMYK 0 / 9 / 13 / 73

HEX #46403D

RGB 70 64 61

HSL 20, 0.07%, 0.26%

LAB 27.59, 1.95, 2.75

 

CMYK 0 / 8 / 13 / 53

HEX #796F69

RGB 121 111 105

HSL 22.5, 0.07%, 0.44%

LAB 47.56, 2.78, 4.74

 

CMYK 0 / 9 / 13 / 33

HEX #AC9D96

RGB 172 157 150

HSL 19.09, 0.12%, 0.63%

LAB 65.82, 4.27, 5.64

 

CMYK 0 / 9 / 13 / 13

HEX #DFCCC2

RGB 223 204 194

HSL 20.69, 0.31%, 0.82%

LAB 83.32, 4.97, 7.37

 

CMYK 7 / 0 / 13 / 13

HEX #D0DFC2

RGB 208 223 194

HSL 91.03, 0.31%, 0.82%

LAB 87.04, -10.17, 12.51

 

CMYK 13 / 12 / 0 / 13

HEX #C2C4DF

RGB 194 196 223

HSL 235.86, 0.31%, 0.82%

LAB 79.77, 4.62, -13.65

 

CMYK 0 / 9 / 13 / 13

HEX #DFCCC2

RGB 223 204 194

HSL 20.69, 0.31%, 0.82%

LAB 83.32, 4.97, 7.37

 

CMYK 13 / 0 / 9 / 13

HEX #C2DFCC

RGB 194 223 204

HSL 140.69, 0.31%, 0.82%

LAB 86.31, -13.17, 6.09

 

CMYK 9 / 13 / 0 / 13

HEX #CCC2DF

RGB 204 194 223

HSL 260.69, 0.31%, 0.82%

LAB 80.04, 8.95, -13.17

 

CMYK 0 / 9 / 13 / 13

HEX #DFCCC2

RGB 223 204 194

HSL 20.69, 0.31%, 0.82%

LAB 83.32, 4.97, 7.37

 

CMYK 7 / 0 / 13 / 13

HEX #D0DFC2

RGB 208 223 194

HSL 91.03, 0.31%, 0.82%

LAB 87.04, -10.17, 12.51

 

CMYK 13 / 4 / 0 / 13

HEX #C2D5DF

RGB 194 213 223

HSL 200.69, 0.31%, 0.82%

LAB 84.17, -4.36, -7.1

 

CMYK 6 / 13 / 0 / 13

HEX #D2C2DF

RGB 210 194 223

HSL 273.1, 0.31%, 0.82%

LAB 80.52, 10.93, -12.39

 

CMYK 0 / 9 / 13 / 13

HEX #DFCCC2

RGB 223 204 194

HSL 20.69, 0.31%, 0.82%

LAB 83.32, 4.97, 7.37

 

CMYK 11 / 0 / 13 / 13

HEX #C7DFC2

RGB 199 223 194

HSL 109.66, 0.31%, 0.82%

LAB 86.41, -13.28, 11.54

 

CMYK 13 / 4 / 0 / 13

HEX #C2D5DF

RGB 194 213 223

HSL 200.69, 0.31%, 0.82%

LAB 84.17, -4.36, -7.1

 

CMYK 2 / 13 / 0 / 13

HEX #DAC2DF

RGB 218 194 223

HSL 289.66, 0.31%, 0.82%

LAB 81.19, 13.59, -11.32

 

Description

Color code: RGB 223 204 194 | qconv.com Color code: RGB 223 204 194 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 223 red, 204 green and 194 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
223 204 194 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 9 magenta, 13 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 9% 13% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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