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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 0 / 27 / 70 / 19 it is the complementary color CMYK 75 / 46 / 0 / 24. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 0 / 27 / 70 / 19. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 0 / 27 / 70 / 19: CMYK 0 / 29 / 73 / 17, CMYK 0 / 26 / 67 / 10, CMYK 0 / 24 / 61 / 4, CMYK 0 / 20 / 55 / 0 and CMYK 0 / 13 / 48 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 0 / 27 / 70 / 19. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 0 / 27 / 70 / 19: CMYK 0 / 27 / 70 / 19, CMYK 0 / 30 / 77 / 25, CMYK 0 / 34 / 86 / 32, CMYK 0 / 38 / 97 / 39 and CMYK 0 / 43 / 100 / 45

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 27 / 70 / 19

HEX #CF973E

RGB 207 151 62

HSL 36.83, 0.6%, 0.53%

LAB 66.33, 12.42, 53.32

 

Complementary color

CMYK 75 / 46 / 0 / 24

HEX #3068C1

RGB 48 104 193

HSL 216.83, 0.6%, 0.47%

LAB 44.77, 12.94, -51.95

 

CMYK 0 / 29 / 73 / 17

HEX #D49739

RGB 212 151 57

HSL 36.39, 0.64%, 0.53%

LAB 66.84, 14.32, 56.2

 

CMYK 0 / 26 / 67 / 10

HEX #E5A94C

RGB 229 169 76

HSL 36.47, 0.75%, 0.6%

LAB 73.26, 12.91, 55.13

 

CMYK 0 / 24 / 61 / 4

HEX #F6BB5F

RGB 246 187 95

HSL 36.56, 0.89%, 0.67%

LAB 79.59, 11.68, 53.88

 

CMYK 0 / 20 / 55 / 0

HEX #FFCD72

RGB 255 205 114

HSL 38.72, 1%, 0.72%

LAB 85.07, 7.37, 51.46

 

CMYK 0 / 13 / 48 / 0

HEX #FFDF85

RGB 255 223 133

HSL 44.26, 1%, 0.76%

LAB 89.73, -0.25, 47.93

 

CMYK 0 / 27 / 70 / 19

HEX #CF973E

RGB 207 151 62

HSL 36.83, 0.6%, 0.53%

LAB 66.33, 12.42, 53.32

 

CMYK 0 / 30 / 77 / 25

HEX #BE852B

RGB 190 133 43

HSL 36.73, 0.63%, 0.46%

LAB 59.8, 13.95, 54.21

 

CMYK 0 / 34 / 86 / 32

HEX #AD7318

RGB 173 115 24

HSL 36.64, 0.76%, 0.39%

LAB 53.18, 15.76, 54.39

 

CMYK 0 / 38 / 97 / 39

HEX #9C6105

RGB 156 97 5

HSL 36.56, 0.94%, 0.32%

LAB 46.48, 17.87, 53.17

 

CMYK 0 / 43 / 100 / 45

HEX #8B4F00

RGB 139 79 0

HSL 34.1, 1%, 0.27%

LAB 39.72, 20.35, 48.87

 

CMYK 0 / 27 / 70 / 19

HEX #CF973E

RGB 207 151 62

HSL 36.83, 0.6%, 0.53%

LAB 66.33, 12.42, 53.32

 

CMYK 0 / 16 / 70 / 19

HEX #CFAD3F

RGB 207 173 63

HSL 45.83, 0.6%, 0.53%

LAB 71.9, 0.66, 58.66

 

CMYK 0 / 5 / 70 / 19

HEX #CFC53F

RGB 207 197 63

HSL 55.83, 0.6%, 0.53%

LAB 78.2, -11.8, 65

 

CMYK 7 / 0 / 70 / 19

HEX #C0CF3F

RGB 192 207 63

HSL 66.25, 0.6%, 0.53%

LAB 79.72, -23.05, 66.11

 

CMYK 19 / 0 / 70 / 19

HEX #A8CF3F

RGB 168 207 63

HSL 76.25, 0.6%, 0.53%

LAB 78.06, -32.74, 63.89

 

CMYK 0 / 27 / 70 / 19

HEX #CF973E

RGB 207 151 62

HSL 36.83, 0.6%, 0.53%

LAB 66.33, 12.42, 53.32

 

CMYK 0 / 33 / 67 / 99

HEX #030201

RGB 3 2 1

HSL 30, 0.5%, 0.01%

LAB 0.59, 0.12, 0.47

 

CMYK 0 / 28 / 70 / 79

HEX #362710

RGB 54 39 16

HSL 36.32, 0.54%, 0.14%

LAB 16.86, 3.83, 17.54

 

CMYK 0 / 27 / 70 / 59

HEX #694D1F

RGB 105 77 31

HSL 37.3, 0.54%, 0.27%

LAB 34.82, 6.51, 31.09

 

CMYK 0 / 27 / 70 / 39

HEX #9C722F

RGB 156 114 47

HSL 36.88, 0.54%, 0.4%

LAB 51.05, 9.59, 42.35

 

CMYK 0 / 27 / 70 / 19

HEX #CF973E

RGB 207 151 62

HSL 36.83, 0.6%, 0.53%

LAB 66.33, 12.42, 53.32

 

CMYK 56 / 0 / 70 / 19

HEX #5CCF3F

RGB 92 207 63

HSL 107.92, 0.6%, 0.53%

LAB 74.36, -58.27, 58.92

 

CMYK 56 / 70 / 0 / 19

HEX #5C3FCF

RGB 92 63 207

HSL 252.08, 0.6%, 0.53%

LAB 38.44, 49.55, -70.21

 

CMYK 0 / 27 / 70 / 19

HEX #CF973E

RGB 207 151 62

HSL 36.83, 0.6%, 0.53%

LAB 66.33, 12.42, 53.32

 

CMYK 70 / 0 / 28 / 19

HEX #3FCF95

RGB 63 207 149

HSL 155.83, 0.6%, 0.53%

LAB 74.73, -51.46, 18.01

 

CMYK 28 / 70 / 0 / 19

HEX #953FCF

RGB 149 63 207

HSL 275.83, 0.6%, 0.53%

LAB 44.87, 59.83, -59.45

 

CMYK 0 / 27 / 70 / 19

HEX #CF973E

RGB 207 151 62

HSL 36.83, 0.6%, 0.53%

LAB 66.33, 12.42, 53.32

 

CMYK 56 / 0 / 70 / 19

HEX #5CCF3F

RGB 92 207 63

HSL 107.92, 0.6%, 0.53%

LAB 74.36, -58.27, 58.92

 

CMYK 70 / 42 / 0 / 19

HEX #3F78CF

RGB 63 120 207

HSL 216.25, 0.6%, 0.53%

LAB 50.68, 10.12, -50.48

 

CMYK 14 / 70 / 0 / 19

HEX #B23FCF

RGB 178 63 207

HSL 287.92, 0.6%, 0.53%

LAB 48.91, 65.84, -52.74

 

CMYK 0 / 27 / 70 / 19

HEX #CF973E

RGB 207 151 62

HSL 36.83, 0.6%, 0.53%

LAB 66.33, 12.42, 53.32

 

CMYK 70 / 0 / 63 / 19

HEX #3FCF4D

RGB 63 207 77

HSL 125.83, 0.6%, 0.53%

LAB 73.69, -63.25, 52.29

 

CMYK 70 / 42 / 0 / 19

HEX #3F78CF

RGB 63 120 207

HSL 216.25, 0.6%, 0.53%

LAB 50.68, 10.12, -50.48

 

CMYK 0 / 70 / 7 / 19

HEX #CF3FC0

RGB 207 63 192

HSL 306.25, 0.6%, 0.53%

LAB 52.54, 69.74, -38.06

 

Description

Color code: CMYK 0 / 27 / 70 / 19 | qconv.com Color code: CMYK 0 / 27 / 70 / 19 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 207 red, 151 green and 62 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
207 151 62 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 27 magenta, 70 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 27% 70% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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