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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 223 186 127 it is the complementary color RGB 32 69 128. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 223 186 127. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 223 186 127: RGB 228 186 122, RGB 245 204 141, RGB 255 222 160, RGB 255 240 179 and RGB 255 255 198

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 223 186 127. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 223 186 127: RGB 223 186 127, RGB 206 168 108, RGB 189 150 89, RGB 172 132 70 and RGB 155 114 51

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 17 / 43 / 13

HEX #DFBA7F

RGB 223 186 127

HSL 36.88, 0.6%, 0.69%

LAB 77.48, 5.53, 34.83

 

Complementary color

CMYK 75 / 46 / 0 / 50

HEX #204580

RGB 32 69 128

HSL 216.88, 0.6%, 0.31%

LAB 29.72, 8.66, -37.2

 

CMYK 0 / 18 / 46 / 11

HEX #E4BA7A

RGB 228 186 122

HSL 36.23, 0.66%, 0.69%

LAB 77.88, 7.04, 38.03

 

CMYK 0 / 17 / 42 / 4

HEX #F5CC8D

RGB 245 204 141

HSL 36.35, 0.84%, 0.76%

LAB 84.24, 6.32, 36.77

 

CMYK 0 / 13 / 37 / 0

HEX #FFDEA0

RGB 255 222 160

HSL 39.16, 1%, 0.81%

LAB 89.88, 2.99, 34.63

 

CMYK 0 / 6 / 30 / 0

HEX #FFF0B3

RGB 255 240 179

HSL 48.16, 1%, 0.85%

LAB 94.67, -3.88, 31.37

 

CMYK 0 / 0 / 22 / 0

HEX #FFFFC6

RGB 255 255 198

HSL 60, 1%, 0.89%

LAB 98.77, -8.88, 27.33

 

CMYK 0 / 17 / 43 / 13

HEX #DFBA7F

RGB 223 186 127

HSL 36.88, 0.6%, 0.69%

LAB 77.48, 5.53, 34.83

 

CMYK 0 / 18 / 48 / 19

HEX #CEA86C

RGB 206 168 108

HSL 36.73, 0.5%, 0.62%

LAB 71.02, 6.26, 36.12

 

CMYK 0 / 21 / 53 / 26

HEX #BD9659

RGB 189 150 89

HSL 36.6, 0.43%, 0.55%

LAB 64.45, 7.13, 37.48

 

CMYK 0 / 23 / 59 / 33

HEX #AC8446

RGB 172 132 70

HSL 36.47, 0.42%, 0.47%

LAB 57.77, 8.15, 38.89

 

CMYK 0 / 26 / 67 / 39

HEX #9B7233

RGB 155 114 51

HSL 36.35, 0.5%, 0.4%

LAB 50.97, 9.39, 40.28

 

CMYK 0 / 17 / 43 / 13

HEX #DFBA7F

RGB 223 186 127

HSL 36.88, 0.6%, 0.69%

LAB 77.48, 5.53, 34.83

 

CMYK 0 / 10 / 43 / 13

HEX #DFC980

RGB 223 201 128

HSL 46.11, 0.6%, 0.69%

LAB 81.3, -2.21, 39.23

 

CMYK 0 / 3 / 43 / 13

HEX #DFD980

RGB 223 217 128

HSL 56.21, 0.6%, 0.69%

LAB 85.44, -10.38, 44.45

 

CMYK 4 / 0 / 43 / 13

HEX #D5DF80

RGB 213 223 128

HSL 66.32, 0.6%, 0.69%

LAB 86.25, -17.29, 45.29

 

CMYK 11 / 0 / 43 / 13

HEX #C6DF80

RGB 198 223 128

HSL 75.79, 0.6%, 0.69%

LAB 85.17, -23.05, 43.71

 

CMYK 0 / 17 / 43 / 13

HEX #DFBA7F

RGB 223 186 127

HSL 36.88, 0.6%, 0.69%

LAB 77.48, 5.53, 34.83

 

CMYK 0 / 16 / 42 / 93

HEX #13100B

RGB 19 16 11

HSL 37.5, 0.27%, 0.06%

LAB 4.82, 0.31, 2.69

 

CMYK 0 / 17 / 43 / 73

HEX #463A28

RGB 70 58 40

HSL 36, 0.27%, 0.22%

LAB 25.2, 2.23, 13.16

 

CMYK 0 / 17 / 43 / 53

HEX #796545

RGB 121 101 69

HSL 36.92, 0.27%, 0.37%

LAB 43.95, 3.21, 21.09

 

CMYK 0 / 17 / 43 / 33

HEX #AC8F62

RGB 172 143 98

HSL 36.49, 0.31%, 0.53%

LAB 61.04, 4.68, 28

 

CMYK 0 / 17 / 43 / 13

HEX #DFBA7F

RGB 223 186 127

HSL 36.88, 0.6%, 0.69%

LAB 77.48, 5.53, 34.83

 

CMYK 34 / 0 / 43 / 13

HEX #93DF80

RGB 147 223 128

HSL 108, 0.6%, 0.69%

LAB 82.13, -41.18, 39.23

 

CMYK 34 / 43 / 0 / 13

HEX #9380DF

RGB 147 128 223

HSL 252, 0.6%, 0.69%

LAB 58.95, 28.63, -46.05

 

CMYK 0 / 17 / 43 / 13

HEX #DFBA7F

RGB 223 186 127

HSL 36.88, 0.6%, 0.69%

LAB 77.48, 5.53, 34.83

 

CMYK 43 / 0 / 17 / 13

HEX #80DFB9

RGB 128 223 185

HSL 156, 0.6%, 0.69%

LAB 82.31, -36.81, 9.9

 

CMYK 17 / 43 / 0 / 13

HEX #B980DF

RGB 185 128 223

HSL 276, 0.6%, 0.69%

LAB 62.58, 39.25, -40.09

 

CMYK 0 / 17 / 43 / 13

HEX #DFBA7F

RGB 223 186 127

HSL 36.88, 0.6%, 0.69%

LAB 77.48, 5.53, 34.83

 

CMYK 34 / 0 / 43 / 13

HEX #93DF80

RGB 147 223 128

HSL 108, 0.6%, 0.69%

LAB 82.13, -41.18, 39.23

 

CMYK 43 / 26 / 0 / 13

HEX #80A6DF

RGB 128 166 223

HSL 216, 0.6%, 0.69%

LAB 67.42, 1.72, -32.88

 

CMYK 9 / 43 / 0 / 13

HEX #CC80DF

RGB 204 128 223

HSL 288, 0.6%, 0.69%

LAB 64.65, 44.78, -36.7

 

CMYK 0 / 17 / 43 / 13

HEX #DFBA7F

RGB 223 186 127

HSL 36.88, 0.6%, 0.69%

LAB 77.48, 5.53, 34.83

 

CMYK 43 / 0 / 38 / 13

HEX #80DF8A

RGB 128 223 138

HSL 126.32, 0.6%, 0.69%

LAB 81.4, -45.52, 33.09

 

CMYK 43 / 26 / 0 / 13

HEX #80A6DF

RGB 128 166 223

HSL 216, 0.6%, 0.69%

LAB 67.42, 1.72, -32.88

 

CMYK 0 / 43 / 4 / 13

HEX #DF80D5

RGB 223 128 213

HSL 306.32, 0.6%, 0.69%

LAB 66.47, 48.6, -28.13

 

Description

Color code: RGB 223 186 127 | qconv.com Color code: RGB 223 186 127 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 223 red, 186 green and 127 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
223 186 127 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 17 magenta, 43 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 17% 43% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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